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Thomas Heywood's Theatre, 1599-1639: Locations, Translations, and Conflict
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Thomas Heywood's Theatre, 1599-1639: Locations, Translations, and Conflict

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Rowland (drama and English, U. of York, England) argues that the difficulty of establishing the relationship between text and performance is more acute with Heywood (1573-1641) than with any of his contemporaries. He attributes this to a lack of recent revivals, a lack of knowledge about the companies and theaters he wrote for, and the lack of a reliable complete edition of plays. That said, he analyzes the performance of his plays to the degree possible from scripts and historical records. Within sections on Heywood's English landscape, staging Roman comedy in Stuart London, and street theater, he considers his and John Stow's role in the invention of the city staged, his divided households, trade and slavery in The Captives, the innovative tragicomedy of The English Traveller, out of the dripping pan into the fire in Loves Mistris, and whether the pageants reflect London's peaceable estate. Annotation c2010 Book News, Inc., Portland, OR (booknews.com)

作者簡介

Richard Rowland is Senior Lecturer in Drama and English, University of York, UK.

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優惠價:90 5466
若需訂購本書,請電洽客服 02-25006600[分機130、131]。

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