Training Within Industry Program Program Development

Revitalization in Asia: Adaptive Reuse in Macao, Mumbai, and Penang offers a clear understanding of the value of sustainable adaptive reuse within an Asian context. Three highly urbanized places (Macao, Mumbai, and Penang) are considered in detail from conservation and planning perspectives (with essays and timelines for each). For each place, five case studies offer a comparative framework for understanding similarities and differences in adaptive reuse projects. Six essays examine adaptive reuse in terms of its connection to the three dimensions of sustainability, with reference to the United Nations’ Sustainable Development Goals. This book is envisioned as a continuation of Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore.

This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so

The book documents Hong Kong’s neon signs whilst taking on a historical, socio-cultural, and contextual study of visual culture around the city. It explores the inter-related components of neon signs, including each sign’s unique visual aesthetic and design, the history of craftsmanship and training, and how the streetscape relates to Hong Kong’s consumer culture.

Includes practical advice, up-to-date legal insight, and easy-to-use checklists.Suitable for people working behind and inside construction sites.Real examples and application in Hong Kong.This book is aimed at students taking occupational safety and health courses at the universities, Construction Industry Council and Occupational Safety and Health Council. It will also serve as a reference book for registered safetyofficers, safety managers, insurance surveyors, project managers, site agents,safety engineers and occupational safety officers as well as those involved in promoting occupational safety in the construction industry and preventingaccidents on construction worksites.

The third edition has undergone significant revisions from the second edition, which was published in 2011. Significant enhancements include coverage of　advancements in electronic commerce and financialtechnology (fintech), particularly the adoption of blockchain-based letters of credit and internet of things. Readers will gain valuable knowledge about trade developments in fintech, blockchain, and important trade promotion institutions in the Greater Bay Area.This book offers comprehensive and well-structured content, making it an excellent resource for training professionals such as bankers, import/export managers, and lawyers.It is particularly beneficial for students enrolled in the Finance of International Trade module of the Professional Diploma for Certified Banker offered by the Hong Kong Institute of Bankers, helping them prepare effectively for their examinations.

This book examines the British cultural engagement with Hong Kong in the second half of the twentieth century. It shows how the territory fit unusually within Britain’s decolonisation narratives and served as an occasional foil for examining Britain’s own culture during a period of perceived stagnation and decline. Drawing on a wide range of archival and published primary sources, Hong Kong and British Culture, 1945–97 investigates such themes as Hong Kong as a site of unrestrained capitalism, modernisation, and good government, as well as an arena of male social and sexual opportunity. It also examines the ways in which Hong Kong Chinese embraced British culture, and the competing predictions that British observers made concerning the colony’s return to Chinese sovereignty. An epilogue considers the enduring legacy of British colonialism.

The rapid developments of electronic communication in the past decades have resulted in a huge amount of clinical knowledge becoming readily available to patients and the general public. At the same time, with the increasing number of complaints and court cases relating to healthcare disputes, knowledge in healthcare ethics and law is increasingly important in the education, training and practices of lawyers as well. This book aims at helping healthcare practitioners (HCPs) to gain some basic and practical knowledge in the two important areas of clinical ethics and laws, so that they will become better practitioners upholding the standard of care, concentrate on taking care of their patients and stay away from unnecessary legal battles.

This book examines Hong Kong foodways in different periods of social development and hopes to advance anthropological inquiries by addressing issues concerning identity, migration, consumerism, globalization, and the invention of local cuisines in the context of Hong Kong as a fast-changing society in East Asia.

This book carries decades of academic observations and the author’s personal political experience. It reviews and refects on the past trajectory of governance and administration, identifying strengths and capabilities as well as constraints and vulnerabilities of Hong Kong as a polity and society, while charting its course of ‘exceptionalism’ within a new context and under changing conditions.Hong Kong under British rule was a prime example of exceptionalism in many aspects —economic, political, and even social. It was governed under a colonial structure and yet had enjoyed a large degree of social and economic freedom, as well as fiscal self-sufficiency and autonomy from London. After returning to Chinese rule in 1997, Hong Kong has continued to thrive as a relatively resilient city-state still known for efficiency andeffectiveness despite tensions and scepticism about its political future.This book carries decades of academic observations and the author's personal political experienc

 名校淵源男拔萃，女拔萃，協恩，千絲萬縷 女性教育大段道理的背後，令人唏噓的女性社會角色與權益 雙語教育中文教育與英文教育，社會認知與偏見的消長「女仔館」一名，今日香港社會恐怕不知所指；但提起其英文全名Diocesan Native Female Training School，則不會太陌生―名校拔萃男書院（Diocesan Boys’ School）和拔萃女書

