Alienation

What does it mean to be Black in a white, middle-class community? Is it the ultimate symbol of success? Or will one pay in isolation, alienation, rootlessness? What price must one pay for paradise? Is

A lively and stimulating look at representations, mutations and adaptations of 'the alien' in literature, film and television. Using notions of the alien and alienation in a broadly defined sense, th

Albert Camus' laconic masterpiece about a Frenchman who murders an Arab in colonial Algeria is famous in its time for diagnosing a state of alienation and spiritual exhaustion which summed up the mood

Fromm's essential writings, some never before published, in a compact volume. Selections include: "Human Alienation," "Origins of the Having Mode of Existence", &am

Argues that a primal wounding of the human spirit occurs in earliest human life that disrupts fundamental relationships and leads to anxiety, loneliness, and alienation; and shows how this wounding ca

This book outlines the history of our slow alienation from locale, and proposes some visionary and yet practical solutions to the global ecological crisis that call for the emergence of an integrated,

The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matt

The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matt

Winner of the 1989 PEN/Hemingway Foundation Award??for best first novel, this exquisite book??confronts real-life issues of alienation and violence??from which the author creates a stunning testament?

Linderman traces each soldier's path from the exhilaration of enlistment to the disillusionment of battle to postwar alienation. He provides a rare glimpse of the personal battle that raged within sol

The Guinea Pigs is a chilling fable about dehumanization and alienation representing Vaculik's vision of the menace of Soviet domination in the wake of the 1969 invasion. Written in 1970, it is a swee

In this book, the most thorough account of Marx's theory of alienation yet to have appeared in English, Professor Ollman reconstructs the theory from its constituent parts and offers it as a vantage point from which to view the rest of Marxism. The book further contains a detailed examination of Marx's philosophy of internal relations, the much neglected logical foudation of his method, and provides a systematic account of Marx's conception of human nature. Because of its almost unique concern with helping readers understand Marx's unusual use of language, Alienation has proven very popular in university courses on Marxism on both undergraduate and graduate levels. The first edition was widely reviewed, and in this new edition Professor Ollman replies to his critics in 'More on internal relations,' published here as Appendix II. In addition to this new appendix the author now provides a more systematic discussion of Marx's theory of ideology, elements of which were formerly dispersed t

A lucid guide through the labyrinth of Lacanian theoryThis book provides an illuminating account of the theory of subjectivity found in the work of Jacques Lacan. Guiding readers through many facets of Lacanian theory, Bruce Fink unpacks such central notions as the Other, object a, the unconscious as structured like a language, alienation and separation, the paternal metaphor, jouissance, and sexual difference. He demonstrates that, against the tide of post-structuralist thinkers who proclaim “the death of the subject,” Lacan explores what it means to come into being as a subject in its ethical and ontological dimensions. Presenting Lacan’s thought in the context of his clinical preoccupations, The Lacanian Subject offers one of the most balanced, sophisticated, and penetrating views of Lacanian psychoanalysis available.

Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.

Calls for justice and reconciliation in response to political catastrophes are widespread in contemporary world politics. What implications do these normative strivings have in relation to colonial injustice? Examining cases of colonial war, genocide, forced sexual labor, forcible incorporation, and dispossession, Lu demonstrates that international practices of justice and reconciliation have historically suffered from, and continue to reflect, colonial, statist and other structural biases. The continued reproduction of structural injustice and alienation in modern domestic, international and transnational orders generates contemporary duties of redress. How should we think about the responsibility of contemporary agents to address colonial structural injustices and what implications follow for the transformation of international and transnational orders? Redressing the structural injustices implicated in or produced by colonial politics requires strategies of decolonization, decenteri

Calls for justice and reconciliation in response to political catastrophes are widespread in contemporary world politics. What implications do these normative strivings have in relation to colonial injustice? Examining cases of colonial war, genocide, forced sexual labor, forcible incorporation, and dispossession, Lu demonstrates that international practices of justice and reconciliation have historically suffered from, and continue to reflect, colonial, statist and other structural biases. The continued reproduction of structural injustice and alienation in modern domestic, international and transnational orders generates contemporary duties of redress. How should we think about the responsibility of contemporary agents to address colonial structural injustices and what implications follow for the transformation of international and transnational orders? Redressing the structural injustices implicated in or produced by colonial politics requires strategies of decolonization, decenteri

First published in 1914, as the second edition of a 1912 original, this book provides a detailed discussion of the relationship between evolution and the central Christian principle of atonement. Intended 'as a restatement of certain fundamental doctrines of Christianity from that point of view which the spirit of the age forces upon us', the text attempts to reconcile concepts such as sin and alienation from God with the biological focus of evolutionary theory. The process of reconciliation necessarily involves the belief that the biological aspect of human existence can be logically connected to atonement, and the metaphysical certainties entailed by it. This book will be of value to anyone with an interest in theology, philosophy and the history of science.

Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.

