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The origins of modern Daoism can be traced to the Church of the Heavenly Master (Tianshidao), reputedly established by the formidable Zhang Daoling. In 142 CE, according to Daoist tradition, Zhang was visited by the Lord on High, who named him his vicar on Earth with the title Heavenly Master. The dispensation articulated an eschatological vision of saving initiates—the pure, those destined to become immortals— by enforcing a strict moral code. Under evolving forms, Tianshidao has remained central to Chinese society, and Daoist priests have upheld their spiritual allegiance to Zhang, their now divinized founder. This book tells the story of the longue durée evolution of the Heavenly Master leadership and institution. Later hagiography credits Zhang Daoling’s great-grandson, putatively the fourth Heavenly Master, with settling the family at Longhushan (Dragon and Tiger Mountain); in time his d

Hong Kong Media Law helps readers learn more about the true state of media freedom in Hong Kong. This expanded second edition is an authoritative guide to the laws most important to reporters, editors

This book provides a research-based account of how to teach and learn Chinese as a foreign language. In addition to the discussion of relevant second/foreign language research, this volume gives detai

This book provides a research-based account of how to teach and learn Chinese as a foreign language. In addition to the discussion of relevant second/foreign language research, this volume gives detai

Many Chinese learners find it difficult to learn English words: they are difficult to spell and say, change forms from noun to adjective to verb, have multiple meanings and are tricky to remember. Thi

Battle of the Artisans tells the story of Tangtun, a conflicted, artistic twelve-year-old in 5th-century BCE China, who sets out to save his father from a killer. He crosses wits with his macho father and a vengeful king, armed thieves, and disgruntled villagers, and in the process, discovers new powers that rock his Bronze-Age world. In the end, what matters most is not Tangtun’s artistic abilities or his father’s muscles and might but that they realize the strength of acting together.This novel portrays the making of the very real Bells of Marquis Yi, a 2500-year-old National Treasure of China. No one knows exactly why these bells were made, but Bennett provides a well-researched and persuasive solution to the mystery through her story of Tangtun and his village on the Yangtze River.Every historical novel is an imagined introduction to a topic and a time. Battle of the Artisans invites readers to explore further the world and the science of the bells of Marquis Yi, to learn more abou

“From Fu Manchu to Kung Fu Panda chronicles the struggle within Hollywood film to come to grips with American ambivalence toward China as a nation against the backdrop of its current economic and geop

Faced with external and internal challenges such as globalization, social changes and responsiveness to customers, technological development, cost containment and structural changes, organizations now

This book is a study of the major events and publications in the world of translation in China and the West from its beginning in the legendary period to 2004, with special reference to works publishe

All Roads Lead to the American City provides an original view of the urban culture in America seen through its irrevocable ties with the cities and roads. Examining the history, cinema, literature, cu

All Roads Lead to the American City provides an original view of the urban culture in America seen through its irrevocable ties with the cities and roads. Examining the history, cinema, literature, cu

Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of “sustainability” in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to ad

This year (2025), on the 50th anniversary of my public service starting as an Administrative Officer in the Hong Kong Government and morphing into a politician, after many twists and turns, I am pleased to publish the ninth edition of my series of books entitled “Regina’s English Works for You”.The articles collected in this year’s “Regina’s English Works for You 9” fall under three broad areas: “Hong Kong’s Recovery and Resurgence” after our re-opening in early 2023, “Opportunities in the Greater Bay Area”, and “Emerging Rivalry between the East and the West”. The articles are a reflection of the global trends reshaping the world and life in Hong Kong. I hope readers can glean from these pieces some insight about the way the world is heading, and how we should position ourselves in a world transformed by “changes unseen in a hundred years”.I hope you will enjoy reading these fairly short and readable pieces and, in the process, learn one or two new things about mastering the English

Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation f

This is probably the first book dedicated to the life and times of the doctors who have shaped the medical development of Hong Kong. It is a fascinating story of how the pioneers transformed a city with primitive medical services into what it is today—a city with advanced medical facilities as in any major Western city.—Dr. Mak Wai-pingChairman (Executive Committee) and Board of DirectorsHong Kong Museum of Medical Science Society The development of Western medicine in Hong Kong to its current sophisticated state over more than 150 years is a fascinating story. And this book tells the above history from a special perspective—the personalities responsible for this remarkable achievement. These individuals, spanning over a period of over 150 years, comprised doctors in government public medical and health services who advocated new initiatives and laid the infrastructure; those who established health policies, and moved the health system forward; the medical educators who train

