Helmut

There are typographic works that outlive the times in which they were created. Some of these works have been brought together to form this book. "typography today" celebrates 20th century typography with contributions by John Cage, Wim Crouwel, Franco Grignani, Helmut Schmid, Kohei Sugiura and Wolfgang Weingart. The book also includes the essay "Typography as Communication and Form" by Emil Ruder. "typography today" was published in 1980 as a special edition of Idea magazine, and republished as a book in 1981. Though out of print for many years, international demand resulted in a largely expanded and revised edition in 2003. Since then, it has been reprinted several times, each with small improvements. In the 2nd edition of 2007, efforts have been made to create a volume worthy of the task of handing down 20th century modern typography to the 21st century.

The Berti Aschmann Collection offers a comprehensive overview of the development and spreading of Buddhist sculpture in India, Nepal, and Tibet. It includes 7th century pieces from the Swat area, bron

The "hard problem" of today's consciousness studies is subjective experience: understanding why some brain processing is accompanied by an experienced inner life. Recent scientific advances

This absorbing book explores the world of biophysics - the ingenious means plants and animals have devised to turn the principles of physics and engineering to their advantage in the struggle to adapt

康德的《判斷力批判》是一部深奧難懂的重要著作，也是一部影響深遠的哲學美學。本書作者本於康德哲學，緊扣原著，引導讀者討論問題核心，一步一步揭開康德美學的奧密。 作者首先察覺康德的美感判斷徘迴於主觀與客觀之間。一方面、審美似乎有標準，美感判斷好像要求某種同意，另一方面，美並沒有特定的規則。康德由此提出美感判斷的四機竅，用以探索美、崇高與醜陋。並因此創造一個嶄新的哲學理論，揭露審美與人性的本質。 作

Selected from the vast range of his work, the writings included in this anthology trace G?nter Grass's development as a writer, and with it the history of a nation coming to terms with its past. Excer

While sociologists have long agreed that the problems of modern and contemporary subjectivity crystallize in the issue of romantic relationships and love (e.g., Luhmann, Illouz, Beck, etc.), the theme

SUMO was a titanic book in every respect: a 480-page tribute to the 20th century’s most influential, intriguing and controversial photographer, it broke records for weight,? dimensions, and resale pri