Hailed as the world's greatest playwright, William Shakespeare has captured the hearts and minds of more audiences than any other. No other writer's works are more performed or more often quoted. Prod
Hailed as the world's greatest playwright, William Shakespeare has captured the hearts and minds of more audiences than any other. No other writer's works are more performed or more often quoted. Pro
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
This volume draws together ten important essays which use a variety of approaches and materials to explore the significance of sexuality in Shakespeare's work. Some consider the erotic effect of Shakespeare's language in his use of metaphor and the transgressive riddle and pun. Others are concerned with expressions of desire (male, female, inter-racial, homosexual and heterosexual) in performance as well as text. A radical re-reading of Shakespeare's Sonnets shifts the sexual focus from a male lover to a black woman. The essays, many of which are reprinted from Shakespeare Survey, are introduced by Ann Thompson's freshly considered survey of the topic in recent criticism, and conclude with a new account by Celia Daileader of nudity in Shakespeare films.
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama. The authors, who themselves reflect racial and geographical diversity, explore issues of ethnography, politics, religion, identity, nationalism, and the distribution of power in Shakespeare's plays. The authors write from a variety of perspectives, drawing on Elizabethan and Jacobean historical studies and critical theory. They attend to performances of the plays in different ages and places, as well as to the text. An introductory essay sets the context for the ensuing chapters, which reflect shifts in scholarship over the last forty years. Most are reprinted from volumes of Shakespeare Survey. They tackle the ethnic implications of Shakespearean drama in South Africa, the Caribbean, Germany and the Arab world as well as England. A broad range of plays and poems is included, while particular essays focus on Othello, The Merchant of Venice and The Tempest.
This volume draws together thirteen important essays on the concept of race in Shakespeare's drama. The authors, who themselves reflect racial and geographical diversity, explore issues of ethnography
This collection of essays considers the characteristics and unique qualities of Shakespeare's language, as well as the relationship between language and event, and the social, theatrical and literary
