Practice as a necessity for learning a second language has been a tacit assumption among language teachers for quite some time; however, the concept has not been widely considered from a theoretical p
Practice as a necessity for learning a second language has been a tacit assumption among language teachers for quite some time; however, the concept has not been widely considered from a theoretical p
Why is learning the grammar of a second language difficult? The present volume brings together insights from leading researchers, published in the past five years of the journal Language Learning, to
“Laugh-out-loud fun…A winner in every way.” —Kirkus Reviews (starred review) “Funny and good-hearted.” —Publishers Weekly A boy who loves baseball must get p
A boy who loves baseball must get past his hard-working immigrant parents—and the rhino in the outfield—to become a batboy in this laugh-out-loud middle grade novel in the tradition of The Sandlot.Nic
An enchanted coin. A witch’s curse. And rats, rats everywhere! What’s a boy to do?When Rudi Bauer accidentally takes a witch’s coin, he unleashes her curse. Accident or not, he knows he’s got to fix t
What would you do? As far as I'm concerned, there's no excuse not to be decent...Especially when you're responsible for a kid. It just figures that fifteen-year old Victoria's dad fails once again t
Magic beans quickly lead to danger in this standalone companion to The Brixen Witch, whichKirkus Reviews called “fresh and satisfying” in a starred review.When Rudi Bauer sets out for town one morning
Magic beans quickly lead to danger in this standalone companion to The Brixen Witch, which Kirkus Reviews called “fresh and satisfying” in a starred review.When Rudi Bauer sets out for town one mornin
Twelve-year-old Rudi stumbles across a witch's lair while out hunting and accidentally takes a witch's coin, an act that unleashes a curse upon his village, and when a stranger arrives promising to en
This handsome book peers into the theatre workshop, collective art space, and creative incubator of Belgian multidisciplinary artist Jan Fabre (b. 1958), whose dissentient performances, staged since t
Based on the material presented at a conference organized by the Centre d’Oceanologie of Marseille, held in 2008, this text covers a wealth of hot topics related to the way mankind interacts with the