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An indispensable reference to the development of the Chinese economy—past, present, and future.—DALE W. JORGENSON, Samuel W. Morris University Professor, Harvard University Since China undertook economic reform and opened its economy to the world in the late 1970s, its economy has been growing at an average annual rate of over 9 percent for more than four decades. No other economy in recorded history has grown at such a high rate and for such a long period as China has done. The questions that naturally arise are: Was the Chinese economy a miracle? Or was it a mere bubble? Will the Chinese economy begin to stagnate like the Japanese economy did in the 1990s, and perhaps decline? Will it be able to escape the “middle-income trap”? If it is not a miracle, can the Chinese development experience be replicated elsewhere? This book provides a comprehensive and detailed discussion of the remarkable growth of the Chinese economy over the past decades, by scrutinising the sources of e

co-published with Guangxi Normal PressThe Orient Explorer Collection is a series of interesting texts written by Westerners travelling in China in the 1800s and early 1900s. Each volume has been reprinted from scans of the original publication and is included under a particular theme.The box set focuses on the theme “Women Writers” and features seven books written by women from various walks of life. It is suitable for readers interested in early China depicted by women travellers in the 19th and early 20th centuries. Each volume of the collection is to reignite interest and also to allow readers to explore how these books relate to the region today. With the Empress DowagerKatharine A. CARLThis book provides a sensational account of the author’s time with the Empress Dowager Cixi and the Chinese Court while painting her portrait for an exposition in St. Louis in the United States.978-962-937-405-1 • HK$278 / US$36Jan 2024 • 140 x 216 mm • 396 pp • PbA Woman in ChinaMary GAUNTThis

The distant rustle of a tusker emerging one morning from the forests of Nepal. The crack of the shifting expanses of ice in northern Mongolia. The swirl of mist around a lantern atop of Hong Kong Island. The squeaky whistle of diving kites over the holy waters of Varanasi. Black clouds carrying sleet over the rock country of Australia. Men with their eagles on horseback singing love songs as they ride through tall grasslands. This book of images is a thought-provoking look at stillness and reflection, from the bushlands of Australia to the frozen lakes of Mongolia, and the deserts of the Middle East. It’s a personal look at places of silence and space where I have found peace and meaning. My hope is to invite the viewer to pause, slow down, and look. Pay attention to the small, magical things that are happening within each image and find your own place within them. There we can meet in silence—and be still. When you stand in front of a photographic print made with movement and the play

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijin

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the though

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family.Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and unde

HONG KONG LITERATURE SERIESSeries Editor: John MinfordLeung Ping-kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. ‘I have drawn on magical realis

Prof. William S-Y. Wang, an eminent linguist, has made significant contributions to the field regarding lexical diffusion, experimental phonetic studies, language simulation and modeling, and aging and language. To celebrate his 90th birthday, colleagues and friends worldwide have contributed over 30 articles to a two-volume Festschrift. The English volume includes topics such as Chinese language evolution, the relationship between language and music, and the brain processes involved in language production. This Festschrift is written by and for experienced language researchers and is also suitable for students of Chinese linguistics and those interested in Chinese culture, history, and neurology.

The rapid developments of electronic communication in the past decades have resulted in a huge amount of clinical knowledge becoming readily available to patients and the general public. At the same time, with the increasing number of complaints and court cases relating to healthcare disputes, knowledge in healthcare ethics and law is increasingly important in the education, training and practices of lawyers as well. This book aims at helping healthcare practitioners (HCPs) to gain some basic and practical knowledge in the two important areas of clinical ethics and laws, so that they will become better practitioners upholding the standard of care, concentrate on taking care of their patients and stay away from unnecessary legal battles.

Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on ‘difficult heritage’, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as ‘heritage’ in a number of societies in contemporary East and Southeast Asia and Oceania. The authors analyse how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on the political agendas that inform the heritage-making process. They also examine the ways in which these processes respond to colonialism, decolonization, and nationalism. The volume shows how efforts to preserve various sites of ‘difficult heritage’ can involve the construction of new borders in the mind between what is commemorated and what is often deliberately obscured or forgotten. Take

The Law of the People’s Republic of China on Safeguarding National Security in the Hong Kong SAR (the ‘NSL’) promises to be the most important legal development in Hong Kong since the advent of the Basic Law. Many wondered in the aftermath of the NSL how the foundations of Hong Kong’s system might be changed and in what way the freedoms valued by Hong Kong may be affected. Supporters view the law as essential for the preservation of public order and the national security of China and to support the fundamental well-being of “One Country, Two Systems”, an arrangement that has been in place since the return of Hong Kong to China. Critics fear an adverse impact on the spirit of “One Country, Two Systems”.From a discussion initiated by the University of Hong Kong’s Faculty of Law, this collection of essays brings together leading experts on Hong Kong and Chinese law to offer an exploratory study of the NSL and its impact on the legal system and the principle of the rule of law in Hong Kong

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.

