Medieval Design

Straight from the artistic heritage of the Middle Ages, museum-quality illustrations fill this treasury. Gathered from rare sources, intricate and colorful designs stand alongside fascinating line art

The Roman Vergil (or 'Codex Romanus', so named by Valeriano in 1521) is one of the most precious manuscripts in the Vatican Library. Produced in Rome before the end of the 5th century AD, it is a fi

Niamh Whitfield is a leading authority on the metalwork of early Medieval Ireland and Scotland. Celtic metalwork of the seventh to twelfth centuries is extremely accomplished technically, and she has

In recent years, the post-medieval landscape has attracted new interest from archaeologists, historians, and geographers concerned to understand the development of the historic environment. One of th

The heyday of silent film soon became quaint with the arrival of “talkies.” As early as 1929, critics and historians were writing of the period as though it were the distant past. Much of the literatu

This comprehensive and detailed survey of English royal tombs from 1066-1509, including junior royals as well as kings and queens, is combined with accounts of burial practice, tomb design, craftsmen,

Learn all about the world of architecture in only 100 words! This book explores the most iconic buildings from around the world as well as the history of architecture, from basic huts to incredible skyscrapers. From columns to pyramids, each of the carefully chosen 100 words has its own 100-word long description and colourful illustration, providing a fascinating introduction to amazing architecture from throughout history.From the familiar to the jaw-dropping, the medieval to ultra-modern, this is an inspiring look at some of architecture's greatest developments.With a clean, contemporary design, each word occupies a page of its own. A large striking illustration neatly encapsulates the accompanying 100 words of text.A fascinating introduction to cool buildings in a fun and accessible format, this is the perfect gift for aspiring architects or curious young minds!

The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it de

Have you ever wanted to create your own legendary medieval kingdom to rule over? Well, now you can, with Minecraft Exploded Builds: Medieval Fortress. ? Learn how to design, build, and customize every

Through the use of images, diagrams, and detailed descriptions, this book enables readers to appreciate how the construction, design, and function of famous structures inform our understanding of soci

Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).

This book explores the role of music in an early fourteenth-century French manuscript (BN, fr. 146). The musical repertories found in this manuscript, particularly those interpolated into the Old French satire, the Roman de Fauvel, are frequently used to illuminate the wider history of French medieval music. This study sets the manuscript against the wider culture of Parisian book-making, showing how in devising new systems of design and folio layout, its creators developed a new kind of materiality in music: it illustrates how music is expressive in ways that are unperformable apart from its visual representation. This study is primarily concerned with the workings of fr. 146; however, it also argues that the new attitudes to (material) music-making embodied in that manuscript serve as a model for exploring other music manuscripts to emerge in late-medieval France.

This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature.

Traces the development and characteristic styles of Japanese painting, sculpture, architecture, garden design, ceramics, textiles, swords, and decorative arts since the prehistoric Joman period

Classic Design Styles is a beautifully illustrated chronology of European and American period styles from the medieval to the end of the nineteenth century. Top interior designer, Henrietta Spencer-Ch

Over 1,000 motifs reprinted from a rare book of design first published in France in 1870. Presents ornate Cyrillic and Greek letters, corners, borders, page heads, and more as they appeared in illumin

Traces the use of curtains and drapes in Western European interior design from medieval times to the present

A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection.

This book studies later medieval culture [c. 1150–1500] through its central symbol: the eucharist. From the twelfth century onwards the eucharist was designed by the Church as the foremost sacrament. The claim that this ritual brought into presence Christ's own body, and offered it to believers, underpinned the sacramental system and the clerical mediation upon which it depended. The book explores the context in which the sacramental world was created and the cultural processes through which it was disseminated, interpreted and used. With attention to the variety of eucharistic meanings and practices - in procession on the feast of Corpus Christi, devotions, prayers, drama, in dissent, abuse and doubt - the author reveals and considers ways in which a religious culture is used as a language for the articulation of order and power, as well as for the most private explorations. The book moves from the 'design' of the eucharist in the twelfth century to its re-design in the sixteenth - a

Britain has been 'exhibiting' itself in fairs and such like since Medieval times. The zenith of the 'exhibition' was in the Victorian and Edwardian Years when grandiose pavilions were sited over hundr

In this 2003 study, Edson Armi offers a fresh interpretation of Romanesque architecture. Armi focuses on buildings in northern Italy, Switzerland, southern France and Catalonia, the regions where Romanesque architecture first appeared around 1000 AD. He integrates the study of medieval structure with an understanding of construction, decoration and articulation in an effort to determine the origins and originality of medieval architecture and the formation of the High Romanesque style, especially in Burgundy, at sites such as Cluny III. Relying on a close analysis of the fabric of key buildings, Armi's in-depth study reveals a lot about design decisions in the early Middle Ages. It also demonstrates that the mature Romanesque of the twelfth century continues many of the applications created and perfected over the previous one hundred years.

