Java Servlet Programming

目 次 Contents文物脈絡004 織物中的守護與信仰—故宮南院亞洲織品展選介 杜士宜018 從傳統到西洋—爪哇儀式服飾的變遷 楊芳綺032 從「江戶浮世之美」特展 看足立區立鄉土博物館的浮世繪收藏 小林優044 蘭千山館〈景定三年方山京勅書〉隱藏的政治脈絡 童永昌054 清宮舊藏唐代黑釉三足罐及相關問題適 謝明良066 圖畫裡的故事碼—畫語展拾遺 林宛儒076 脫盡「閩習」，遂臻極境—翁陵繪畫與交遊小考 楊易韜094 環島三十六到漁翁島—澎湖島嶼的海洋史 林逸帆甲子萬年112 小紙片藏玄機—進貢清宮舊藏半寶石數珠的西藏貴族 賴依縵文物快閃128 國立故宮博物院受贈之首件陶器— 坂本五郎所捐〈雙耳波濤紋彩陶罐〉 王亮鈞

Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation f

Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation f