In?Theses on Feuerbach, Marx writes, "The philosophers have only?interpreted?the world differently; the point is to change it." This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as?5 Broken Cameras?(2010), the phenomena of video-blogging, and bicycle activism films.?
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Lars Kristensen is a Lecturer in Media, Aesthetics, and Narration at University of Skovde. He has published mainly on cross-cultural issues related to Russian cinema and is the editor of Postcommunist Film: Russia, Eastern Europe and World Culture (Routledge, 2012) and co-editor, with Eva Naripea and Ewa Mazierska, of Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours On-Screen (I.B. Tauris, 2014).
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