滿額折
Ensemble-made Chicago ― A Guide to Devised Theater
商品資訊
系列名：Second to None: Chicago Stories
ISBN13：9780810138780
出版社：Northwestern Univ Pr
作者：Chloe Johnston; Coya Paz Brownrigg
出版日：2018/11/15
裝訂／頁數：平裝／232頁
規格：22.9cm*15.2cm*1.3cm (高/寬/厚)
商品簡介
作者簡介
商品簡介
Ensemble-Made Chicago brings together the work of a wide range of Chicago theater companies to share strategies for cocreating theatrical performance as an ensemble: About Face Youth Theater, Albany Park Theater Project, Barrel of Monkeys, Every house has a door, FEMelanin, 500 Clown, Free Street Theater, Honey Pot Performance, Lookingglass Theater, the Neo-Futurists, Second City, Teatro Luna, the Southside Ignoramus Quartet, and the Young Fugitives.
The book's introduction offers a fascinating overview of the history of cocreated theater in Chicago, defined by the authors as theater that breaks down the traditional roles of writer, director, and performer in favor of a more egalitarian approach in which all participants contribute to the creation of original material. Each chapter offers a short history of a Chicago company, followed by detailed exercises that have been developed and used by that company to build ensemble and generate performances. It pays special attention to the ways the fight for social justice has shaped the development of this aesthetic in Chicago. Companies included in the book range in age from two to fifty years, represent different Chicago neighborhoods, and represent both the storefront tradition and established cultural institutions.
Assembled from interviews and firsthand observations, the book is written in a lively and accessible style and will serve as an invaluable guide for students and practitioners alike, as well as an important archive of Chicago's vibrant ensemble traditions. Readers will find new creative methods to enrich their own practice and push their work in new directions.
The book's introduction offers a fascinating overview of the history of cocreated theater in Chicago, defined by the authors as theater that breaks down the traditional roles of writer, director, and performer in favor of a more egalitarian approach in which all participants contribute to the creation of original material. Each chapter offers a short history of a Chicago company, followed by detailed exercises that have been developed and used by that company to build ensemble and generate performances. It pays special attention to the ways the fight for social justice has shaped the development of this aesthetic in Chicago. Companies included in the book range in age from two to fifty years, represent different Chicago neighborhoods, and represent both the storefront tradition and established cultural institutions.
Assembled from interviews and firsthand observations, the book is written in a lively and accessible style and will serve as an invaluable guide for students and practitioners alike, as well as an important archive of Chicago's vibrant ensemble traditions. Readers will find new creative methods to enrich their own practice and push their work in new directions.
作者簡介
CHLOE JOHNSTON is an assistant professor of theater at Lake Forest College. She performs and workshops with the Paper Machete, Write Club, Second Story, and the Neo-Futurists.
COYA PAZ BROWNRIGG is an associate professor of theater at DePaul University. She is the artistic director of Free Street Theater and cofounder of Teatro Luna, and is a regular commentator on race, media, and pop culture for Vocalo.
COYA PAZ BROWNRIGG is an associate professor of theater at DePaul University. She is the artistic director of Free Street Theater and cofounder of Teatro Luna, and is a regular commentator on race, media, and pop culture for Vocalo.
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