Eschewing irony for direct statement, the poems in Tod Marshall's first collection imagistically, musically, and passionately articulate a faith in human transcendence. From the mud of our formation ("Choir") to the dust of our dying ("After Kandinsky"), Marshall's poems lyrically obsess over how the broken and violated can envision and speak a heaven of which we know.
Three long poems that shape the book are formative in this process. From the structured order of Bach's Goldberg Variations looming behind the opening poem, "Eclipse," to the clash of pagan beauty and traditional religiosity in "Botticelli," to the Modernist meditation on form in "After Kandinsky," the poems return again and again to the idea of anagogical presence and how it can be best rendered in art to inspire a celebratory ethos of living. Are the violent and shocking events those that best slap us awake? Or are the gentle, lyrical moments the times when we are most keenly aware of the song that is Being? In "After Kandinsky," Marshall writes, "like syntax / a poem that fixes the body / to a specific place / of points and lines and planes / and yet moves to celestial music / a poem that tests / on fifteenth century truth / 'Whoever loves much does much' / a poem that glistens with an unmatched insistence / a poem that arrives on time / and demands everyone / nail it to the wall."
Here is a declaration that one could nail manifesto-like to the wall as a pronouncement of the need to see, to hear, and to speak of divinity in the world.
外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
無庫存之商品，在您完成訂單程序之後，將以空運的方式為你下單調貨。為了縮短等待的時間，建議您將外文書與其他商品分開下單，以獲得最快的取貨速度，平均調貨時間為1~2個月。
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。
