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A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Professor Danto distinguishes between descriptive concepts, concerned with saying how the world is and semantic concepts, which have to do with the application of descriptions of the world. Failure to make these distinctions is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge; but when the distinction is appreciated, a plausible philosophical theory of what it is to know the world can be framed which is free from the standard scepticisms.

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformation

Since the late 1990s, Sarah Sze's distinctive sculptures have riveted and challenged the contemporary art world. Integrating everyday materials into dynamic, complex installations, Sze's work inhabit

One of the world's leading ceramists, Betty Woodman bridges the gap between art and craft, and continues to expand the boundaries of her discipline. Published in conjunction with a retrospective exhib

Louise Nevelson (1900-1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrated publ

Louise Nevelson (1900–1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrate