Songs of Experience

Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis--qualities that have made Martin Jay's previous books so distinctive and so successful--Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history.
As he explores the manifold contexts for understanding experience--epistemological, religious, aesthetic, political, and historical--Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of "experience" in modern cultures.

Martin Jay is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. Among his books are Refractions of Violence (2003), The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950 (second edition, California, 1996), Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (California, 1993), and Marxism and Totality: The Adventures of a Concept from Lukacs to Habermas (California, 1984).