Daoism is a peer-reviewed international journal dedicated to the publication of original research articles exploring Daoism in its social and historical contexts from the pre-modern to the contemporary period. The journal encourages innovative research based on new documents and/or fieldworks.

陌生的親人，是否一面認識自己的鏡子？倔強而失落的少女，從香港的石屎森林，跑到既燈紅酒綠又碧海藍天的台灣，尋找親情、愛情的初體驗。Journey to Home is an intensely poignant story based on the playwright's own youth. Twenty years ago, Li's mother left her family – Li,

In Lu Xun and World Literature, Xiaolu Ma, Carlos Rojas, and other contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun’s works in relation to the notions of world literature and processes of literary worlding. The contributors offer detailed analyses of Lu Xun’s own literary oeuvre and of foreign works that engage with his writings. This volume also focuses on many facets of the publication and dissemination of Lu Xun’s works’, from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.

Heritage and History in the China–Australia Migration Corridor traces the material and social legacy of migration from China to Australia from the 1840s until the present day. The volume offers a multidimensional examination of the material footprint of migration as it exists in the migration corridor stretching between Zhongshan county in south China and Australia. Spanning the fields of heritage studies, migration studies, and Chinese diaspora history, Denis Byrne, Ien Ang, Phillip Mar, and other contributors foreground a transnational approach to the heritage of migration, one that takes account of the flows of people, ideas, objects, and money that circulate through migration corridors, forming intricate ongoing bonds between those who migrated to Australia and their home villages in China.

Case studies from contemporary Asia on the intersection of nature and urban spaces. Two processes are currently unfolding in diverse patterns across contemporary Asian cities: the displacement of nature in urban spaces, as well as the reimagining of nature's place in the urban sphere. The rapid urbanization of Asia has provoked contentious debates and novel schemes about the role of nature in cities. Contributors to this volume gather case studies from across Asia to address projects of urban greening and other models for the integration of nature in urban life. The book also illustrates how the intersection of urban growth and urban nature is a sector rich with fresh ideas about urban planning, governance, and social life as debates and efforts to recover nature in the city provoke moral and ethical evaluations of the human ecology of city life.

More Than 1001 Days and Nights of Hong Kong Internment is the wartime journal of Sir Chaloner Grenville Alabaster, former attorney-general of Hong Kong and one of the three highest-ranking British officials during the Japanese occupation. He was imprisoned by the Japanese at the Stanley Internment Camp from 1941 to 1945. During his internment, he managed to keep a diary of his life in the camp in small notebooks and hid them until his release in 1945. He then wrote his wartime journal on the basis of these notes. The journal records his day-to-day experiences of the fall of Hong Kong, his time at Stanley, and his eventual release. Some of the most fascinating extracts cover the three months immediately after the fall of Hong Kong and when Alabaster and his colleagues were imprisoned in Prince’s Building in Central and before they were sent to the camp, a period little covered in previous publications. Hence, the book is an important primary source for understanding the daily operation

Computer Aided Drawing software has changed the world of architecture dramatically. It now allows designers to create curvilinear buildings without hesitation. This phenomenon has revolutionized the p

Simply keeping the mind clear and calm was, for many post-Tang Daoists, the path to eternal life and freedom. Through sheer serenity, practitioners believed they could attain immunity to hunger, eliminate sexual function, suspend breath and pulse, engage in astral travel, and command spirits and natural forces.In his meticulously researched study, Stephen Eskildsen examines how this perspective informed Daoist internal alchemists after the Tang dynasty (618–907), including prominent representatives of the Quanzhen tradition in the north and the Nanzong in the south. Drawing on a wide array of textual sources, he analyzes the teachings of figures like Qiu Chuji (1143–1227), Yin Zhiping (1169–1251), Zhang Boduan (ca. 984–1082), Bai Yuchan (1194– 1229), Li Daochun (fl. 1288–1292), Yu Yan (ca. 1253–1314), and Wu Shouyang (1574–after 1641), among others. These adepts emphasized passive, straightforward methods that they believed gave rise to spontaneous psychic, sensory, and physiological p

China’s remarkable journey from poverty to becoming the world’s second-largest economic power is marked by extraordinary urban growth and consumption capacity of its urban population. Central to this development fervor are multifunctional commercial complexes and shopping malls, now key features of modern urban districts. The concept of shopping malls, originally introduced to China by American architects in the 1980s, has since flourished on an even larger scale than their American counterparts.This book delves into the origins of shopping mall development in the United States after World War II, tracing how American architects exported this building type into China’s rapidly evolving urban landscapes, particularly in Beijing, Shanghai, Chengdu, Kunming, and Guangzhou. Using primary sources, statistical analyses, and illustrated case studies, the book explores the evolution of shopping malls as a consequence of China’s profound economic, social, and cultural change over the past four

The Sublime Object of Orientalism proposes that globalised Asian physical cultural practices such as taiji, qigong, yoga, and meditation can be understood by examining the intimate connection between Western orientalism and the Romantic aesthetic notion of the sublime. The book recasts ‘orientalist physical culture’ as practices animated by the sublime and argues that this relationship is stronger than has hitherto been recognised by commentators.Bowman combines new readings of philosophers and cultural critics such as Slavoj Žižek and Jane Iwamura with analyses of film, media, and Asian physical practices and their entrepreneurial forms to shed light on the quest to articulate a philosophy of orientalist physical culture. He also explores ways to make sense of orientalist physical culture in the contemporary world and evaluate the often-problematic ideologies that circulate around these cultural practices without either uncritically accepting their value or rejecting them outright. Th

In the early twentieth century, oil painting as a non-indigenous medium began to be taught in Chinese art academies. Since that time, it has become an important and increasingly popular portal, inviting artists to explore cross-cultural dynamics and experiment with individual creative expression.This selection of twentieth-century Chinese oil paintings from the UMAG collection sheds light on the art historical and cultural significance of the medium. Highlighting the versatile aspects of Chinese oil paintings across a diverse spectrum of themes, styles, techniques, time periods, and regional and local characteristics, this publication presents the depth and virtuosity of Chinese oil paintings, extending from intimate interior views to panoramic coastal landscapes. The collective and individual memories within urban scenes activate dialogues of painting practices across time, space, and cross-cultural and cross-media encounters.The selected works display and represent the various artist

The number 8 plays a crucial role in mythology. In Asian art this can be seen in the 8 trigrams of the I Ching, the 8 Immortals, the 8 Buddhist symbols and the 8 Auspicious symbols. These interrelated elements are often depicted as a group of 8 in the form of a serial narrative, which are supplemented by motifs of pairs, figures or scenes from stories, landscapes, plants, flowers, animals, ornaments and symbols.To illustrate this point, nine objects—each consisting of eight sections or eight motifs—were selected from the UMAG collection. The items, including an eight-part panel with silk painting, each demonstrate the diversity and richness of serial narratives in Chinese art and craftsmanship. In addition to the narrative structure, these eight-part objects can be understood as components of superordinate systems. In the microcosm of their diverse details, they refer to the macrocosm of mythology, which results in a network of relationships that continuously refer back to one another.

The Global South – both as a concept and loosely defined collection of countries – has gained increasing traction in public and policy discourse. The ten BRICS+ countries are increasingly big players in economics, trade, and finance, as well as on geopolitical matters, climate change, and in multilateral institutions.Since its expansion to include five new countries, questions have arisen over the tenability and coherence of the grouping, as well as the extent to which divergences can be managed. Many non-BRICS+ nations and observers question whether BRICS+ can counterbalance the G7 countries. Though the impact of the BRICS+ as a geopolitical force remains to be seen, understanding BRICS+ is vital for policymakers and businesses across the world.Amid the growing role these powers play across the globe, academics must examine the past, present, and future of the BRICS+ countries. This compendium draws upon scholars across numerous continents, spheres, and disciplines, examining the futu

HONG KONG LITERATURE SERIESSeries Editor: John MinfordAfter her celebrated The Teddy Bear Chronicles, Xi Xi turns her creative vision towards the world of the primate kingdom. At the age of 73, despite physical challenges, Xi Xi traveled extensively across Asia, from tropical forests to conservation centers, immersing herself in the natural world of apes and monkeys.This book is one of the remarkable outcomes of this journey. Xi Xi documented 51 endearing ape and monkey puppets that she had sewn, weaving them into a series of insightful dialogues with her friend, the Hong Kong writer Ho Fuk Yan. These discussions cover the depiction of apes and monkeys in Chinese and Western literature, painting, drama, and film, as well as the interconnectedness of humans and their primate relatives. Xi Xi’s words, filled with empathy, reveal the heart of her work: ‘If there is a common theme to our conversation, it is to respect life and speak for those lives that have been discriminated against in t

In this new study, Peter ten Hoopen reveals levels of virtuosity in the work of Sumbanese textile artists that remained overlooked for over a century of Indonesian textile research. Their richly decorated men’s wraps, hinggi, have commonly been described as symmetric along both axes. But as ten Hoopen’s investigation at Leiden University uncovered, this supposed canon only survived because crucial design elements were overlooked. Sumba’s noble weavers managed to create asymmetry by hiding tiny visual elements that disrupted symmetry and were made to be overlooked. They exploited insights in the way we process visual information by simulating regularity, while deceitfully tying in elements that break it. Ironically, they were so good at hiding these design elements that they remained unnoticed for generations. This virtuosity was a product of Sumba’s competitive culture, suffused by an ancient headhunting ethos and marked by secrecy. As the artists strove to outsmart each other, natural

Health is not just the absence of disease.In an era when living to 100 is becoming more common,our concept of ageing must evolve. While Hong Kong people enjoy the world's longest life expectancy, an important question arises: Are we truly achieving healthy ageing? In this book, Professor Jean Woo addresses a diverse array of challenges associated with the elderly population in Hong Kong society, including issues like elderly poverty, unfriendly community designs, unfair stigmatization faced by seniors, and late-life loneliness. Drawing on extensive research and clinical experience, she advocates for self-care, education, and empowerment, encouraging us to move beyond dependence on doctors and medications. Ageing is inevitable, yet we can control how we age. --------------------------------------------------------------By 2046, 36% of Hong Kongers will be ‘older adults’. Take Charge of Your Own Ageing is a timely publication to remind our society about the significan

In The Making of Chinese-Sinophone Literatures as World Literature, Kuei-fen Chiu and Yingjin Zhang aim to bridge the distance between the scholarship of world literature and that of Chinese and Sinophone literary studies. This edited volume advances research on world literature by bringing in new developments in Chinese/Sinophone literatures and adds a much-needed new global perspective on Chinese literary studies beyond the traditional national literature paradigm and its recent critique by Sinophone studies. In addition to a critical mapping of the domains of world literature, Sinophone literature, and world literature in Chinese to delineate the nuanced differences of these three disciplines, the book addresses the issues of translation, genre, and the impact of media and technology on our understanding of “literature” and “literary prestige.” It also provides critical studies of the complicated ways in which Chinese and Sinophone literatures are translated, received, and reinveste

This book focuses on a seldom discussed topic despite its immeasurable impact on the health of the citizens and public health in Hong Kong--the development of outpatient medical services and their contributions. In the early 20th century, Chinese elite organized and operated a number of Chinese Public Dispensaries in Hong Kong and Kowloon, initially to reduce the prevalence of "dump bodies" on the streets during epidemics of smallpox or plague, and to determine the cause of death of these bodies. Later other services including domiciliary deliveries by trained midwives were added. The government founded similar clinics in the New Territories. After WWII, the government took over all the Chinese Public Dispensaries and operated them as general outpatient clinics. Over the years, more general clinics and special clinics were developed. These clinics helped improve the health indices of the population to those of the Western countries by the 1970s.

This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is “Poetry and Conflict”. 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, “Hong Kong Cantonese Poetry Night” is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.

展覽圖錄輯錄共18組「女」雕塑及21組「男」雕塑。妳是否唸「a man anda pan」、「a man and a pen 」長大的？妳曾否「看字典也看出火來」？曾因捺不住，在字典所有「man」字之前都加上「wo」兩個字母，男變女﹝woman﹞阿Q一番的藝術家李慧嫻延續她在《眾裡尋她》展覽的「陶」畫「陶」話，再度拆解女男的意識建構關係。

This book is a collection of documents including articles, speeches and records of conversation that the former Prime Minister of Australia, the Honourable E.G. Whitlam AC.QC, has both written and pre

Thematic poetry collection with author's biographical introduction. About relationships and, after a mastectomy, rediscovering herself in her altered body, proving to herself her renewed worth as a se

Family violence, including intimate partner violence, elder abuse and child maltreatment, is a serious and deteriorating social problem. It may cause irreparable damage to the victim's physical and me

American women have lived in Hong Kong, and in neighboring Macao, for nearly two centuries. Many were changed by their encounter with Chinese life and British colonialism. Their openness to new experi

This book explores the role of universities in responding to ongoing changes in China, and in shaping the relations between the university and the state during periods of social change. Tsinghua Unive

This volume discusses the urban history and cultural landscape of Singapore in relation to theories of textual dialogics, multiculturalism and the cultural and political unconscious. Multidisciplinary