This edited volume seeks to highlight the development of play therapy in various countries and cities in Asia. The editors discuss how mostly Western play therapy approaches are adapted for use in Asi

New Release DiscountWe are pleased to offer a 20% discount at CUP website for Posters of 798, on or before 30 September, 2025千禧年伊始，幾個藝術家和畫廊進駐北京東北部廢舊閒置的798廠房，發起「再造798」 等一系列藝術活動，推動了中國當代藝術公共化、市場化的進程。短短數年間，吸引了大批藝術家和畫廊經營者進駐798，使其迅速蛻變為成國際矚目的文化創意產業園，在2008年北京奧運會期間達到發展頂峰。在經歷狂飆式發展和國際金融危機後，2012年後的中國藝術市場逐漸衰退。期間798也發生了歷史性的轉變，成為北京新地標。可以說，北京798藝術區見證了中國當代藝術從突飛猛進式發展，到市場衰退的全過程。本書彙集798黃金十年間（2002–2012）六十餘家藝術機構的近千張活動海報，作者亦對十六位藝術家、策展人和畫廊經營者進行深入訪談，提供了這段歷史的珍貴圖像與口述見證。The 798 Art District, born out of the repurposing of abandoned factory buildings in northeastern Beijing, became a symbol of China’s booming contemporary art scene in the early twenty-first century. Initiatives such as “Reconstruction 798” spurred the development of the art district, creating a public, market-driven hub of contemporary art that reached its zenith around the time of 2008 Beijing Olympics. This book documents 798’s remarkable pioneering decade between 2002 and 2012, capturing the art district’s heyday, as well as its subsequent decl

Benny Chia’s memoir of life on the fringe is a vivacious slice of Hong Kong’s life and cultural development at a time of minimal institutional support. His colourful and anecdotal story will interest culture practitioners as well as the general reader curious about the Fringe Club and its role as a seedbed for local artists and as a venue for international ones, both functions championed by Benny at the helm of this small but important institution housed in a distinctive former ice house in Central. general reader curious about the Fringe Club and its role as a seedbed for local artists and as a venue for international ones, both functions championed by Benny at the helm of this small but important institution housed in a distinctive former ice house in Central.

An individual’s health depends on their personal lifestyle and living conditions, which are influenced by a host of complex physical, social, and economic determinants. The same is true of organisatio

This publication, and the accompanying exhibition, presents the vital contributions of two of Japan's most remarkable artists, Kurosaki Akira and Nakabayashi Tadayoshi, who participated in and influenced the twentieth-century renaissance of printmaking in Japan. This cultural phenomenon grew as the artists underwent rigorous training while maintaining a robust interest in traditional printing methods, such as the world-renowned woodblock technique. Coupled with their innovative experimentation, the two printers spearheaded a revival that expanded upon established printing techniques. The unusual juxtaposition of two contemporary artists emphasises both Kurosaki and Nakabayashi's masterpieces and their individual contributions to the ongoing development of Japanese printmaking. This pairing also highlights the distinctiveness, cultural relevance and novelty of their work. Both born in 1937 and similarly trained, Kurosaki and Nakabayashi pursued different topics and employed dis

The University Museum and Art Gallery (UMAG) of the University of Hong Kong presents the Chinese painting exhibition Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China. The exhibition is curated from artworks within the museum’s permanent collection. Works trace the evolution of ink painting in Hong Kong, and include many of the masters that have helped to build the city’s art scene and museum collections. The exhibition and its associated catalogue offers audiences a broad overview of the provenance and aesthetic quality of individual works, and the cultural interactions among twentieth-century Chinese artists, curators, collectors and scholars in Hong Kong, mainland China and abroad. 香港大學美術博物館展出中國繪畫展覽《鑑古賞今：二十世紀中國的水墨與藝術發展》。是次展覽展示博物館的永久館藏。作品追溯了香港本土水墨畫的演變，當中包括多位協助建立起城市藝術風采和博物館藏品的大師。是次展覽和出版的圖錄讓觀眾綜覽個別繪畫作品的來源和美學特質，並香港、中國內地及海外的二十世紀中國藝術家、策展人、收藏家及學者之間的文化交流。

This is a guide for professionals in real estate development in Hong Kong. This third edition provides an account of the concepts of the use and change in use of land, followed by an outline of the pr

This book explains both the historical development and the current practice of land administration. As land administration is governed by private contract law rather than legislation, it is constantly

“From Fu Manchu to Kung Fu Panda chronicles the struggle within Hollywood film to come to grips with American ambivalence toward China as a nation against the backdrop of its current economic and geop

Essays follow rapidly proliferating and resource-intensive Indian urbanism in everyday environments. Case studies on nature conservation in cities, urban housing and slum development, waste management

The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking’. The book also recognizes that just as important are the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date.Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.

In Daily Giving Service: A History of the Diocesan Girls’ School, Hong Kong, Moira M. W. Chan-Yeung and her fellow contributors present a comprehensive history of one of Hong Kong’s oldest girls’ schools. As an alumna of the school, Chan-Yeung traces the history of her alma mater from its establishment in 1860, to its development over the last 160 years until the recent decade. Having experienced stability and turbulences in Hong Kong in the twentieth century, the school has become one of the most prominent girls’ schools in the city. In several chapters written by other alumnae, various aspects of school life of different eras are reconstructed and remembered.The author and other contributors focused on the postwar era in which Hong Kong grew from a small city to a global metropolitan. The expansion of the Diocesan Girls’ School largely followed this trend. The history of the school has also long been connected with the socio-economic development of Hong Kong society, sharing its happ

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

This is the first comprehensive study in English of the cultural and religious history of tea in China. The work traces the development of tea drinking from its mythical origins to the nineteenth cent

The culture of food and drink occupies a central role in the development of Chinese civilization, and the language of gastronomy has been a vital theme in a range of literary productions. From stanzas

In the 1970s, as Hong Kong’s economy began to soar, the public started to place greater emphasis on cultural and artistic pursuits. The Hong Kong Philharmonic Orchestra (HK Phil) became a professional ensemble in 1974, providing high-quality musical entertainment for the public while also promoting classical music and nurturing the next generation of young musicians.Upon obtaining his master’s degree in the late 1980s, author Jimmy Shiu joined the orchestra as audience development manager from 1988 to 1994, working alongside the ensemble to cultivate Hong Kong’s musical landscape. On the orchestra’s golden jubilee, Shiu offers a warm narrative that reflects on 50 significant moments both on and off stage.The HK Phil is celebrated as one of Asia’s premier classical orchestras. During its 44-week season, the orchestra performs over 150 concerts in the Chinese mainland, Hong Kong, and other international cities, reaching more than 200,000 audience members. In 2019, the HK Phil became the

Widely respected and beloved as one of Hong Kong’s most original painters, Gaylord Chan (1925-2020) had a dynamic career that traversed cultural epochs and the boundaries of media. He made his first serious foray into painting only at the age of 42 after enrolling in an extra-mural studies art course organised by the University of Hong Kong in 1968. Chan’s late start, however, did not at all limit his potential. While he worked as an engineer for Cable & Wireless by day, Chan continued to experiment and refine his creative practice. The artist eventually developed a unique abstract language of bold colours and rustic forms that reflects on the simple wonders of daily life, science and metaphysics, and the contemporary human condition. Referencing an evocative painting by Chan from the 1990s, Never End: The Art and Life of Gaylord Chan, presented by Asia Society Hong Kong Center, is a tribute to the late master and his invaluable artistic legacy. It explores the development of Chan’

Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.Mountain songs (山歌) are integral to Hakka culture – Tegan Smyth’s maternal heritage – and have been a way to keep stories by unknown authors alive in an oral tradition. As Hakka’s prominence as a spoken language gives way to other more widely spoken dialects of Chinese, it is in careful records that the cultural practices and stories are captured so they can be seen by future generations. This is true of the poems contained in Mountain Songs, which focuses on the accounts of different women in the writer’s family, whose existence and memories have been passed down only orally and never in writing. The movement of mountain songs sung across different terrains and milieus mirrors the movement of Hakka people themselves, a widely dispersed people, where migration is tied to the community’s experiences both within and outside China. The writer draws parallels to the migration of her grandparen

New research on the history of public housing and squatting in Hong Kong. In Hong Kong Public and Squatter Housing, Alan Smart and Fung Chi Keung Charles trace the development of squatting in Hong Kong from 1963 to 1985. The authors reconstruct government policy on squatting through both ethnographic and archival research. This book sheds new light on the consequences of various attempts to control encroachment on scarce urban space. The authors argue that intersecting policy agendas resulted in decisions that were often not desired, but which emerged as practical solutions from prior failures. They address the challenges of explaining confidential policy decisions and offer new approaches applicable in other contexts. Overall, this book makes an important contribution to the understanding of how public housing and squatting interacted in influential ways that have been poorly understood and offer new perspectives on the challenges of urban governance and housing problems.

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies. The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boards Teachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Else

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Elsevier Bibliographic Databases, Current Geographical Publications, International Political

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.· The only China-based English journal devoted to the study of Greater China and its people· A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Scie

Since the beginning of the new century, Professor Jao has been furthering his techniques of lotus painting with modulation through brush method, coloration and even composition, many of which has not

This book highlights some of Kenneth King’s diverse contributions to international and comparative education, African studies and development studies over more than four decades. From his pioneering w