商品簡介
This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practice. The selection includes essays which have had a major impact on the field and others which are less known and reproduced here from hard-to-find sources. The volume is divided into four parts: Interpretation and Polemics, Gender and Sexuality, Popular Music, and Early Music. Each of the essays treats music as cultural text and has a strong interdisciplinary appeal. Together with the autobiographical introduction they will prove essential reading for anyone interested in the life and times of a renegade musicologist.
作者簡介
Susan McClary specializes in the cultural criticism of music, both the European canon and contemporary popular genres. Her recent publications explore the many ways in which subjectivitiesa€”cultural notions of selfhood, of how emotions a€?feel,a€ and so ona€”have been construed in music from the sixteenth-century onward.
