Getting students to successfully apply abstract microeconomic tools to complex, real-world problems is the ultimate goal of intermediate microeconomics and goal of Jeffrey Perloff when he pioneered th
This book integrates real-world "widget-free" examples throughout and uses extended applications to show students that economic theory has practical, problem-solving uses, and that it is not just an e
This revisionist narrative of poetic change in the twentieth century challenges the accepted notions of what poetry is and can be in the new century and makes the case for the seminal place of poetry
Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the
Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassio
Among the brilliant writers and thinkers who emerged from the multicultural and polyglot world of the Austro-Hungarian Empire were Sigmund Freud, Ludwig Wittgenstein, Franz Kafka, and Paul Celan. For
"Her love of people, art, and the human process of creating theater is infectious. She has such a beautiful way of expressing her passion about art and it's making that inevitably draws people into he
Marjorie Perloff writes in her preface to Poetics in a New Key that when she learned David Jonathan Y. Bayot wanted to publish a collection of her interviews and essays, she was ?at once honored and m
Twenty-five years after publication of The Shadows of Power, James Perloff returns to the venue of political history, and takes you where the mass media won't.‧ Who benefited from the mysterious sinki
What is the place of individual genius in a global world of hyper-information— a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets
Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is
A new collection of essays from a distinguished critic of contemporary poetry.Marjorie Perloff is one of the foremost critics of contemporary American poetry writing today. Her works are credited by m
Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the ear
In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the
Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangene
The fourteen essays that make up this collection have as their common theme a reconsideration of the role historical and cultural change has played in the evolution of twentieth-century poetry and poe
The fourteen essays that make up this collection have as their common theme a reconsideration of the role historical and cultural change has played in the evolution of twentieth-century poetry and poe
Drawing extensively upon the poet's unpublished manuscripts--poems, journals, essays, and letters--as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poe
Must poetic form be, as Yeats demanded, "full, sphere-like, single," or can it accommodate the impurities Yeats and his Modernist generation found so problematic? Sixty years later, these are still op
How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model
In Poetic License, Marjorie Perloff insists that despite the recent interest in "opening up the canon," our understanding of poetry and poetics is all too often rutted in conventional notions of the l
