The Medieval Python

This innovative environmental history of the long-lived European chestnut tree and its woods offers valuable perspectives on the human transition from the Roman to the medieval world in Italy. Integrating evidence from botanical and literary sources, individual charters and case studies of specific communities, the book traces fluctuations in the size and location of Italian chestnut woods to expose how early medieval societies changed their land use between the fourth and eleventh centuries, and in the process changed themselves. As the chestnut tree gained popularity in late antiquity and became a valuable commodity by the end of the first millennium, this study brings to life the economic and cultural transition from a Roman Italy of cities, agricultural surpluses and markets to a medieval Italy of villages and subsistence farming.

This innovative environmental history of the long-lived European chestnut tree and its woods offers valuable perspectives on the human transition from the Roman to the medieval world in Italy. Integrating evidence from botanical and literary sources, individual charters and case studies of specific communities, the book traces fluctuations in the size and location of Italian chestnut woods to expose how early medieval societies changed their land use between the fourth and eleventh centuries, and in the process changed themselves. As the chestnut tree gained popularity in late antiquity and became a valuable commodity by the end of the first millennium, this study brings to life the economic and cultural transition from a Roman Italy of cities, agricultural surpluses and markets to a medieval Italy of villages and subsistence farming.

Barbara Newman captures the fervent eroticism of Frauenlob's language. More than the mother of Jesus, the Lady of Frauenlob's text is a celestial goddess, the eternal partner of the Trinity. Like Chri

First published in 1938 and reprinted many times, this book by the distinguished medievalist G. G. Coulton (1858–1947) was described by The Times Literary Supplement as 'a triumph of presentation ... This survey is in short an achievement notable alike for its erudition and also for the grace with which such learning is here so lightly carried. ... it would be hard to discover a better introduction to the everyday life of England during those pregnant centuries between the Norman Conquest and the Reformation'. Fifty-two chapters based on a lifetime of research cover every aspect of medieval life, from the emergence of feudalism to 'the bursting of the dykes' at the Reformation. The focus is largely on England, but the European context is also clearly defined in this remarkable synthesis: as a review in The Observer said at first publication, 'There is no one else like Dr Coulton.'

The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centurie

The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centurie

An insightful collection of studies into the Viking, Neolithic and Bronze Ages of the Nordic world: exploring both the domestic and the regal in the rise to civilization.·

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty include: Encompassing past and present: quotations and their function in Machaut's motets; The Vatican organum treatise re-examined; Who 'made' the Magnus liber?

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twelve include: Guerrero L'homme arme masses and their models; Oral and written transmission in Ethiopian Christian chant; The motets of Philippe de Vitry and the fourteenth-century renaissance; Sight, sound and ceremony in the chapel of Galeazzo Maria Sforza.

The 650th anniversary of the foundation of Wingfield College was the occasion for a special two-day symposium marking the culmination of a three-year UEA-funded research project into the college and c

The first major study of the Hindu monastery, a highly complex architectural form in the heart of the Indian subcontinent.

In the Christian tradition, especially in the works of Paul, Augustine, and the exegetes of the Middle Ages, the body is a twofold entity consisting of inner and outer persons that promises to find it

Recent books in the field have tended to dazzle the reader with the latest research. A lot is left unsaid, however, leaving dangerous holes for the newcomer. This clear textbook helps the reader to es

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society.

Scholars and students of the history of the art and architecture of medieval Spain will find much of value in this collection of papers, which were delivered in abbreviated form at the October 2002 Co

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-two include: O quelle armonye: dialogue singing in late Renaissance France; Labouring in the midst of wolves: reading a group of Fauvel motets; Watermarks and musicology: the genesis of Johannes Wiser's collection.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume ten include: Machaut's motet 15 and the Roman de la Rose: the literary context of Amours qui a le pouoir/Faus Samblant m' a deceii/Vidi Dominum; Giulo de' Medici's music books; Parisian nobles, a Scottish princess and the woman's voice in late medieval song.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fourteen include: Roger de Chabannes, cantor of St Martial, Limoges; Music in Corpus Christi procession of fifteenth-century Barcelona; Song masses in the Trent Codices: the Austrian connection; Confrerie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-three include: Guillaume de Machaut and his canonry of Reims 1338–1377; 'Notes as a garland': the chronology and narrative of Byrd's Gradualia; Reading carnival: the creation of a Florentine carnival song; Schein's occasional music and the social order in 1620s Leipzig.