With immense pride, City University of Hong Kong anticipates our approaching milestone anniversary marking 30 years since acquiring university status. This is a momentous occasion that allows us to reflect on our journey, celebrate our achievements, and look forward to an even more exciting future.The Chinese saying “三十而立” translates as "at thirty, one should stand firm," a principle applicable to CityUHK. Over the past 30 years, CityUHK has firmly established itself as a world-leading university which has remained focused on moving forward as its reputation has grown exponentially across the globe.By innovating into the future, CityUHK continues to foster a robust scholarly institution dedicated to nurturing young talent. Our emphasis on innovation enables us to make significant contributions to Hong Kong, the Mainland, and the world by producing groundbreaking research and solutions tackling the most pressing global challenges.With 8 feature stories and 6 enlightening essays from sen

COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle.This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contr

In Redefining Heresy and Tolerance, Hung Tak Wai examines how the Qing empire governed Muslims and Christians under its rule with a non-interventionist policy. Manchu emperors adopted a tolerant attitude towards Islam and Christianity as long as political stability and loyalty remained unthreatened. However, Hung argues that such tolerance had its limitations. Since the mid-eighteenth century, the Qing court intentionally minimised the importance of the Islamic identity. Restrictions were imposed on the Muslims’ external connections with Western Asia. The Christian minority was kept distant from politics and the Han majority. At the same time, Confucian scholars began to acquire a new understanding of religion, but they were not encouraged to get in touch with the Muslims and Christians. This book demonstrates how, from the late eighteenth to the early nineteenth century, the Qing government prevented Confucian scholar-bureaucrats from interfering in the religious life of Christians an

From humble beginnings in Hong Kong, Yuen Kwok-Yung rose to international prominence as an academic, physician, and microbiologist. As an advisor to governments, he and colleagues made discoveries that helped the world cope in often controversial ways with unprecedented threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases. threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases.

South of the Yangtze starts with the protagonist, Qian Yinan, taking the high-speed train through the landscape of Jiangnan (“South of the Yangtze River”) with her American husband. Now in her mid-thirties, Yinan recalls her first trip along the same route in the late 1980s, as well as her Shanghai childhood with her “historical counter-revolutionary” grandfather, semi-literate grandmother, philosophy professor father and former “red guard” mother. Later in school, while receiving a nationalist education and witnessing the booming market economy, she becomes close to Jie, a classmate who aspires to join the Communist Party. And a few months before the new millennium, Yinan finds herself trapped in a secret love affair with her Mandarin-speaking high school teacher, who was once an activist during the political turmoil of 1989. In the midst of these formative relationships, Yinan contemplates the impact of the nation’s ideology, tradition and even it

How do we situate ourselves when we navigate the city of Hong Kong—physically, and in our minds? Against a backdrop of bustling density and movement, the difficulties of making space have shaped our days. From the challenges of limited living space and the quest for personal space, to the everyday negotiations of our identities in the social space, we are constantly confronted with the question: How do we redefine the distance between the city, others, and ourselves, and between the selves within us? This collection features prose, poetry and artwork from writers and artists in or from Hong Kong, as well as those who have had a close connection with the city, that explore the (im)possibility of making space. How do we remake space in our lives and our creative practices? What does this (im)possibility mean in (or in relation to) Hong Kong today?

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950, celebrates the life and work of Chiang Yee (1903–1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang’s relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from eleven distinguished scholars, tells a story of a Chinese intellectual community in London that up to now has been largely overlooked. It portrays a dynamic picture of the London-based émigré life during the years that led up to the war and during the conflict that was the catalyst for many of them moving on. In addition, the book broadens our understanding of cultural interactions between China and the West in Hampstead, one of the most vibrant artistic communities in London.

Jonathan Stalling’s experimental approach to bridging art, poetics, and linguistics imagines a world where individual value systems are no longer translated into the language of other mediums, but foster conscious “interlanguages.” Stalling writes, “Meeting in the middle, ‘interlanguages’ are spaces where one learns a new language without having left one’s home fully behind; these situations can result in richly generative interlingual and intercultural estuaries which provide new ways of imagining.” Stalling’s conceptual language art fuses Classical Chinese poetics and linguistics with modern algorithms to create art installations and poetry that transform Chinese into English and English into Chinese in new and surprising ways.With a visual gallery of Stalling’s work, an interview with the artist, a critical introduction by the editor, and critical chapters written by the comparative literature scholar Timothy Billings and Chinese Linguist Liu Nian, the volume provides readers with a

