Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progres
The novels of Wyndham Lewis have generally been associated with the work ofthe great modernists - Joyce, Pound, Eliot, Yeats - who were his sometimefriends and collaborators. Lewis's originality, how
Fredric Jameson sweeps from the Renaissance to The Wire High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which mode
The master of literary theory takes on the master of the detective novelRaymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both p
In his new masterpiece of cultural analysis, Fredric Jameson offers an idiosyncratic examination of what might be called a provisional or disposable canon – what aesthetic history might look at as we
Antinomies of Realism is Jameson’s major study of the nineteenth-century realist novel from a comparative perspective, covering the major literary traditions of Western Europe and the United States. I
The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this new intervention, Fredric Jameson—perhaps the
The legacy of Bertolt Brecht is much contested, whether by those who wish to forget or to vilify his politics, but his stature as the outstanding political playwright and poet of the twentieth centur
After half a century exploring dialectical thought, renowned cultural criticFredric Jameson presents a comprehensive study of a misunderstood yet vitalstrain in Western philosophy. The dialectic, the
In an ageof globalization characterized by the dizzying technologies of theFirst World, and the social disintegration of the Third, is the conceptof utopia still meaningful? Archaeologies of the Futu
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America’s most observant cultural commentators. In Signatures
In three parts, Jameson presents the postmodern problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict
"The Geopolitical Aesthetic is a dazzling... distillation and application of the theoretical system he first presented in The Political Unconscious (1981)." —The San Francisco Bay GuardianTaking conte
First published in 1961, "Sartre: The Origins of a Style" is a striking attempt "not merely to analyze Sartre's work formally, from an aesthetic perspective but above all to replace Sartre in literary
Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation o
Fredric Jameson's survey of Structuralism and Russian Formalism is, at the same time, a critique of their basic methodology. He lays bare the presuppositions of the two movements, clarifying the relat
For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provi
Much of the art and art theory of the 1980s has addressed the question Abigail Solomon-Godeau asks in her essay for this book: whether "the art object can carve a place for itself outside the determin