Psychiatry can help free persons from social, physical and psychological oppression, and it can assist persons to lead free self-directed lives. And, because social realities impact on mental well-being, psychiatry has a critical role to play in social struggles that further liberation. These are the basic foundations of liberatory psychiatry. In recent years, dramatic transformations in social and political structures worldwide have increased the problems of domination, alienation, consumerism, class, gender, religion, race and ethnicity. Confronting the psychological impact of these changes, and exploring new ideas to help develop the liberatory potential of psychiatry, this book should be read by mental health practitioners from the widest range of disciplines and those interested in social theory and political science.

This volume brings together a selection of essays by one of the leading scholars of American art. Matthew Baigell examines the work of a variety of artists, including Edward Hopper, Thomas Hart Benton, Ben Shahn, and Frank Stella, relating their art works closely to the social and cultural contexts in which they were created. Identifying important and recurring themes in this body of art, such as the persistence of Emersonian values, the search for national and regional identity, aspects of alienation, and the loss of individuality, he also explores the personal and religious identities of artists as revealed in their works. Collectively, Baigell's work demonstrates the importance of America as the defining element in American art.

This volume contains a selection of Karl Marx's most important writings, organized thematically under eight headings: methodology, alienation, economics, exploitation, historical materialism, classes, politics, and ideology. Jon Elster provides a brief introduction to each selection to explain its context and its place in Marx's argument. The volume is designed as a companion to Elster's An Introduction to Karl Marx and the thematic structure of each book is the same. But the Reader can also stand on its own and offers the student a substantial and revealingly organized selection of the crucial texts needed to understand and assess Marx's views.

A concise and comprehensive introduction to Marx's social, political and economic thought for the beginning student. Jon Elster surveys in turn each of the main themes of marxist thought: methodology, alienation, economics, exploitation, historical materialism, classes, politics, and ideology; in a final chapter he assesses 'what is living and what is dead in the philosophy of Marx'. The emphasis throughout is on the analytical structure of Marx's arguments and the approach is at once sympathetic, undogmatic, and rigorous.

This is the third volume in this highly praised series (the first won the World Fantasy Award). Previous works been praised for their eclectic mix of stories, offering a panorama of themes and styles. For instance, the 2021 edition included a story about a woman struggling with her identity and relationship in the face of a thought-recording device, a tale of a man fostering a rapidly evolving robot, and an adventurous narrative about a sentient robot dog engaging in space piracy. These stories not only explored advanced technologies and speculative scenarios but also delved deep into human emotions, relationships, and societal issues.Themes of personal struggles, such as dealing with depression, anxiety, and feelings of alienation, were also prominent. These were manifested through unique and powerful metaphors, like a woman whose detachable body parts symbolized her sense of disintegration and invisibility, or a story that portrayed the torment of self-contempt through the constant b

A new collection--about loss, alienation, aging, and the strangeness of contemporary life--by the award-winning, and inimitable, author of The Book of Goose.A grieving mother makes a spreadsheet of everyone she's lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In the stories of Wednesday's Child, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces--death, violence, estrangement--come to light. Even before such moments, everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen. Yiyun Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of j

A dazzling collection of short stories from the internationally acclaimed, award-winning author of The Handmaid's Tale and The Testaments, stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life togetherMargaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the co

The Cambridge Companion to Global Literature and Slavery reveals the way recent scholarship in the field of slavery studies has taken a more expansive turn, in terms of both the geographical and the temporal. These new studies perform area studies-driven analyses of the representation of slavery from national or regional literary traditions that are not always considered by scholars of slavery and explore the diverse range of unfreedoms depicted therein. Literary scholars of China, Central Asia, the Middle East, and Africa provide original scholarly arguments about some of the most trenchant themes that arise in the literatures of slavery – authentication and legitimation, ethnic formation and globalization, displacement, exile, and alienation, representation and metaphorization, and resistance and liberation. This Cambridge Companion to Global Literature and Slavery is designed to highlight the shifting terrain in literary studies of slavery and collectively challenge the reductive no

Janette H. Ok argues that 1 Peter characterizes Christian identity as an ethnic identity, as it holds the potential to engender a powerful sense of solidarity for readers who are experiencing social alienation as a result of their conversion. The epistle describes and delineates a communal identity based on Jewish traditions, and in response to the hostility its largely Gentile Anatolian addressees are experiencing as religious minorities in the Roman empire. In order to help construct a collective understanding of what it means to be a Christian in contrast to non-Christians, Ok argues that the author of the epistle employs “ethnic reasoning” or logic. Consequently, the writer of 1 Peter makes use of various literary and rhetorical strategies, including establishing a sense of shared history and ancestry, delineating boundaries, stereotyping and negatively characterizing “the other,” emphasizing distinct conduct or a common culture, and applying ethnic categories to his addressees. Ok

Constellating Home: Trans and Queer Asian American Rhetorics explores how race, migration, gender, and disability entwine in conceptions of deserving citizens. V. Jo Hsu explores three archives of trans and queer Asian American (QTAPI) rhetorics, considering a range of texts including oral histories, photography, personal essays, and performance showcases. To demonstrate how QTAPI use personal narrative to critique and revise the conditions of their exclusion, Hsu forwards a critical approach to storytelling, homing, which deliberately engages sites of alienation and belonging. Through a practice of diasporic listening, Hsu tracks confluences among seemingly divergent journeys and locates trans and queer Asian American experiences within broader US and global politics. The stories at the heart of Constellating Home center the voices of trans and nonbinary people, disabled people, and others often overlooked in conceptions of US citizenry. Hsu's analyses demonstrate the inextricability

