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商品簡介
The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time and documented crucial changes in performance practice and innovations in the sound of music.
"This welcome volume collects Source's original, provocative issues in an unparalleled repository of articles, scores, graphics, photos, editorials, and reviews, featuring contributions by some of the twentieth century's leading experimental and pioneering composers and performers." -Elainie Lillios, Associate Professor of Composition at Bowling Green State University
"Source was an audacious piece of new music entrepreneurship that could only have happened in the 1960s. How wonderful it is for this liberating historical moment to be reincarnated; who knows what musical adventures this republication will inspire." -James Pritchett, author of The Music of John Cage
"An indispensable anthology of cross-disciplinary ideas about music and composition. This is a fascinating treasure trove of musical counterculture, absolutely relevant today." -Christian Marclay, visual artist and composer
"Source was an essential document of its time, a music magazine that made beautiful music and beautiful art. This book now puts content from all the print issues in one's hand, bringing us as close to having Source again as we are ever likely to get." -Al Margolis, Pogus Productions (www.pogus.com)
"There was a glorious moment at the cusp of the 1970s when all our musical road maps became obsolete overnight.Young composers relied instead on the accounts of voyageurs, many of which were printed in the pages of Source. Austin and Kahn's meticulous compendium carries us back to that heady, pre-Web time when anything seemed possible." -Nicolas Collins, Editor-in-Chief, Leonardo Music Journal
"This welcome volume collects Source's original, provocative issues in an unparalleled repository of articles, scores, graphics, photos, editorials, and reviews, featuring contributions by some of the twentieth century's leading experimental and pioneering composers and performers." -Elainie Lillios, Associate Professor of Composition at Bowling Green State University
"Source was an audacious piece of new music entrepreneurship that could only have happened in the 1960s. How wonderful it is for this liberating historical moment to be reincarnated; who knows what musical adventures this republication will inspire." -James Pritchett, author of The Music of John Cage
"An indispensable anthology of cross-disciplinary ideas about music and composition. This is a fascinating treasure trove of musical counterculture, absolutely relevant today." -Christian Marclay, visual artist and composer
"Source was an essential document of its time, a music magazine that made beautiful music and beautiful art. This book now puts content from all the print issues in one's hand, bringing us as close to having Source again as we are ever likely to get." -Al Margolis, Pogus Productions (www.pogus.com)
"There was a glorious moment at the cusp of the 1970s when all our musical road maps became obsolete overnight.Young composers relied instead on the accounts of voyageurs, many of which were printed in the pages of Source. Austin and Kahn's meticulous compendium carries us back to that heady, pre-Web time when anything seemed possible." -Nicolas Collins, Editor-in-Chief, Leonardo Music Journal
作者簡介
Larry Austian was the founding editor of Source and is Emeritus Professor of Music at the University of North Texas.
Douglas Khan is author of Noise, Water, Meat: A History of Sound in the Arts and Research Professor at the National Institute for Experimental Arts, University of New South Wales, Sydney.
Douglas Khan is author of Noise, Water, Meat: A History of Sound in the Arts and Research Professor at the National Institute for Experimental Arts, University of New South Wales, Sydney.
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