Ravel Studies

Demonstrating the vibrant nature of current research on Maurice Ravel, one of the most significant figures in twentieth-century French music, a team of distinguished international scholars provides new interdisciplinary perspectives and insights. Through historical, critical, and analytical means, the volume reveals the symbiotic relationships between Ravel's music and aesthetic, cultural, literary, gender, performance-based, and medical studies. While the chapters progress from French aesthetic-literary association, including Colette and Proust, to more extended disciplinary couplings, with American history, jazz, dance, and neurology, the organization is relatively free to enable other thematic links to emerge. The volume presents a refreshing variety of scholarly approaches to Ravel and his music, set within broad contexts and current musicological debates. In a Ravelian spirit, it is intended that the essays will serve collectively as a model for expanding the agendas of other composer-based studies.

Deborah Mawer is Professor of Music within the Lancaster Institute for the Contemporary Arts at Lancaster University. Her books include The Ballets of Maurice Ravel: Creation and Interpretation (2006), Darius Milhand: Modality and Structure in Music of the 1920s (1997), and the Cambridge Companion to Ravel (2000). Her articles and reviews on varied topics have appeared in the Journal of the Royal Musical Association, Twentieth-Century Music, Music & Letters, Opera Quarterly, Music Theory Online, and the British Journal of Music Education, as well as in essay collections on French music.