Alisoun Sings finds its starting-point with Chaucer’s iconic, proto-feminist Wife of Bath. Her forceful voice leads the way across narratives of genders, and addresses the brutality of social conventi
Action in the Orchards’ explores ekphrastic poetry and its possibilities through experiences and encounters, with art and architecture, with friends and lovers, with our own pasts and futures, how the
The first major literary anthology for queer poets of color in the United StatesIn 2014, Christopher Soto and Lambda Literary Foundation founded the online journal Nepantla, with the mission to nurtur
Suelo Tide Cement began at a residency in Panama that brought together artists, scientists, activists, and community members to learn from and create with soil. Written serially in the midst of a deve
Hatred of Translation thinks through translation with an emphasis on its disaggregation. These pieces address, sometimes obliquely, often with effrontery, the works of René Char, Hervé Guibert, Hilda
The Faggots and Their Friends Between Revolutions is a beloved queer utopian text written by Larry Mitchell with lush illustrations by Ned Asta, published by Calamus Press in 1977. Part-fable, part-ma
ESL or You Weren’t Here tells the story of a queer Pinoy who immigrates to New York in the 1990s in order to be reunited with their parents. What follows is the poet’s awakening to the legacy of Ameri
In Vigilance Is No Orchard, Hazel White records her haunting romance with the Valentine Garden, created by landscape architect Isabelle Greene in the foothills of Santa Barbara, California. Jealous of
Personal Volcano is about the sublime physical presence of volcanoes and the author’s direct experience of them, as well as the history of catastrophes connected to volcanoes in California and around
Pet Sounds is a long lyric poem about and against ownership, especially the sticky interface of property, sex, and family (or as one of the poems describes: “what passed for a series of choices in my
The Black Condition ft. Narcissus is preemptive memoir, documenting the beginning of the author’s gender transition and paralleling the inauguration of our latest Administration. These poems speak to
Crosslight for Youngbird explores the slipperiness of borders, as well as borders’ tentacles: mother tongue, language and mastery, citizenship and nationality, migration and flight. These poems are co
In Green-Wood, the author wanders Brooklyn’s famous nineteenth-century cemetery, where the burial ground becomes a portal through which she can explore her own trauma after September 11, and uncover t
Livingry is anxious lyric, marking the witchy daily as spun by a woman processing grief, vexation, fear, expectation, kinship, disintegration, rage, exhilaration, hope and dedication. These poems—ragg
In Je Nathanaël, first published in 2006, Nathanaël explores ways in which language constrains the body, shackles it to gender, and proposes instead a different way of reading, where
In Don’t Let Them See Me Like This, Jasmine Gibson explores myriad intersectional identities in relation to The State, disease, love, sex, failure, and triumph. Speaking to those who feel disillusione
Camp Marmalade takes the freedoms of trance utterance—unfettered verbal association, explicit auto-ethnography, erotic bricolage—and applies a more stringent sense of time-as-emergency to this liberat
A new volume of aphoristic prose and philosophical poetry from Etel Adnan, whose work The New York Times recently described as the "meditative heir to Nietzsche's aphorisms, Rilke's Book of Hours and
On October 27, 2003, Adnan received a post card of a palm tree from the poet Khaled Najar, who she had met in the late seventies in Tunisia, sparking a collection of poems that would unspool over the
What I Knew engages activities and knowledge that can’t be mined or verified by search engines or easily surveilled. Sourced from poetry’s ancient materials of dream, memory, story, and experience, Wh
Written during an autistic breakdown after his father’s sudden death, Sweeney’s visionary elegy for the living occupies the voice of the newly dead. Through shifting identities, genderless, omnigender
Doomstead Days is a lyrical series of experiments in embodied ecological consciousness. Drafted on foot, these site-specificpoems document rivers, cities, forests, oil spills, mountains, and apocalypt
In Invasive species, Marwa Helal’s searing politically charged poems touch on our collective humanity and build new pathways for empathy, etching themselves into memory. This work centers on urgent th
Lyric Multiples comprises four essays written over the last decade. The subject is poetry but the essays range over such topics as the evolution of the human call, ascensional modes of thinking, pop s
The body of the filmmaker is itself a discrepancy. This may be one of this book’s claims, if it were to advance something like an argument. Instead it writes its way through to a dry swamp, in the elu
A Year From Today traverses a many-layered urban terrain—social, political, poetic, animal—in a form more raw than a diary, weightier than a series of sketches, more idiosyncratic and implicated than
Frédérique Guétat-Liviani's but it's a long way is a peace treaty in the form of several soliloquies that, taken together, read like a death warrant or an obituary for an age that has never come. Tran
In this cross-genre collection, fragments of memoir rub against the language of psychomedical regimes found in a body unbound by gender binaries. Some Animal draws out dream-like resonances between th
Soleil de la Conscience (Sun of Consciousness) was Martinican philosopher Édouard Glissant’s first published work, and opened the Poétique (Poetics) strain of his oeuvre. This book-length essay, which