This central collection by the poet, dramatist, and Nobel laureate Nelly Sachs--newly translated from the German by Joshua Weiner (with Linda B. Parshall)--reveals the visionary poet's remarkable power of creation and transformation So far out, in the open, cushioned in sleep.In flight from the landwith love's heavy luggage. A butterfly-zone of dreamslike an open parasolheld up against the truth. Flight and Metamorphosis marks the culmination of Nelly Sachs's development as a poet. Sachs, who was awarded the Nobel Prize in Literature in 1966, speaks from her own condition as a refugee from Nazi Germany--her loneliness while living in a small Stockholm flat with her elderly mother, her exile, her alienation, her feelings of romantic bereavement, and her search for the divine. Forced onto a journey of endless change, Sachs created her own path forward. From these sublime poems, she emerges as a visionary, one who harnesses language's essential power to create and transform our world. Jos

Why higher education in the United States has lost its way, and how universities and colleges can focus sharply on their core mission.For The Real World of College, Wendy Fischman and Howard Gardner analyzed in-depth interviews with more than 2,000 students, alumni, faculty, administrators, parents, trustees, and others, which were conducted at ten institutions ranging from highly selective liberal arts colleges to less selective state schools. What they found challenged characterizations in the media: students are not preoccupied by political correctness, free speech, or even the cost of college. They are most concerned about their GPA and their resumes; they see jobs and earning potential as more important than learning. Many say they face mental health challenges, fear that they don’t belong, and feel a deep sense of alienation. Given this daily reality for students, has higher education lost its way? Fischman and Gardner contend that US universities and colleges must focus sharply

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields – like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.

Revisiting the foundation of Chinese spiritual life, the prestigious historian Cho-yun Hsu seeks a way to connect Chinese culture with the world. This book is an insightful and lively discussion of the spiritual life of the Chinese people. Through investigation of cultural ideals and life practices, Professor Cho-yun Hsu constructs an original portrait of Chinese cultural values. Apart from the exalted subtleties of the scholarly elite, he pays much attention to everyday people’s daily practices and collective memory, seeking to clarify Chinese ideas concerning the universe, human life, and nature, from traditional times down to the present day. Professor Hsu contends the problems Western civilization is facing nowadays, including various crises of alienation and separation from nature, are ones that it lacks resources to solve. He believes Chinese humanistic culture might offer another way forward and be of benefit to the future of the world. ------------- A work of passionate hum

“Red and blue appear in stark contrast with one another on the map of America. But the even more profound divide is the alienation in our hearts.” This work is a striking analysis of the struggles faced by American society, written from the perspective of a Chinese professor of history who spent 60 years of his life in the US. As both an insider and outsider to this country, Cho-yun Hsu is able to perceive what many other Americans may take for granted, and it is this viewpoint—together with his decades of experience teaching history at the University of Pittsburgh—that make this work so unusual and worthwhile. This work analyzes American history through a wide range of topics, including culture, politics, economics, industrialization, class, ethnicity, the urban-rural divide, and more. Expertly analyzing the origins of the tension and conflict between different classes and ethnic groups in American society, this book seeks to offer a way forward from a humanistic perspective, in the

In this work of historical theology, Rachel Davies considers the relationship between aesthetics and anthropology in Bonaventure's thought, and shows how bodily diminishment can become a sign and source of the self's renewal. Drawing from texts like the Collations on the Six Days, and the Major Life of Francis, Davies reconfigures traditional accounts of the fallen body's rebellion against the soul and emphasizes instead the soul's original abandonment of the body. Her interpretation draws attention to the crucial but undervalued role that Bonaventure assigns to the body in the self's coming-to-be, and shows how contemplation involves the soul's tender recovery of the body it once rejected. Though contemplation makes body-soul integrity possible again, Davies argues that the body never fully recovers from its primordial alienation. Instead, Bonaventure suggests that individuals can experience brokenness and healing at the same time, and that suffering bodies can become paschal spaces,

The opening decades of the twenty-first century are distinguished by a newly framed and regenerated outlook of Jewish American literary studies. This volume introduces readers to the new perspectives, new approaches, and widening of interpretive possibilities in Jewish American literature accompanied by the changes of the new millennium. Now that we are over a decade into a new century, the field of Jewish American literary studies has begun to reshape itself in response to a 'new diaspora', a newly defined sense not only of Jewish American literature, but of America, an expansion of new genres, new voices, and new platforms of expression. This book re-evaluates questions of race, feminism, gender, sexuality, orthodoxy, assimilation, identity politics, and historical alienation that shape Jewish American literary studies. Several chapters show the influence of other cultures on the field such as Iranian-American-Jewish writing, Israeli-American, and Latin American literary expression,

Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.

Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.

When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitut

Joyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.

New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies aa a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices.Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewe