"I understand that you regard the film Schindler's List as a total lie, as Zionistpropaganda." Zundel clears his throat, preparing the posture of his body to pontificate, to delivera speech he has obviously memorized for use at a hate rally: "Spielberg's movie is a perfect exampleof Hollywood hate propaganda...." -- from Lost Between the EdgesIn Eldon Garnet's Lost Between theEdges, a feverish intellectual, frustrated by the failures of government, acts alone to eliminate aninfamous Holocaust denier. The protagonist, a renegade academic and punk intellectual known only asX, puts his radical ideas into action by firebombing the headquarters of Ernst Zundel, publisher ofDid Six Million Really Die?With its incisive critique and its use of real documentation, LostBetween the Edges blurs the boundaries between fact and fiction. Garnet, like W. G. Sebald beforehim, uses factual documentation of dubious authenticity to construct his narrative. But as the novelprogresses, its story becomes so powerful that we find its truth lies not in its factual trappingsbut in the emotional and intellectual reality of its expression. Garnet reveals the illusory natureof facts, showing not only how they dazzle but also how they destroy.Lost Between the Edges capturesthe energy and verve of youth in revolt, fired by rage and ideas. Garnet's book will be hailed as anew classic of symbolic warfare waged in the street and the mind.
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