Sicker

Written by experienced authors, this book presents various natural everyday products including alkaloids, dyes, carbohydrates, glycosides and terpenoids, with each one isolated and identified, and eac

Contrary to the majority of Henry James's critics who either have ignored the central importance of love in his work or have mislabeled it as Platonic," "infantile," and "asexual," Philip Sicker shows

Contrary to the majority of Henry James's critics who either have ignored the central importance of love in his work or have mislabeled it as Platonic," "infantile," and "asexual," Philip Sicker shows

Although Joyce was losing his sight when he wrote Ulysses, Stephen's and Bloom's visual experiences are extraordinarily rich and complex. Absorbing the influences of popular visual attractions such as dioramas, stereoscopes and mutoscopes, their perceptions of Dublin are shaped by what Walter Benjamin calls 'unconscious optics'. Analyzing closely the texture of their impressions and of Joyce's prismatic narrative styles, Philip Sicker explores the phenomenon of sight from a wide-ranging set of perspectives: eighteenth-century epistemology (Locke and Berkeley), theories of the flaneur (Baudelaire and Benjamin), Italian Futurist art (Marinetti and Boccioni), photography (Barthes and Sontag), and the silent films Joyce watched in Dublin and Trieste. The concept of 'spectacle' as a mechanically-constructed visual experience informs Sicker's examination of mediated perception and emerges as a hallmark of modernist culture itself. This study is an important contribution to the growing intere

Although there are numerous diverse aspects to Daniel, eschatological, theological, historical, and philological that have long engaged scholars of the work, this study of the text reads it as having