Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of
Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cin
"Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard 'thinks' in, of, and through cinema. Drawing on his extensive knowledge of French culture
"Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard 'thinks' in, of, and through cinema. Drawing on his extensive knowledge of French culture
This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and
Some thirty years ago filmmaker Jean-Luc Godard told critic Gene Youngblood, I am trying to change the world. He has pursued his revolution in works ranging from the explosive Breathless to the eloque
What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood t
Jean-Luc Godard is one the most influential film-makers of the last fifty years. In his 1960s heyday Godard - always in dark shades, cigarette in hand - epitomised European cool.
Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. WithSpeak
Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Spea
