Screwball! ― The Cartoonists Who Made the Funnies Funny
商品資訊
ISBN13:9781684051878
出版社:Library of Amer Comics
作者:Paul Tumey
出版日:2018/09/11
裝訂/頁數:精裝/272頁
規格:27.9cm*28.6cm*3.2cm (高/寬/厚)
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商品簡介
作者簡介
商品簡介
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. Both humorous and educational, this book is aimed at a general audience of all ages and at university comics studies programs.
Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs, and Mad magazine. Comics scholar Paul C. Tumey traces the development of screwball as a genre in magazine cartoons and newspaper comics, presenting the work of around fifteen cartoonists, with an art-stuffed chapter on each.
The book offers a wealth of previously un-reprinted comics unleashing fresh views of some of America's greatest and most-loved cartoonists, including George Herriman (Krazy Kat), E.C. Segar (creator of Popeye), Rube Goldberg (The Inventions of Professor Lucifer G. Butts, A.K.), Bill Holman (Smokey Stover), and Frederick Oper (Happy Hooligan). In addition, readers will be delighted to discover previously "lost" screwball masters, such as Gene Ahern (The Squirrel Cage), Gus Mager (Sherlocko the Monk), Boody Rogers (Sparky Watts), Milt Gross (Count Screwloose), George Swanson ($alesman $am) and others.
Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs, and Mad magazine. Comics scholar Paul C. Tumey traces the development of screwball as a genre in magazine cartoons and newspaper comics, presenting the work of around fifteen cartoonists, with an art-stuffed chapter on each.
The book offers a wealth of previously un-reprinted comics unleashing fresh views of some of America's greatest and most-loved cartoonists, including George Herriman (Krazy Kat), E.C. Segar (creator of Popeye), Rube Goldberg (The Inventions of Professor Lucifer G. Butts, A.K.), Bill Holman (Smokey Stover), and Frederick Oper (Happy Hooligan). In addition, readers will be delighted to discover previously "lost" screwball masters, such as Gene Ahern (The Squirrel Cage), Gus Mager (Sherlocko the Monk), Boody Rogers (Sparky Watts), Milt Gross (Count Screwloose), George Swanson ($alesman $am) and others.
作者簡介
Paul C. Tumey is a comic scholar, writer, and designer. He co-edited and wrote for The Art of Rube Goldberg A) Inventive B) Cartoon C) Genius (Abrams, 2014). He was a contributing editor and essayist for the Library of American Comics' King of the Comics: 100 Years of King Features, and wrote the introduction to LOAC's The Bungle Family 1930. Most recently, Tumey co-edited and introduced Foolish Questions and Other Odd Observations by Rube Goldberg (Sunday Press, 2017). He writes a column for The Comics Journal and lives in Seattle, Washington.
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