Writing has always been a difficult subject to talk about, let alone writing an honest account about how one’s creative process is complicated by global lockdown and personal hardships. In Writing in Difficult Times, eleven young promising writers from Hong Kong wallow in some of their perhaps most confusing and troubling moments in life, and share their struggles. How do writers committed to crafted language maintain a dialogue with themselves? How does the dense urban living space affect creative outputs and thoughts? How do writers reflect on and evaluate gender roles, motherhood, and time? What roles does memory play in writing, if memory’s own language is not allowed to communicate? Each personal essay in this collection is available in both Chinese and English, hoping to build a timely and genuine connection with its readers, regardless of location and cultural background. Each word is a courageous sharing that makes a significant contribution to bilingual Hong Kong literary writ

The purpose of this book is to explain both the historical context and current practices of land administration in Hong Kong. Although Hong Kong has an open and business-friendly environment, it is underpinned by a socialist leasehold land tenure system. The government is landlord to virtually all land and so it plays a pivotal role in the administration of this scare, and therefore, valuable resource.As land administration is governed by private contract law rather than legislation, it is constantly evolving with the courts handing down significant decisions on a regular basis. Government practice has to respond to this, as well as the community’s concern on how best land can be administered. The fifth edition has some substantial and important updates which should continue to be useful to both students and practitioners of surveying, architecture, planning and law, as well as the wider business and financial community.

For more than 40 years, the Journal has proved itself to be a publication to encourage scholarly communication for advancing knowledge in the field of Chinese Linguistics (Languages in China) with vision, history, results, and innovative spirit. JCL’s effort to serve the international scholarly community in its field is attested by its inclusion byLinguistics and Language Behavior Abstract Linguistic Abstract online Modern Language Association Directory of Periodicals Modern Language International Bibliography Bibliography of Asian Studies Social Science Citation Index (SSCI) Arts & Humanities Citation Index(A&HCI) European Reference Index for Humanities Scopus DatabaseWe welcome scholars whose quality research involves issues in the theory of language and in exploration and description of Chinese languages to contribute research with original discoveries to JCL for inspiration of international scholarly communication.Journal of Chinese Linguistics is also available online

Thematic poetry collection with author's biographical introduction. About relationships and, after a mastectomy, rediscovering herself in her altered body, proving to herself her renewed worth as a se

日本國民大作家夏目漱石的代表作影響了千萬讀者的不朽經典《子規》雜誌連載原初第一、二章日文全文標註假名，日漢對照，適用於學習日文的讀者每本書配有獨立QR Code，可收聽日語全文朗讀音頻書後附有譯者精心總結的翻譯心得，幫助日語學習，豐富閱讀體驗《我是貓》是日本國民大作家夏目漱石的代表作。本書通過教師苦沙彌家的貓這一獨特視角，冷靜地觀察了日本明治初期的社會百態。漱石用輕快幽默的語言、靈活誇張的筆法，描

Employing the classic Chinese saying “returning home with glory” (man zai rong gui) as the title, Michael Williams highlights the importance of return and home in the history of the connections establ

The main objective of this book is to familiarize the reader with a subset of the learning difficulties and common errors in ESL/EFL pronunciation and lexico-grammatical structures encountered by Chin

This book is published to coincide with the exhibition Rising Above: The Kinsey African American Art and History Collection. The documentary value of The Kinsey Collection encompasses 400 years of his

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

The University Museum and Art Gallery at the University of Hong Kong collaborates with the Ferenc Hopp Museum of Asiatic Arts in Budapest to present an exhibition and publication featuring early photo

Brian Brake (1927–1988, New Zealand) and Steve McCurry (1950– , U.S.A.) are two eminent photojournalists whose work concurs with the mission of Asia Society―to promote greater understanding of Asia. T

Contract Law in Hong Kong: A Comparative Analysis provides readers with a clear understanding of contract law in Hong Kong as well as its counterpart in England. It enables readers to navigate a vast

This catalogue is published to coincide with the UMAG exhibition Painted Ceramics: Contemporary Treasures by Jingdezhen’s National Masters from the Lamda Foundation. This exhibition introduces Jingdez

This is one in a series of introductory books providing readers with an overview of the most frequently encountered legal principles. This book presents an introduction to contract principles that app

This is one in a series of introductory books providing readers with an overview of the most frequently encountered legal principles. This book presents an introduction to contract principles that app

This catalogue is published to coincide with the UMAG exhibition Mexican Modernity: 20th-Century Paintings from the Zapanta Mexican Art Collection. Mexican Modernity displays, through 40 paintings, th