True (... Sort Of)

An individual’s health depends on their personal lifestyle and living conditions, which are influenced by a host of complex physical, social, and economic determinants. The same is true of organisatio

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijin

The context in which constitutional laws and human rights instruments are read is ever-changing, and this is particularly true for the Hong Kong Special Administrative Region. To understand the applic

A towering figure in the literary history of twentieth-century China, Lu Xun has exerted immense and continuous influence through his short stories, which remain today as powerful as they were first w

Escaping the End of Times is a book where history meets psychology. It invites readers to explore the intricate relationships between dreams, politics, and the Chinese writing system in early modern China.Thoroughly researched and written in an accessible manner, this book presents a series of historical encounters that reveal how Ming scholars countered instability by compiling and editing dream texts. Readers learn how these scholars translated their dreams into action, used the past to bolster their status, reaffirmed their preferred societal order, merged myth and history, and interpreted their dreams and the dreams of others through creative techniques grounded in scholarly tradition.By combining detailed research with captivating storytelling, this book not only brings the world of late Ming dream analysis to life but also demonstrates the relevance of the past to the stories we tell now about ourselves and our own dreams.

杜甫一生的虛構自傳一個穿越了多個時代、多場戰火、多種語言的杜甫，帶著他的多重身影重返我們的生活現場。— 西川「世界偉大的隨筆家之一 」——《紐約時報》「一位隱蔽的文學領袖」My favorite essayist is Eliot Weinberger.His remarkable breadth of calm concern is impressive.—Gary Snyder (Pulitzer Prize Winner, 1975)­This is a book concerned with mortality, friendship, and regret.­The psyche looking back at its life. As such, The Life of Tu Fu sometimes feels like a poetic biography of my own life, or maybe yours.—Forrest Gander (Pulitzer Prize Winner, 2019)溫伯格巧妙地運用拼貼手法，從杜甫一千多首浩瀚的詩歌中擷取靈感，將其詩句、意象與情感重新編織成五十八首全新的詩篇。這些詩篇猶如一幅幅流動的畫卷，描繪出杜甫顛沛流離的一生，以及他所經歷的戰亂與瘟疫。儘管時空相隔千年，但在後疫情時代，我們或許更能體會杜甫詩歌中那種深刻的孤獨與蒼涼。這部作品不僅是對杜甫一生的致敬，也是對我們自身、對苦難和對人生短暫易逝的反思。Drawing inspirations from a vast oeuvre of more than a thousand poems, Eliot Weinberger has deftly composed a montage of ­fifty-eight poems derived and adapted from the lines, images, and feelings in Tu Fu’s poetry. These poems weave a tapestry of Tu Fu’s turbulent life and times of war and disaster.In the post-pandemic era, we may appreciat

Written in Stone by Polo Bourieau is an extraordinary exploration of how monumental sculpture transforms urban spaces into places of meaning and connection. From the ancient marble quarries of Carrara to the skyscrapers of Hong Kong or the bustling lanes of Chengdu, this richly illustrated book charts Polo’s creative journey, offering profound insights into the dialogue between sculpture, architecture, and community.Structured as an epic narrative inspired by Joseph Campbell’s monomyth theory, Polo’s sculptures become the protagonists of our common narrative of adventure, transformation, and identity. With reflections on the creative process and a conversation with urban planner and design writer Catherine Shaw, the book delves into the challenges and realities of creating public art in the dynamic landscapes of 21st-century China.Written in Stone offers a philosophical meditation on the power of art to shape our cities and ourselves. It invites readers—whether city planners,

Fascinated by her grandfather’s seafaring life on a freighter and triggered by her own turbulent arrival to Iceland one winter, Crystal Kwan ends up buying a one-way ticket to Paris where her outbound life unfolds. Under the influence of great artists, architects and writers who travelled far both physically and creatively, she is tempted to do the same: to record serendipitous, at times overwhelming moments through writing, sketching and photography. Four themes of “souvenirs”, each a result of a particular type of travel, portray different ways of seeing as she comes face to face with the world. Be it creative or contemplative, memorable or regrettable, the greatest souvenir harnessed throughout all journeys is the transformative power of travel.

