商品簡介
This book is essential reading for those working in the fields of music psychology or music education research. A novel applied-musicological approach is applied to the analysis of data, which enables genuinely musical insights to emerge in a range of real-life contexts in which engagement with music occurs. The topics covered include a new study on pattern detection in music, an exploration of the expectations generated through groups of notes, an investigation into the cognitive processes involved in rehearing pieces, a consideration of the learning strategies used by a musical savant, an attempt ot gauge the level of intentionality present in the improvisations of a boy with autism, a study of the impact of gender on children's group improvisation, a report on research into the relationship between music, language and autism, and the presentation of a new model on the emergence of musical abilities in the early years. The emphasis is on researchers who are new to the field, extending the findings of postgraduate and postdoctoral projects. Each chapter has a concise, reflective epilogue written by an established researcher, placing the new thinking in a broader context. It is hoped that this exciting new work will act as a catalyst in the emerging field of empirical musicological research, and bring recognition to a group of new young academics.
作者簡介
Adam Ockelford is Professor of Music at Roehampton University. He is widely published in music psychology, education, theory and aesthetics, and has particular interests in special educational needs and the development of exceptional abilities; learning, memory and creativity; the cognition of musical structure and the construction of musical meaning. Graham Welch holds the Institute of Education, University of London Established Chair of Music Education. He is elected Chair of the internationally based Society for Education, Music and Psychology Research (SEMPRE), Immediate Past President of the International Society for Music Education (ISME) and past Co-Chair of the Research Commission of ISME. Publications number over three hundred and embrace musical development and music education, teacher education, the psychology of music, singing and voice science, and music in special education and disability.