The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope's development in Britain has not been well documented and much current information about it is incomplete and out of date. The purpose of the book is, for the first time, to present a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, utilizing many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device's place in the wider world of Victorian popular entertainment examined. A unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.
Richard Brown is author of The History of the British Mutoscope and Biograph Company and editor of the facsimile edition of W. K-L. Dickson’s The Biograph in Battle: Its Story in the South African War.
Barry Anthony is author of Murder, Mayhem and Music Hall and contributor to Who’s Who of Victorian Cinema; the Encyclopaedia of Early Cinema; and Directors in British and Irish Cinema: A Reference Companion.
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