Mobilizing Music in Wartime British Film traces a preoccupation with art music and total war that animated British films of the 1940s. From acclaimed films such as The Red Shoes and Brief Encounter to experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials-a resource to be mobilized or demobilized. Author Heather Weibe shows readers how their elaborations of these questions have much to tell us about World War II era Britain, while also speaking to more contemporary pressures on the arts to be useful and productive. In their concerns with music and wartime life away from the battle front, these films offer insight into the affective experience of war-not just as violence and t
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