Python Press

News under Fire: China’s Propaganda against Japan in the English-Language Press, 1928–1941 is the first comprehensive study of China’s efforts to establish an effective international propaganda system

亞洲輔導學報 專題：輔導文獻和出版的國際化 ２００７年第十四卷，第一及二期

This book is a sequel to Education in Hong Kong, Pre-1841 to 1941: Fact and Opinion (Hong Kong University Press, 1990).It provides comprehensive coverage of developments in formal and informal educati

This bibliography comprises three parts: journal articles (including trade journals and magazines); books, book chapters, papers and reports; and doctoral dissertations and master's theses. It concent

The Guangdong Development Model and Its Challenges, Hong Kong: City University Press, pp. 43-80. ... 中國社會發展 -- 香港學者的分析》 Zhongguo Shehui Fazhan: Xinggang Xuezhe de Fengxi (Social Development in China:

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four is

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four is

Phone-in programmes on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an influenti

Amidst the reshaping of Hong Kong’s social, cultural, political and ideological landscape, how do we reenvisage a city that exists in our memories? For those who have left their hometown―or the place they once called home―the question, “What does it mean to be a Hongkonger?” marks a constant shift between conflicting realities, identities and perceptions. Beyond the act of remembering, how do we reimagine our relationship with Hong Kong in the present and the future? In this collection of prose, poetry and photography by eighteen writers and artists, we see a gathering of reflections on the profound changes and subtle transitions that have transpired in Hong Kong, both in recent times and over the past decades.

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Elsevier Bibliographic Databases, Current Geographical Publications, International Political

特刊導言：中國社會的壓彈與成長心理學（英文稿）何敏賢 在多樣系統調解計劃的青少年習慣性犯罪（recidivism）比率的防護與過程的影響（英文稿）廖堅輝、陳端琳 減低香港婦女對流產的哀傷反應─配偶支援作為心理彈性因素（英文稿） 甄秋慧、鄧素琴 亞洲（新加坡）人的韌性與心理福利（英文稿） 居維寧、林恢祥 中國內地學生在澳洲「與壓力相關的

How do we situate ourselves when we navigate the city of Hong Kong—physically, and in our minds? Against a backdrop of bustling density and movement, the difficulties of making space have shaped our days. From the challenges of limited living space and the quest for personal space, to the everyday negotiations of our identities in the social space, we are constantly confronted with the question: How do we redefine the distance between the city, others, and ourselves, and between the selves within us? This collection features prose, poetry and artwork from writers and artists in or from Hong Kong, as well as those who have had a close connection with the city, that explore the (im)possibility of making space. How do we remake space in our lives and our creative practices? What does this (im)possibility mean in (or in relation to) Hong Kong today?

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies. The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boards Teachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Else

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.· The only China-based English journal devoted to the study of Greater China and its people· A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Scie

Writing has always been a difficult subject to talk about, let alone writing an honest account about how one’s creative process is complicated by global lockdown and personal hardships. In Writing in Difficult Times, eleven young promising writers from Hong Kong wallow in some of their perhaps most confusing and troubling moments in life, and share their struggles. How do writers committed to crafted language maintain a dialogue with themselves? How does the dense urban living space affect creative outputs and thoughts? How do writers reflect on and evaluate gender roles, motherhood, and time? What roles does memory play in writing, if memory’s own language is not allowed to communicate? Each personal essay in this collection is available in both Chinese and English, hoping to build a timely and genuine connection with its readers, regardless of location and cultural background. Each word is a courageous sharing that makes a significant contribution to bilingual Hong Kong literary writ

在現今激烈的競爭環境下，英語運用能力一直是取勝利器。閱讀報刊的英文評論文章，除了有助了解世界及本地時事外，更能從中學習英語運用，提升語文水平，一舉兩得。本書收錄葉劉淑儀過去一年在《南華早報》（South China Morning Post）、《中國日報》（China Daily）及《香港自由新聞》（Hong Kong Free Press）發表的十多篇英文評論文章，題目包括香港在國家大局下的角色、本土宏觀政策，以及大國碰撞下的局勢，見解精闢而且引發深思。每篇文章後附註特別挑選十個重點詞彙，簡述其詞性、典故以及用法，讀者能從中掌握如何精煉地運用這些詞彙，加強英語表達能力。

長達四十年，柯南．道爾爵士陸續寫下了這些也許他自己並不看重的文字。一百多年以來，數不清的讀者因為各自的理由，喜歡上了他筆下的這位神探，喜歡上了神探的醫生朋友，喜歡上了維多利亞時代倫敦的昏暗街燈，喜歡上了風光旖旎的英格蘭原野，喜歡上了各位蠢笨低能的探員，甚至喜歡上了神探的頭號敵人、智力與他一時瑜亮的莫里亞蒂教授。更有一些讀者對神探的演繹法如醉如癡，不遺餘力地四處尋覓他和他的朋友在現實中留下的蛛絲馬跡，以至於最終斷定，他和他的朋友實有其人。神探的身影在各式各樣的舞台劇、電視劇和電影當中反復出現，又在萬千讀者的記憶當中反復縈迴。我們真的應該感謝柯南．道爾爵士，感謝他不情不願抑或半推半就地寫下了這樣六十個故事，為我們的好奇心提供了一座興味無窮的寶山。六十個福爾摩斯故事，如同一幅七色斑斕的長卷，我們可以從中窺見另一個民族在另一個時空的生活，窺見一個等級森嚴卻不乏脈脈溫情的社會，窺見一個馬車與潛艇並存的過渡年代，窺見一個又一個雖欠豐滿立體卻不乏神采風姿的人，窺見一鱗半爪，商品化程度較低的人性。《福爾摩斯全集》譯註本全七卷，譯註者李家真前後耗時二十載翻譯，初版面世後又重新校訂潤飾，為的是不負作者雕龍文心，以酬讀者知音雅意。此帙成書已久，原文文本大致定型，慮或有脫漏異文，故採Random House、Oxford University Press、Wings Books等出版社等多家版本參照校譯。不較日居月諸，但期博覽遐觀，以求精審，以避訛誤。此譯與前賢譯本多有不同，非欲立異標新，實因原作文字所限，不得不然。為盡一己所知所能，如實反映作品原貌及時代特徵。書中一千五百餘條註釋，用意無非簡略說明相關歷史及文化背景，為讀者省卻翻檢參考書籍之勞。柯南．道爾爵士志趣宏遠，不以此著自矜，書中敘述遂屢有明顯謬誤，甚或自相矛盾。此類牴牾凡有發現，譯者亦盡己之力一一註明，其餘揣測懸想之偵探趣味，則留待讀者諸君自行發掘。（參見隨書附贈的百頁圖文彩色專冊《誰識福爾摩斯》）