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Identity, Performance and Technology—Practices of Empowerment, Embodiment and Technicity
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Identity, Performance and Technology—Practices of Empowerment, Embodiment and Technicity

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:NT$ 4500 元
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904050
若需訂購本書,請電洽客服 02-25006600[分機130、131]。
商品簡介
作者簡介

商品簡介

This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices.Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.

作者簡介

SUE BROADHURST is Professor of Performance and Technology within the School of Arts at Brunel University, West London, UK. She is the author of Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999) and Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (2007), co- editor of Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006) and Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance and of the online journal Body, Space and Technology. Susan is currently working on a series of collaborative practice-based research projects entitled 'Intelligence, Interaction, Reaction and Performance', which involve introducing various interactive digital technologies into live performance.
JOSEPHINE MACHON is a writer/practitioner in contemporary performance and a Lecturer in Theatre at Brunel University, UK. For Palgrave Macmillan she has published (Syn)aesthetics: Redefining Visceral Performance (2009, 2011) and co-edited Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006) and Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance (2010) with Susan Broadhurst. Josephine and Susan are the editors of the recently commissioned Palgave Macmillan Series in Performance and Technology. Josephine's current practice-based collaborations explore performance as a medium for research into human relationships with the environment.

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優惠價:90 4050
若需訂購本書,請電洽客服 02-25006600[分機130、131]。