There is a growing interest in the history of relations between the English, Scottish, Welsh and Irish as the United Kingdom and Ireland begin to construct new political arrangements and to become more fully integrated into Europe. This book brings together work on how these relations developed between 900 and 1300, a period crucial for the formation of national identities. The conquest of England by the Normans and the subsequent growth in English power required the inhabitants of Britain and Ireland to reassess their dealings with each other. Old ties were broken and new ones formed. Economic change, the influence of chivalry, the transmission of literary motifs, and questions of aristocratic identity are among the topics tackled here by leading scholars from Britain, Ireland and North America. Little has been published hitherto on this subject, and the book marks a major contribution to a topic of lasting interest.

There is a growing interest in the history of relations between the English, Scottish, Welsh and Irish as the United Kingdom and Ireland begin to construct new political arrangements and to become more fully integrated into Europe. This book brings together work on how these relations developed between 900 and 1300, a period crucial for the formation of national identities. The conquest of England by the Normans and the subsequent growth in English power required the inhabitants of Britain and Ireland to reassess their dealings with each other. Old ties were broken and new ones formed. Economic change, the influence of chivalry, the transmission of literary motifs, and questions of aristocratic identity are among the topics tackled here by leading scholars from Britain, Ireland and North America. Little has been published hitherto on this subject, and the book marks a major contribution to a topic of lasting interest.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume thirteen include: Ut musica poesis: Music and poetry in France in the late sixteenth century; Ronsard, the Lyric Sonnet and Late Sixteenth-Century Chanson; Italianism and Claude de Jeune; Geometry and Rhetoric in Antoine de Bertrand's Troisiesme livre de chansons.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume nineteen include: Mapping the soundscape: church music in English towns 1450–1550; Ritual and ceremony in the Spanish royal chapel c1559–1561; Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-one include: Musica mundana, Aristotelian natural philosophy and Ptolemaic astronomy; Eros and thanatos: a Ficinian and Laurentian reading of Verdelot's Si lieta e grata morte; The debate on song in the Academia Fiorentina.

William Burgwinkle surveys poetry and letters, histories and literary fiction - including Grail romances - to offer a historical survey of attitudes towards same-sex love during the centuries that gave us the Plantagenet court of Henry II and Eleanor of Aquitaine, courtly love, and Arthurian lore. Burgwinkle illustrates how 'sodomy' becomes a problematic feature of narratives of romance and knighthood. Most texts of the period denounce sodomy and use accusations of sodomitical practice as a way of maintaining a sacrificial climate in which masculine identity is set in opposition to the stigmatised other, for example the foreign, the feminine, and the heretical. What emerges from these readings, however, is that even the most homophobic, masculinist and normative texts of the period demonstrate an inability or unwillingness to separate the sodomitical from the orthodox. These blurred boundaries allow readers to glimpse alternative, even homoerotic, readings.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume nine include: Franco of Cologne on the rhythm of organum purum; Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni; The peace of 1360–1369 and Anglo-French musical relations; Music and musicians at the Guild of our Lady in Bergeb-op-Zoom c1470–1510.

This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-four include: Rethinking the Siena choirbook: a new date and implications for its musical contents; Eunuchi conjugium: the marriage of a castrato in early modern Germany; A courtly lover and an earthly knight turned soldiers of Christ in Machaut's motet 5.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa; Galeazzo Maria Sforza and musical patronage in Milan: Compere, Weerbeke and Josquin.

Byzantine rule over Anatolia ended in the eleventh century, leaving the population and its Turkish rulers to build social and economic institutions throughout the region. The emerging Anatolian societ

Most scholarship in English on the political and social order of early medieval Europe concentrates on the Western Frankish regions. Warren Brown shifts the focus to the East, concentrating on conflic

The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In th

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-five include: Lorenzo Corsisni's 'Libri di canzone' and the madrigal in mid-sixteenth-century Florence; Antonio Squarcialupi: man and myth; Children's voices: singing and literacy in sixteenth-century France; Phillipe de Monte: new autobiographical documents.

Now recognized as the standard work on the subject, Realm of St Stephen is a comprehensive history of medieval Eastern and Central Europe. Pal Engel traces the establishment of the medieval kingdom of

The first volume in the Everyday Life series answers these questions as it opens a window on medieval Scotland from 1000 to 1600. The everyday involves all that is common to humanity from the passage

This book begins in a narrow territory, strictly Western, and extends with the passage of time to include the poetry, plays, novels, and works of speculation of the great authors of the past and prese

Economics, in our modern sense of the term, was not a discipline in the Middle Ages, although the history of economic thought is often written as though it were. Lianna Farber restores the core econom

The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show.