Introduction to Python Programming And Data Structure By Liang

The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking’. The book also recognizes that just as important are the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date.Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.

Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of “sustainability” in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to ad

Told through a little girl’s keen and often amused observation, AN INCH OF TIME gives a truthful, pleasant picture of daily life in Hong Kong in the post-war years. This first-hand account of the kind of home and school education received by many middle-class local Hong Kong children decades ago contains reminiscences about aspects of life-style, customs and traditions – both eastern and western – which average Hongkongers lived by in the 1940s and ‘50s. This memoir is set in a specific locality, the Happy Valley district of Hong Kong Island, home for over a century to the famous Jockey Club race-course.

With immense pride, City University of Hong Kong anticipates our approaching milestone anniversary marking 30 years since acquiring university status. This is a momentous occasion that allows us to reflect on our journey, celebrate our achievements, and look forward to an even more exciting future.The Chinese saying “三十而立” translates as "at thirty, one should stand firm," a principle applicable to CityUHK. Over the past 30 years, CityUHK has firmly established itself as a world-leading university which has remained focused on moving forward as its reputation has grown exponentially across the globe.By innovating into the future, CityUHK continues to foster a robust scholarly institution dedicated to nurturing young talent. Our emphasis on innovation enables us to make significant contributions to Hong Kong, the Mainland, and the world by producing groundbreaking research and solutions tackling the most pressing global challenges.With 8 feature stories and 6 enlightening essays from sen

COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle.This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contr

Widely respected and beloved as one of Hong Kong’s most original painters, Gaylord Chan (1925-2020) had a dynamic career that traversed cultural epochs and the boundaries of media. He made his first serious foray into painting only at the age of 42 after enrolling in an extra-mural studies art course organised by the University of Hong Kong in 1968. Chan’s late start, however, did not at all limit his potential. While he worked as an engineer for Cable & Wireless by day, Chan continued to experiment and refine his creative practice. The artist eventually developed a unique abstract language of bold colours and rustic forms that reflects on the simple wonders of daily life, science and metaphysics, and the contemporary human condition. Referencing an evocative painting by Chan from the 1990s, Never End: The Art and Life of Gaylord Chan, presented by Asia Society Hong Kong Center, is a tribute to the late master and his invaluable artistic legacy. It explores the development of Chan’

In this new study, Peter ten Hoopen reveals levels of virtuosity in the work of Sumbanese textile artists that remained overlooked for over a century of Indonesian textile research. Their richly decorated men’s wraps, hinggi, have commonly been described as symmetric along both axes. But as ten Hoopen’s investigation at Leiden University uncovered, this supposed canon only survived because crucial design elements were overlooked. Sumba’s noble weavers managed to create asymmetry by hiding tiny visual elements that disrupted symmetry and were made to be overlooked. They exploited insights in the way we process visual information by simulating regularity, while deceitfully tying in elements that break it. Ironically, they were so good at hiding these design elements that they remained unnoticed for generations. This virtuosity was a product of Sumba’s competitive culture, suffused by an ancient headhunting ethos and marked by secrecy. As the artists strove to outsmart each other, natural

Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.Mountain songs (山歌) are integral to Hakka culture – Tegan Smyth’s maternal heritage – and have been a way to keep stories by unknown authors alive in an oral tradition. As Hakka’s prominence as a spoken language gives way to other more widely spoken dialects of Chinese, it is in careful records that the cultural practices and stories are captured so they can be seen by future generations. This is true of the poems contained in Mountain Songs, which focuses on the accounts of different women in the writer’s family, whose existence and memories have been passed down only orally and never in writing. The movement of mountain songs sung across different terrains and milieus mirrors the movement of Hakka people themselves, a widely dispersed people, where migration is tied to the community’s experiences both within and outside China. The writer draws parallels to the migration of her grandparen

Battle of the Artisans tells the story of Tangtun, a conflicted, artistic twelve-year-old in 5th-century BCE China, who sets out to save his father from a killer. He crosses wits with his macho father and a vengeful king, armed thieves, and disgruntled villagers, and in the process, discovers new powers that rock his Bronze-Age world. In the end, what matters most is not Tangtun’s artistic abilities or his father’s muscles and might but that they realize the strength of acting together.This novel portrays the making of the very real Bells of Marquis Yi, a 2500-year-old National Treasure of China. No one knows exactly why these bells were made, but Bennett provides a well-researched and persuasive solution to the mystery through her story of Tangtun and his village on the Yangtze River.Every historical novel is an imagined introduction to a topic and a time. Battle of the Artisans invites readers to explore further the world and the science of the bells of Marquis Yi, to learn more abou

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.“Sinogloss

The Journal of Translation Studies is a double-blind peer reviewed bilingual journal (English and Chinese) devoted to all aspects of translation studies. While the journal has a special focus on the history, theory and practice of Chinese-English, English-Chinese translation, it also publishes high-quality articles on research regarding other language combinations and/or general theoretical aspects of translation. The Journal also publishes book reviews by invitation. Contributions may be submitted all year round.