"This book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each of the

This lavish archive of exquisite engravings and designs--originally created in the mid-nineteenth century for the professional artist and architect--contains some 200 splendid illustrations, expertly

In this 2003 study, Edson Armi offers a fresh interpretation of Romanesque architecture. Armi focuses on buildings in northern Italy, Switzerland, southern France and Catalonia, the regions where Romanesque architecture first appeared around 1000 AD. He integrates the study of medieval structure with an understanding of construction, decoration and articulation in an effort to determine the origins and originality of medieval architecture and the formation of the High Romanesque style, especially in Burgundy, at sites such as Cluny III. Relying on a close analysis of the fabric of key buildings, Armi's in-depth study reveals a lot about design decisions in the early Middle Ages. It also demonstrates that the mature Romanesque of the twelfth century continues many of the applications created and perfected over the previous one hundred years.

This profusely illustrated work describes the fundamental principles involved in the design of bridges and presents a wealth of historical background. Spans include Lucerne's medieval Kapellbrüc

Cogan (humanities, Wayne State U., Detroit) recovers the specifically medieval interpretation of the structure underlying Dante's early 14th-century poem as a whole and each of its parts, showing read

In times of widespread Islamophobia, there is an understandable motivation for constructing scientific achievement as a counternarrative in popular discourse about Islam. Yet doing so has tended to impose an anachronistic conception of "science" onto pre-modern practices while also obscuring wider views of the intellectual, philosophical, and particularly the material context of medieval scientific achievement. An exemplary case study for this phenomenon is the figure of 'Abbas Ibn Firnas (d. 887), a celebrated early scientist, C鏎doban courtier, and polymath. Ibn Firnas is best known today for conducting an early aeronautics experiment, which was commemorated by NASA. Some historians have called it the first successful human flight. The earliest and fullest account of Ibn Firnas' career in the Umayyad court includes the aeronautics experiment, and a great deal more on his achievements in the arts and design but has yet to receive sustained scholarly attention. That account, aspreserved

Learn all about the world of architecture in only 100 words! This book explores the most iconic buildings from around the world as well as the history of architecture, from basic huts to incredible skyscrapers. From columns to pyramids, each of the carefully chosen 100 words has its own 100-word long description and colorful illustration, providing a fascinating introduction to amazing architecture from throughout history. From the familiar to the jaw-dropping, the medieval to ultra-modern, this is an inspiring look at some of architecture's greatest developments. With a clean, contemporary design, each word occupies a page of its own. A large striking illustration neatly encapsulates the accompanying 100 words of text. A fascinating introduction to cool buildings in a fun and accessible format, this is the perfect gift for aspiring architects or curious young minds!

Imagine having 5,000 years of human history's most amazing artworks at your fingertips!Go on a trip through the famous Metropolitan Museum of Art without ever leaving your home! Prepare to explore the treasures of the world's civilisations-from ancient Egyptian amulets, Mayan jewellery, and prehistoric tools-to Medieval tapestries, Renaissance suits of armour, and modern-day baseball cards. Each page brings you closer to the past as you learn about the people of different ages through the objects they left behind.Discover hand-picked highlights of the museum's huge collection as you travel through history, one incredible object at a time. This book combines exclusive Met photography with colourful and quirky illustrations in a resource that parents can trust, with a design that kids will love.© The Metropolitan Museum of Art, New York

Imagine having 5,000 of human history’s most amazing artefacts at your fingertips!Go on a trip through the famous Metropolitan Museum of Art without ever leaving your home! Prepare to explore the treasures of the world’s civilizations―from ancient Egyptian amulets, Mayan jewelry, and prehistoric tools―to Medieval tapestries, Renaissance suits of armor, and modern-day baseball cards. Each page brings you closer to the past as you learn about the people of different ages through the objects they left behind. Discover hand-picked highlights of the museum’s huge collection as you travel through history, one incredible object at a time.This book combines exclusive Met photography with colorful and quirky illustrations in a resource that parents can trust, with a design that kids will love. © The Metropolitan Museum of Art, New York

This book explores the history of keyboard instruments from their fourteenth-century origins to the development of the modern piano. It reveals the principles of their design and describes structural and mechanical developments through the medieval and renaissance periods and eighteenth- and nineteenth-centuries, as well as the early music revival. Stewart Pollens identifies and describes the types of keyboard instruments played by major composers and virtuosi through the ages and provides the reader with detailed instructions on their regulating, stringing, tuning and voicing drawn from historical sources.

Drawing on recent research in moral psychology and neuroscience, this book argues that universal moral beliefs and emotions shaped the evolution of the laws of war, and in particular laws that protect civilians. It argues that civilian protection norms are not just a figment of the modern West, but that these norms were embryonic in earlier societies and civilizations, including Ancient China, early Islam, and medieval Europe. However, despite their ubiquity, this book argues that civilian protection rules are inherently fragile, and that their fragility lies not just in failures of compliance, but also in how moral emotions shaped the design of the law. The same beliefs and emotions that lead people to judge that it is wrong to intentionally target civilians can paradoxically constitute the basis for excusing states for incidental civilian casualties, or collateral damage. To make the laws of war work better for civilians, this book argues that we need to change how we think about the

Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous.

This children's history book has everything you need to know about medieval castles, including knights, jousting, sieges, drawbridges, and forts.Learn about castle design, from the earliest motte and