Tadeusz Dabrowski's poetry is as beguiling, reflective and precise as a thousand fragments from a shattered hall of mirrors. Whether observing laundry or the military, our cravings for bread or literature, the poems blend the low and the high with a startling grace. They demonstrate that the messiness of human experience, its visceral realities, the carnal truths of the body, our small joys and inevitable decay, are all part of the same fragile narrative. This poetry moves intimately through spaces, sacred and profane, and suggests we are never fully in one world or the other but constantly drifting between them.
TADEUSZ DĄBROWSKI (b. 1979)
Poet, essayist, critic. Editor-in-chief
of the literary bimonthly Topos. He has
been published in The New Yorker, Paris
Review, Boston Review, Threepenny Review,
Ploughshares, Agni, American Poetry
Review, Poetry Daily, Guernica, among
others. Recipient of stipends awarded by Yaddo (2015), the Omi
International Arts Center (NY, 2013), and the Vermont Studio
Center (2011). Winner of numerous awards, among others, the
Kościelski Prize (2009), the Hubert Burda Prize (2008) and,
from Tadeusz R?#380;ewicz, the Prize of the Foundation for Polish
Culture (2006). He has been nominated for the NIKE Award
(2010). His work has been translated into 30 languages. Author
of ten volumes of poetry in his native Polish, from which the
most recent are Scrabble (2020) and To jest fajka (2022) [This
is a pipe], and a dozen in translation. He has also published
a novel, Bezbronna kreska (2016) [Defenseless line], set in
New York City, and a collection of essays on poetry, entitled
In Metaphor (2024). Two of his collections, Black Square
and POSTS, have been published in English by Zephyr Press.
He lives in Gdańsk on the Baltic coast of Poland.
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