Using the HTML5 Filesystem API

Arab Modernism(s) is an exploration of how the Arab world encountered modernism - sometimes inadvertently, sometimes deliberately - and how those encounters continue to shape the built environment of its cities today. Adhering to his late father's belief that 'cities are nothing without people', Yasser Elsheshtawy writes not just about the buildings, but the lives lived in and around them. His narrative weaves together personal anecdotes and works of fiction and film, thus providing a textured backdrop to his central theme: the evolution of modernism in Arab cities. Following the introduction, the next ten chapters each focuses on a different city or town, moving from Hassan Fathy's Gourna to Cairo, Algiers, Rabat and Casablanca, Amman, and Beirut and then to the Gulf cities of Riyadh, Kuwait, Doha, and Abu Dhabi and Dubai. The book closes with a Coda - a tribute to the author's father, Hassan Elsheshtawy.

This book positions King Creole in the disputed territories of 1950s youth culture. It is one of Elvis's best regarded films, but one of his least financially successful. It is a portrait of youthful alienation and juvenile delinquency made at a time when these topics were becoming less fashionable in teenpics.The author argues that King Creole's release during the death throes of rock and roll in America helps to position it as an outlier among youth films of the time in three distinct ways. First, the author demonstrates how the post-rock and roll release of the film allowed for a better harnessing of the star's 'Elvisness.' Second, the author conducts an extensive examination of the film's production records, which show how the film's portrait of youth alienation and delinquency pre-dated America's big screen fixation on these topics, making the film not wholly bound by concurrent youth conventions. Third, the author challenges the dominant reading of the film as being about interge

Via a diverse collection of essays in the history of art of the Americas, this book explores the cultural, political and environmental legacy of bananas from viceregal painting and 19th century photography to contemporary Latinx and Caribbean Art.Through sixteen original essays by leading art historians, this anthology traces the banana's remarkable journey from colonial still lifes to contemporary installations. The collection examines how artists have deployed this tropical fruit to challenge imperial narratives, visualize labor struggles, and reclaim cultural identities. Expanding on the award-winning digital humanities project Banana Craze, this volume presents a comprehensive analysis of banana imagery across diverse media--religious murals, archival photographs, avant-garde paintings, and performance art. Each chapter illuminates how artists from Latin America, the Caribbean, and their diasporas have transformed this ubiquitous commodity into a complex visual metaphor that speaks

The Bhagavad Gita is a philosophical and spiritual poem about truth, duty, good actions and the purpose of life. This book collates the wisdom it offers and applies it to contemporary life and work offering lessons on how to foster excellence and fulfilment in today's competitive world. The corporate world and the contemporary society focus on winning, per□forming and developing a competitive edge. Gita for Work and Life offers readers a deeper philosophical understanding of the interconnectedness of all beings, the importance of self-reflection and improvement, purpose, duty, morality, equanimity and peace. These guiding principles provided by Krishna to Arjuna in the Bhagavad Gita are meant to rekindle the dormant human spirit and inspire the reader to elevate their understanding of the mind and soul and how these relate to their work. The book explores themes such as depression management, realised action, knowing oneself, work and fulfilment, balance and discipline, material

Playing is an essential part of psychotherapy, and sandplay in particular allows for the development of an active tie between the therapist and the patient. This book analyses the elements that are introduced into therapy through sandplay: implicit memory, the embodied self and empathy, as well as the relationship that is created through the process of this type of therapy. Napoliello focuses on sandplay, but the use of the ideas here extends to the importance of activating a dimension of play in a patient as a way to bridge a link between the conscious and subconscious, on the importance of body language and using past experience to decipher the meaning of physical movements.