New Release DiscountWe are pleased to offer a 20% discount at CUP website for Posters of 798, on or before 30 September, 2025千禧年伊始，幾個藝術家和畫廊進駐北京東北部廢舊閒置的798廠房，發起「再造798」 等一系列藝術活動，推動了中國當代藝術公共化、市場化的進程。短短數年間，吸引了大批藝術家和畫廊經營者進駐798，使其迅速蛻變為成國際矚目的文化創意產業園，在2008年北京奧運會期間達到發展頂峰。在經歷狂飆式發展和國際金融危機後，2012年後的中國藝術市場逐漸衰退。期間798也發生了歷史性的轉變，成為北京新地標。可以說，北京798藝術區見證了中國當代藝術從突飛猛進式發展，到市場衰退的全過程。本書彙集798黃金十年間（2002–2012）六十餘家藝術機構的近千張活動海報，作者亦對十六位藝術家、策展人和畫廊經營者進行深入訪談，提供了這段歷史的珍貴圖像與口述見證。The 798 Art District, born out of the repurposing of abandoned factory buildings in northeastern Beijing, became a symbol of China’s booming contemporary art scene in the early twenty-first century. Initiatives such as “Reconstruction 798” spurred the development of the art district, creating a public, market-driven hub of contemporary art that reached its zenith around the time of 2008 Beijing Olympics. This book documents 798’s remarkable pioneering decade between 2002 and 2012, capturing the art district’s heyday, as well as its subsequent decl

ranscending the rise and fall of dynasties, tracing the growth and formation of Chinese civilization through the currents of history.This book is an unusual excursion into Chinese cultural history. Professor Cho-yun Hsu moves beyond accounts that focus solely on the internal evolution of Chinese culture. He revisits early Chinese civilization, integrating recent archaeological discoveries to reshape our understanding of its development. Employing a big history perspective, Hsu reconstructs the dynamic interplay of diverse ethnic groups and cultures within and beyond China, highlighting the constant friction and fusion that shaped its trajectory.This insightful work reveals why Chinese civilization has endured despite numerous internal and external hardships and turmoils. It offers a nuanced and thought-provoking perspective on China’s past and its relevance to the present. --------------------------------------------------------------------------------------------------------------

‘We must have a procedure – if we are going to hang anyone – that is just,’ said Chief Justice Sir Francis Piggott in 1909, on discovering that Chinese accused of murder were being denied interpretation in Hong Kong’s courts. Due process, no matter how costly or inconvenient, was ‘one of the penalties of empire,’ he declared.Penalties of Empire explores how judges, juries, and lawyers strove to deliver justice during the 150 years when the death penalty was in force in Hong Kong. Nine main chapters focus on key capital trials in the first century of British rule. Among the cases are piracies, assassinations, and crimes of passion and desperation. These chapters describe the proceedings in court and the participants involved. They also explore the debates surrounding each case and the exercise or denial of mercy by governors. Two final chapters discuss the decline of the death penalty after World War II, its suspension after 1966, and the controversies leading to its formal abolition in

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. Bettinson argues that Wong’s films—from Days of Being Wild and Chungking Express to In the Mood for Love and The Grandmaster—are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative disruptions, jarring cuts, the blocking of facial access, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. This tenth-anniversary edition of The Sensuous Cinema of Wong Kar-wai includes a substantial new afterword bringing the story of Wong’s career up to date (including reflections on the mainland Chinese drama Blossoms Shanghai). Bettinson revisits and extends the arguments of the first edition, surveys the recent key debates on Wong’s filmmaking, and introduces fresh lines of critical investigation.

My Mum Called Alzheimer’s is a heartfelt memoir chronicling the author’s journey through her mother’s battle with dementia in the final 4 years of her life. In a diary of intimate dialogues between mother and daughter, we glimpse into the challenges of caring for someone you love, coming to terms with losing them, and finding strength in cherishing the moments that remain. The touching account of the interaction between the author and her mother sends a strong message about keeping a balance, maintaining dignity whilst coping with the effects of the symptoms of dementia and the need to make the best of what we still have. It is a story of love, resilience, perseverance, and hope.

In A New Documentary History of Hong Kong, 1945–1997, Florence Mok, Fung Chi Keung Charles, and other contributors analyse newly released archival records from the National Archives in London, the Government Records Service in Hong Kong, and other sources across the world. This documentary collection provides an updated and improved understanding of basic aspects of the city such as governance, economy, society, and culture. It also aims at investigating topics that are under-exploited in previous sourcebooks, such as race and diasporas, gender and familial relations, medicine and healthcare, and environment and natural disasters. Overall, this book offers an innovative and comprehensive long-term perspective of Hong Kong’s colonial history.

The Classic of Poetry (Shijing), also known as the “Mao Poetry” (Mao Shi), is the oldest existing collection of poetry in China, or indeed anywhere in the world. As a fountainhead of the Chinese literary tradition, it has endured over two and a half millennia of continuous readership. In this volume, eminent sinologist Edward L. Shaughnessy presents a complete English translation of the 305 discrete poems from the Classic of Poetry, divided into the Feng 風“ Ya 雅“ and Song 頌“ Combining the received text with newly unearthed manuscript discoveries, Shaughnessy offers a modern, authoritative interpretation that departs from the dated translations of earlier scholars. His masterful rendering encapsulates the essence of this poetic treasury, reflecting the diverse aspects of life, love, nature, and ritual in ancient China.--------------------------------------------------------------------------------------------------------------Professor Shaughnessy’s translation of the Classic of Poetry

In Lu Xun and World Literature, Xiaolu Ma, Carlos Rojas, and other contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun’s works in relation to the notions of world literature and processes of literary worlding. The contributors offer detailed analyses of Lu Xun’s own literary oeuvre and of foreign works that engage with his writings. This volume also focuses on many facets of the publication and dissemination of Lu Xun’s works’, from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.

Yuan Haowen 元好問 (1190 1257) is one of the greatest Chinese poets of the past eight hundred years. He is especially famous for his poems lamenting the death and disorder that accompanied the decline, fall, and aftermath of the Jin dynasty, when the Mongols took over North China. Reading Yuan’s poems, one feels his intense pain at the demise of the dynasty and his deeply felt need to preserve the historical and cultural record of civilization as he knew it. The poems are distinguished by breadth of learning, linguistic creativity, and allusive depth. They also reveal an abiding sense of irony, and occasional self-directed wry humor.John Timothy Wixted’s treatment of 150 of Yuan Haowen’s poems distills available scholarship on the poet in Chinese, Japanese, and Western languages. The poems—lucidly introduced, interpreted, and explicated—are presented in romanization and translation as well as in the original.Some critics have justifiably acclaimed Yuan Haowen to be one of China’s greatest

This volume is a translated and edited collection of studies on the Shi ji (Records of the historian) by SimaQian, authored by the prestigious Japanese sinologist Miyazaki Ichisada. Providing a pathbreaking analysis of the structure and formation of the Shi ji, it serves not only as an excellent introduction to Sima Qian’s masterpiece but also offers historiographical and methodological insights that will stimulate further debate and research.In this volume, Miyazaki presents fascinating evidence of the influence of narrative fiction and drama in Sima Qian’s recreation of the entire length and breadth of Chinese history right up to his own time. By establishing a foundational model for writing comprehensive histories in China, Sima Qian’s work is essential for understanding the subsequent tradition of historical writing. This volume offers readers valuable insights into how Sima Qian constructed his seminal work.A monument of Japanese scholarship on the Shi ji, Prof. Miyazaki Ichisada’

This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so

Co-published with HKU LibrariesOn the Steppes of Dreams is the latest collection of ‘dreamscapes’ by Basil Pao. Designed as a companion piece to his previous book Carnival of Dreams (2023) - which chronicled, from his first album cover and early cut & paste collages to the current CGI enhanced digital images of his photomontage work over a period of 50 years. The new book completes the circle and concludes the story of his surrealist/magic-realism imagery with a chapter of tributes to the group of artists who had inspired and influenced his work. The book is also intended as a celebration and a momento for the 100th anniversary of Surrealism.In his introduction, Terry Gilliam wrote: “His stunningly beautiful composite images surprise us by combining opposites, juxtaposing unlikely imagery and ideas that ask questions, make us smile, make us think, releasing us from the rigid restrictions of Reason. The portal is in your hands. Turn the page and float off into Basil’s endless univer

Hong Kong and Macau have both been Special Administrative Regions of China since 1999. To this day, however, the two SARs and mainland China have yet to form a cohesive agreement for extradition. Yanhong Yin proposes a theoretical model—the China Arrest Warrant—that fulfils three essential criteria: compliance with the framework of “One Country, Two Systems,” allowance for differences within the three divergent legal systems, and sufficient human rights protection.This model takes direct inspiration from the European Arrest Warrant, which is undergirded by the principle of mutual recognition—the idea that while states may make different decisions on a wide range of matters, results will be accepted as equivalent to decisions made by one’s own state. The success of the European Union’s adoption of mutual recognition across political, economic, and legal situations is instrumental in providing a blueprint for judicial cooperation among mainland China, Hong Kong SAR, and Macau SAR. This a

The Hong Kong Cemetery in Happy Valley is home to over 470 graves connected to the city’s Japanese population. Most of these graves belong to individuals who died during the Meiji era (1868–1912), a remarkable period of modernisation and opening up of Japan that saw thousands of its inhabitants travel to other parts of the world to study, work, and settle. Who were these people? What were they doing in Hong Kong? And why were unbaptised Japanese buried in what was called at one time the ‘Protestant Cemetery’?Hong Kong’s Meiji-era Japanese community was one of two halves. Company executives sat atop the social ladder and karayuki-san, or prostitutes, occupied the lower echelons, with tradespeople and professionals somewhere in between. By revealing the personal journeys of these mostly forgotten Japanese, the authors aim to add to transnational perspectives on Hong Kong and Japan during the late nineteenth and early twentieth centuries, as well as increase recognition of this fragmented

Most histories of Hong Kong begin with the arrival of the British, and only incidentally mention the precolonial eras. In this book, Patrick Hase, one of the leaders in the field, provides an important addition to the history of Hong Kong and the Pearl River Delta region, covering topics such as Chinese ethnicity, commerce, port-towns, and squatting. It is a truly excellent work that will interest historians, anthropologists, and social scientists.—James L. WatsonFairbank Professor of Chinese Society and Anthropology Emeritus,Harvard UniversityThis book, an historical and archaeological portrayal of Hong Kong market villages across the territory, depicts how Hong Kong evolved not through chronicles of emperors and governors but through the ups and downs of different centres of rural life over the centuries. It belongs beyond the bookshelves of historians and archaeologists—anyone wandering the streets of Hong Kong neighbourhoods today wondering “how did this place get to be here?” wil

How did lay people in old China save their lives when dealing with acute or chronic health issues? Conventional medicine was costly and might not have been an option for many. Instead, people in villages and towns relied on remedies drawn from a woodblock-printed illustrated booklet called the Seventy-Two Therapies, first published in 1847. The goal of this book is to foster an appreciation of China’s long tradition of folk remedies. Each folk remedy is illustrated by a page from the circa 1860s woodblock edition of the Seventy-Two Therapies which the author used for translation. He also added a historical and interpretive analysis to expand on each therapy and to place it in the context of contemporary thinking, aiming at academics and readers interested in the everyday lives of common people in pre-1950 China, and in the folk medicine wisdom inherited from the past. ------------------------------------------------------------------------------- “The 72 specific disease

Sketching Hong Kong is a panoramic record of Hong Kong by the Indonesian-Chinese painter Eddie Chau (1945-2020). A testament to geographical history, each painting is a passage in Hong Kong’s story, each stroke a moment in time. It also serves as a retrospective of Chau’s art from his early years in Bandung, his coming-of-age in Guangdong and his final decades in Hong Kong.《慢寫香港》 是畫家鄒源榮的作品集，收錄了他筆下香港地脈全景圖和不同時期的素描速寫。鄒源榮(1945-2020)是印尼華僑後代，1992年由內地移居香港，從業餘作畫到成為全職畫家，一直創作不懈。香港自從上世紀七十年代開始移山填海打造一個國際大都會，地脈及天際線就不斷移動，鄒源榮的畫作可以說是香港地理史的補遺，每一幅都抒寫着這小城的故事。守護香港的方法有很多，「記錄下來」肯定是其中之一，且彌足珍貴。Eddie Chau (1945–2020) was a Chinese painter born in Bandung, Indonesia. When the anti-Chinese riots broke out in 1965, many overseas Chinese returned home. Eventually settling in Hong Kong in 1992, Eddie became known for his panoramic watercolour landscapes of Hong Kong.

Following the ending of the First Opium War and the signing of the Treaty of Nanjing in 1842, Britain opened five treaty ports on the Chinese mainland in the cities now known as Fuzhou, Guangzhou, Ningbo, Shanghai, and Xiamen. Foreigners were allowed for the first time to live and work normally in these cities under the eyes of their state’s consul. In establishing this presence, consular staff and their families faced numerous challenges, including unsuitable accommodation, illness, hostile local authorities, attacks from militias and pirates, while at the same time adjusting to an unfamiliar language and culture.Henrietta Alcock (1812–1853), the first wife of the British Consul, Rutherford Alcock, was little-known until an album of sketches and watercolours depicting her life in China came to light. Acquired by the Martyn Gregory Gallery, London in the early 1990s, the works in the Alcock Album feature picturesque natural landscapes, traditional Chinese architecture, and scenes of co

The inspiring, haunting story of Chinese migrant workers rejected by the USA who built a new community in Mexico.From the 1850s, as the United States pushed west, Chinese migrants met ordinary Americans for the first time. Alienation and xenophobia lost the US this chance for cultural and economic enrichment—but America gave the Chinese new perspectives, connections, and dreams of their own. As teenagers, Hugo Wong’s great-grandfathers fled poverty in Guangdong for California. A decade later, excluded from the US, they helped establish a Chinese settlement across the border in Mexico, led by a world-famous dissident-in-exile with visions of a New China overseas. They would be among the Americas’ first Chinese magnates, meeting with presidents, generals, and missionaries, living through astonishing victories and humiliating defeats. The bitterest of all would be the colony’s tragic demise amid a violent Mexican revolution, leading to the largest massacre and deportation of Chinese in Am

In The New Politics of Beijing–Hong Kong Relations, Sonny Shiu-Hing Lo looks at the diverging changes to the ideologies from both Beijing and Hong Kong, and the ideological conflicts as taken in the form of factional political struggles between 2012 and the present. This book examines the paternalistic authoritarianism that can be seen in Beijing’s policy toward Hong Kong since the promulgation of the national security law in late June 2020. Lo analyzes the ideological shift from liberal nationalism to conservative nationalism in mainland China, which has taken place since late 2012. The increasingly radical localism in Hong Kong after 2014 transformed Beijing–Hong Kong relations into a conflict-ridden situation characterized by factional struggles. While the imposition of the national security law into Hong Kong since late June 2020 has stabilized the city politically, Beijing’s policy toward Hong Kong is now guided by the principles of protecting its national security and m

This fourth edition of Contract Law in Hong Kong is a comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases in this new edition. The book deals with all the core areas of contract law. New legislative rules, notably the Contracts (Rights of Third Parties) Ordinance, have also been covered.The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, “vitiating” elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes

In ancient times, scholars such as Confucius and Aristotle expounded on the virtue of the “middle way” or “intermediate,” an ideal point of moderation or balance between the extremes of human behavior. Adam Smith, widely considered the father of modern economics as we know it, also encouraged propriety in his first work, The Theory of Moral Sentiments. Since then, different schools of economics have continued to incorporate the idea of propriety into their theories, for example in such concepts as equilibrium and bounded rationality, though few economists have defined it explicitly. In light of growing uncertainty and polarization around the world, propriety economics offers alternative solutions for markets, governments, and everyday citizens.This book embarks on a thorough review of Eastern and Western philosophies of propriety over the past 2,500 years, followed by an investigation of the ideas of propriety found in five key schools of economics: classical, neoclassical, institution

This concise and authoritative work offers the latest guidance on journalism ethics for students and media professionals and will help empower news consumers to make informed decisions about the trustworthiness of their sources of information. It offers advice on all aspects of journalism ethics including accuracy and seeking the truth, representation of women, LGBTQ coverage, climate change, mental health, use of images, conflict reporting, elections, and how to use artificial intelligence. The author brings a unique perspective and depth of knowledge to the complex challenges facing journalists and news consumers in this era of fake news, disinformation, and artificial intelligence.

Form Follows Fever is the first in-depth account of the turbulent early years of settlement and growth of colonial Hong Kong across the 1840s. During this period, the island gained a terrible reputation as a diseased and deadly location. Malaria, then perceived as a mysterious vapour or miasma, intermittently carried off settlers by the hundreds. Various attempts to arrest its effects acted as a catalyst, reconfiguring both the city’s physical and political landscape, though not necessarily for the better. Caught in a frenzy to rebuild the city in the devastating aftermath, this book charts the complex interplay between a cast of figures, from military surveyors, naval doctors, Indian sepoys, and corrupt and paranoid officials to opium traders, arsonists, Chinese contractors, and sojourner architects and artists. However, Hong Kong’s ‘construction’ was not just physical but also imagined. Architecture, cartography, epidemiology, and urban infrastructure offer a critical forensic l

In Rosie Young: A Lifetime of Selfless Service, Moira Chan-Yeung presents a brief history of Professor Young’s remarkable career in medical education and administration at the University of Hong Kong (HKU) and her wide-ranging public service to the community over many decades. As the first female dean of HKU’s Faculty of Medicine, her career was deeply intertwined with the socio-economic development of Hong Kong. After her retirement from HKU, she continued to serve HKU and the community up to the present. This book illustrates her many contributions to the development of medical education in Hong Kong and to the university administration at HKU. Professor Young’s extensive public service in the field of medicine also helped improve primary care, hospital care, and public health in Hong Kong. In short, this book provides a valuable record of a female giant in Hong Kong’s medical history and documents her selfless and enduring service to the HKU community and Hong Kong society.

Health is not just the absence of disease.In an era when living to 100 is becoming more common,our concept of ageing must evolve. While Hong Kong people enjoy the world's longest life expectancy, an important question arises: Are we truly achieving healthy ageing? In this book, Professor Jean Woo addresses a diverse array of challenges associated with the elderly population in Hong Kong society, including issues like elderly poverty, unfriendly community designs, unfair stigmatization faced by seniors, and late-life loneliness. Drawing on extensive research and clinical experience, she advocates for self-care, education, and empowerment, encouraging us to move beyond dependence on doctors and medications. Ageing is inevitable, yet we can control how we age. --------------------------------------------------------------By 2046, 36% of Hong Kongers will be ‘older adults’. Take Charge of Your Own Ageing is a timely publication to remind our society about the significan

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

Making National Heroes is an ethnography of the making of national heroes in the commemoration of the Second World War in contemporary China. Foregrounding the lived experience of men and women who participate in commemorative activities, it theorises how masculinity and nationalism entangle in recollecting war memories. Taking the feminist line of inquiry, this anthropological study develops an approach to capture the centrality of making exemplars in the realisation of hegemonic masculinities. It adds a gender perspective to studies on exemplarist moral theory and theorises exemplary men’s cross-cultural significance in defining masculinities. Researchers in the fields of critical masculinity studies, anthropology, feminist methodology, China studies, and memory studies will be interested in this book.

Having made documentary films screened at the most prestigious film festivals in the West, Chinese documentary filmmaker Wang Bing presents a unique case of independent filmmaking. In The Cinema of Wang Bing, Bruno Lessard examines the documentarian’s most important films, focusing on the two obsessions at the heart of his oeuvre—the legacy of Maoist China in the present and the transformation of labor since China’s entry into the market economy—and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang Bing is a minjian (grassroots) intellectual whose films document the impact of Mao’s Great Leap Forward on Chinese collective memory and register the repercussions of China’s turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, the author shows how Wang Bing’s practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not b

The distant rustle of a tusker emerging one morning from the forests of Nepal. The crack of the shifting expanses of ice in northern Mongolia. The swirl of mist around a lantern atop of Hong Kong Island. The squeaky whistle of diving kites over the holy waters of Varanasi. Black clouds carrying sleet over the rock country of Australia. Men with their eagles on horseback singing love songs as they ride through tall grasslands. This book of images is a thought-provoking look at stillness and reflection, from the bushlands of Australia to the frozen lakes of Mongolia, and the deserts of the Middle East. It’s a personal look at places of silence and space where I have found peace and meaning. My hope is to invite the viewer to pause, slow down, and look. Pay attention to the small, magical things that are happening within each image and find your own place within them. There we can meet in silence—and be still. When you stand in front of a photographic print made with movement and the play

We have carefully selected a collection of 20 exquisite paintings and calligraphy by Prof. Jao Tsung-i, accompanied by 50 cherished photographs captured during his worldwide travels. These features Prof Jao’s interpretations of landscapes from different corners of the world, including his large-scale paintings depiction well-know sites in Hong Kong, China, and overseas. We can observe how he exceptionally reflected the distinct character of each place and represented it using the traditional Chinese medium of ink and brush as well as Western painting style. As the old saying goes, “It is better to travel ten thousand miles than to read ten thousand books”. While achieving one of these is already incredibly challenging, Prof. Jao not only traversed thousands of miles, surpassing the accomplishments of both ancient masters and numerous contemporary painters.

Shao Xunmei, poet, essayist, publisher, and printer, played a signifcant role in the publication and dissemination of journals and pictorial magazines in Shanghai during the 1920s and 1930s, but this is the first collection of his prose writings to be published in English. The essays in this book, some of which were selected by the writer's daughter, Shao Xiaohong, include long essays such as “One Man Talking” and “A Year in Shanghai” as well as several shorter essays on subjects as diverse as the caricatures of Miguel Covarrubias, woodblockprinting, and pictorial magazines—all of which were published in Shao’s own magazines.