當人工智慧參與藝術創作，「作者」還能只指向人類嗎？本書從當代數位藝術實踐出發，討論 AI 如何改變我們對創意主體、作者身分與作品所有權的理解，並串連人工智慧的技術與哲學思考、後人類主義、智慧財產權及共享資源等議題。作者不將 AI 描繪成具有類人創造力的獨立藝術家，而是提出「後人類能動性組合」（posthumanist agential assemblage）的概念，重新理解人、演算法、技術系統、法律與資本如何共同參與創作。當 AI 藝術同時牽動美學、法律與市場，創作實踐與作者角色也出現新的可能與爭議。How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and cap