Entanglements: Physics, Love, and Wilderness Dreams, Jack Mayer’s second poetry collection, is a poetic mélange about relationships, from sub-atomic particles to our human family; the ties that bind. Mayer, a pediatrician, poet, and hiker, explores the metaphysics of cosmology and that particularly intense entanglement, love. At the macroscopic level, Mayer’s doctor poems, inspired by his pediatric practice in rural Northern Vermont, take the reader into the heart and soul of a healer inspired to find meaning in his patients’ often difficult lives. Unique connections are unearthed. As a wilderness hiker and canoeist, Mayer has experienced the healing power of wilderness; the mystery of belonging to wilderness, of independence and interdependence. His wilderness poems carry us into his beloved Green Mountains on Vermont’s Long Trail. On solo hikes he composes poems, then copies his first draft into the nearest shelter’s logbook under his trail name, “Mountain Poet.” A durable thread con

Hong Kong’s Link to the US Dollar covers the origins of the city’s currency crisis in 1983, the initial resolution of the crisis by creation of a traditional currency board, the subsequent problems leading to the Asian financial crisis of 1997–98, and the later reforms. A new final chapter traces monetary developments in Hong Kong between 2005 and 2020.This valuable compendium of articles, originally written in the bimonthly journal Asian Monetary Monitor between 1981 and 1989, includes the key article that formed the basis for the Hong Kong government’s decision in 1983 to peg the currency to the US dollar, as well as other important documents of historical record.The main contribution of the book is its detailed monetary analysis of Hong Kong’s unique financial system before and after the currency crisis of 1983. The book explains the collapse of the floating Hong Kong dollar under the pressure of capital outflows during the Sino-British negotiations (1982–84) over the future of Hong

More Than 1001 Days and Nights of Hong Kong Internment is the wartime journal of Sir Chaloner Grenville Alabaster, former attorney-general of Hong Kong and one of the three highest-ranking British officials during the Japanese occupation. He was imprisoned by the Japanese at the Stanley Internment Camp from 1941 to 1945. During his internment, he managed to keep a diary of his life in the camp in small notebooks and hid them until his release in 1945. He then wrote his wartime journal on the basis of these notes. The journal records his day-to-day experiences of the fall of Hong Kong, his time at Stanley, and his eventual release. Some of the most fascinating extracts cover the three months immediately after the fall of Hong Kong and when Alabaster and his colleagues were imprisoned in Prince’s Building in Central and before they were sent to the camp, a period little covered in previous publications. Hence, the book is an important primary source for understanding the daily operation

The Journal of Translation Studies is a double-blind peer reviewed bilingual journal (English and Chinese) devoted to all aspects of translation studies. While the journal has a special focus on the history, theory and practice of Chinese-English, English-Chinese translation, it also publishes high-quality articles on research regarding other language combinations and/or general theoretical aspects of translation. The Journal also publishes book reviews by invitation. Contributions may be submitted all year round.

Writing has always been a difficult subject to talk about, let alone writing an honest account about how one’s creative process is complicated by global lockdown and personal hardships. In Writing in Difficult Times, eleven young promising writers from Hong Kong wallow in some of their perhaps most confusing and troubling moments in life, and share their struggles. How do writers committed to crafted language maintain a dialogue with themselves? How does the dense urban living space affect creative outputs and thoughts? How do writers reflect on and evaluate gender roles, motherhood, and time? What roles does memory play in writing, if memory’s own language is not allowed to communicate? Each personal essay in this collection is available in both Chinese and English, hoping to build a timely and genuine connection with its readers, regardless of location and cultural background. Each word is a courageous sharing that makes a significant contribution to bilingual Hong Kong literary writ

Amidst the reshaping of Hong Kong’s social, cultural, political and ideological landscape, how do we reenvisage a city that exists in our memories? For those who have left their hometown―or the place they once called home―the question, “What does it mean to be a Hongkonger?” marks a constant shift between conflicting realities, identities and perceptions. Beyond the act of remembering, how do we reimagine our relationship with Hong Kong in the present and the future? In this collection of prose, poetry and photography by eighteen writers and artists, we see a gathering of reflections on the profound changes and subtle transitions that have transpired in Hong Kong, both in recent times and over the past decades.

The origins of modern Daoism can be traced to the Church of the Heavenly Master (Tianshidao), reputedly established by the formidable Zhang Daoling. In 142 CE, according to Daoist tradition, Zhang was visited by the Lord on High, who named him his vicar on Earth with the title Heavenly Master. The dispensation articulated an eschatological vision of saving initiates—the pure, those destined to become immortals— by enforcing a strict moral code. Under evolving forms, Tianshidao has remained central to Chinese society, and Daoist priests have upheld their spiritual allegiance to Zhang, their now divinized founder. This book tells the story of the longue durée evolution of the Heavenly Master leadership and institution. Later hagiography credits Zhang Daoling’s great-grandson, putatively the fourth Heavenly Master, with settling the family at Longhushan (Dragon and Tiger Mountain); in time his d

For more than 40 years, the Journal has proved itself to be a publication to encourage scholarly communication for advancing knowledge in the field of Chinese Linguistics (Languages in China) with vision, history, results, and innovative spirit. JCL’s effort to serve the international scholarly community in its field is attested by its inclusion byLinguistics and Language Behavior Abstract Linguistic Abstract online Modern Language Association Directory of Periodicals Modern Language International Bibliography Bibliography of Asian Studies Social Science Citation Index (SSCI) Arts & Humanities Citation Index(A&HCI) European Reference Index for Humanities Scopus DatabaseWe welcome scholars whose quality research involves issues in the theory of language and in exploration and description of Chinese languages to contribute research with original discoveries to JCL for inspiration of international scholarly communication.Journal of Chinese Linguistics is also available online

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

Revised and Updated Edition Since its first publication in French in 1977, Chinese Poetic Writing has been considered by many to be the most innovative study of Chinese poetry ever written, as we

t is now almost a cliché to claim that China and the Chinese people have changed. Yet inside the new clothing that is worn by the Chinese man today, Kam Louie contends, we still see much of the histor

This catalogue is published to coincide with the UMAG exhibition Painted Ceramics: Contemporary Treasures by Jingdezhen’s National Masters from the Lamda Foundation. This exhibition introduces Jingdez

This is one in a series of introductory books providing readers with an overview of the most frequently encountered legal principles. This book presents an introduction to contract principles that app

This is one in a series of introductory books providing readers with an overview of the most frequently encountered legal principles. This book presents an introduction to contract principles that app

Hong Kong’s Link to the US Dollar covers the origins of the city’s currency crisis in 1983, the initial resolution of the crisis by creation of a traditional currency board, the subsequent problems le

Although the history of technological and scientific illustrations is a well-established field in the West, scholarship on the much longer Chinese experience is still undeveloped. This work by Peter G

From Comrades to Bodhisattvas is the first book-length study of Han Chinese Buddhism in post-Mao China. Supported by over a decade of ethnographic research, it provides an intimate portrait of lay Bud

C. T. Hsia studies in depth the six landmarks of Chinese fiction: The Romance of the Three Kingdoms, The Water Margin, Journey to the West, Chin P'ing Mei, The Scholars, and Dream of the Red Chamber.

During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and

Celebrated as a trading port, Hong Kong was also Britain’s “eastern fortress”. Likened by many to Gibraltar and Malta, the colony was a vital but vulnerable link in imperial strategy, exposed to a suc

Sent alone to China by the London Missionary Society in 1807, Robert Morrison (1782--1834), was one of the earliest Protestant missionaries in East Asia. During some twenty-seven years in China and Ma

Mongolia and the United States provides a pioneering firsthand look at the remarkable growth in ties between two countries separated by vast distances that yet share a growing list of interests and va

During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and

Jin Luxian (金魯賢) is considered by many to be one of China's most controversial religious figures. The Memoirs of Jin Luxian recalls Jin's childhood and education, his entry into the Society of Jesus a

Singapore remains one of the few countries in Asia that has yet to decriminalize homosexuality. Yet it has also been hailed by many as one of the emerging gay capitals of Asia. This book accounts for

Written by Leung Ping-kwan in the 1980s and 1990s, this volume of poetry evokes the complexity of Hong Kong city life in the critical moments preceding the 1997 handover. The poet muses upon the probl

This is the catalogue of the exhibition, "The Multiplicity of Simplicity: Monochrome wares from the Song to the Yuan dynasties", held by the University Museum and Art Gallery, HKU. The Song dynasty (9

Casting new light on Sino-European relations, this volume challenges the official rhetoric of "constructive engagement" and "strategic partnership" between Europe and China, by revealing the internal

Following the convening of Hong Kong International Poetry Nights 2011, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem of "To R