Modeling and Using Context

Utopia and Utopianism in the Contemporary Chinese Context: Texts, Ideas, Spaces decisively demonstrates the extent to which utopianism has shaped political thought, cultural imaginaries, and social en

Prof. William S-Y. Wang, an eminent linguist, has made significant contributions to the field regarding lexical diffusion, experimental phonetic studies, language simulation and modeling, and aging and language. To celebrate his 90th birthday, colleagues and friends worldwide have contributed over 30 articles to a two-volume Festschrift. The English volume includes topics such as Chinese language evolution, the relationship between language and music, and the brain processes involved in language production. This Festschrift is written by and for experienced language researchers and is also suitable for students of Chinese linguistics and those interested in Chinese culture, history, and neurology.

This book examines Hong Kong foodways in different periods of social development and hopes to advance anthropological inquiries by addressing issues concerning identity, migration, consumerism, globalization, and the invention of local cuisines in the context of Hong Kong as a fast-changing society in East Asia.

The context in which constitutional laws and human rights instruments are read is ever-changing, and this is particularly true for the Hong Kong Special Administrative Region. To understand the applic

In Paths of Justice, Johannes Chan illuminates fundamental themes and basic values in Hong Kong’s legal system by using his own experience and drawing on interesting and important cases. The book expl

This book explores the development of late 19th century study societies in China against the context of the decline of the imperial Qing government and its control on ideological production, widesprea

Previous scholarship on trials of war criminals focused on the legal proceedings with only tacit acknowledgement of the political and social context. Dean Aszkielowicz argues in The Australian Pursuit

This book features five theme-based units on cross-disciplinary academic English skills, focusing on the needs of first-year undergraduate students. Each unit covers academic writing, reading, and speaking skills. The units progressively take students through the steps needed to complete three common academic assignments: the essay, report, and tutorial discussion. These steps include searching for quality sources, note-taking, establishing a critical stance, formulating evidence-based arguments, synthesizing information from multiple sources, and structuring academic texts. Each unit also provides opportunities for students to analyse texts, apply their critical thinking skills, practise what they have learnt in productive tasks, and reflect upon their progress.This book is aimed at first-time university students. Many of the readings are related to China and a broader Asian context. As such, it appeals to first-year university students in Hong Kong, Mainland China, and Taiwan.

A novel dialogue between Buddhism and Western psychology, grounded in original Pali texts. As mindfulness and meditation become mainstream therapeutic tools, their deep Buddhist roots are often stripped away and limit their effectiveness for clients from Buddhist cultural backgrounds. Early Buddhist Teachings: A Theoretical Foundation for Counseling restores these practices to their original context, offering a culturally congruent counseling model grounded in Pali scriptures and core Buddhist principles. This informative volume explores key Buddhist concepts including dependent co-arising, non-self, and impermanence, and places them in conversation with Western psychological theories. Supplemented with practical assessment tools and intervention techniques, this work provides mental health professionals with a new framework for integrating Buddhist teachings into counseling. For therapists, students, and counselors seeking to expand their approach, Early Buddhist Teachings offers a vi

Revitalization in Asia: Adaptive Reuse in Macao, Mumbai, and Penang offers a clear understanding of the value of sustainable adaptive reuse within an Asian context. Three highly urbanized places (Macao, Mumbai, and Penang) are considered in detail from conservation and planning perspectives (with essays and timelines for each). For each place, five case studies offer a comparative framework for understanding similarities and differences in adaptive reuse projects. Six essays examine adaptive reuse in terms of its connection to the three dimensions of sustainability, with reference to the United Nations’ Sustainable Development Goals. This book is envisioned as a continuation of Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore.

How did lay people in old China save their lives when dealing with acute or chronic health issues? Conventional medicine was costly and might not have been an option for many. Instead, people in villages and towns relied on remedies drawn from a woodblock-printed illustrated booklet called the Seventy-Two Therapies, first published in 1847. The goal of this book is to foster an appreciation of China’s long tradition of folk remedies. Each folk remedy is illustrated by a page from the circa 1860s woodblock edition of the Seventy-Two Therapies which the author used for translation. He also added a historical and interpretive analysis to expand on each therapy and to place it in the context of contemporary thinking, aiming at academics and readers interested in the everyday lives of common people in pre-1950 China, and in the folk medicine wisdom inherited from the past. ------------------------------------------------------------------------------- “The 72 specific disease

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

When the Yellow River Floods explores the relationship between environmental degradation, hydraulic engineering, and nation-building in the context of Liu E’s The Travels of Lao Can. This book contributes to the field by providing a unique perspective on modern Chinese literary history that goes beyond conventional narratives that focus solely on political and cultural factors. The main areas covered include the role of water management in literary nation-building and the connections between the novel’s various themes, such as river engineering, medical and political discourses, national sentiment, and landscape description. The book is targeted toward scholars and students of Chinese literature, history, and environmental studies, as well as those interested in the intersections between literature, nation-building, and environmental challenges. By offering a comprehensive and material-based analysis of The Travels of Lao Can, this book broadens the understanding of nation-building in

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

In The Chinese Idea of a University: Phoenix Reborn, Rui Yang conceptualizes the cultural foundations of modern university development in Chinese societies. Instead of focusing on the uniqueness of the societies, this book aims to prove that one educational purpose could be fulfilled via many paths, and that most of the characteristics the university could be found in other institutions of higher learning. Citing the practices of four selected Chinese societies, Yang opposes the existence of an impassable chasm between Chinese and Western ideas of a university and argues that it is possible to combine Chinese and Western ideas of a university. Also, this book is one of the first in English to theorize the Chinese idea of a university. It links the historical events to the present, in a context of an enormous impact of Western academic models and institutions, from the beginning of modern universities in Chinese societies to the contemporary period.

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film

This book carries decades of academic observations and the author’s personal political experience. It reviews and refects on the past trajectory of governance and administration, identifying strengths and capabilities as well as constraints and vulnerabilities of Hong Kong as a polity and society, while charting its course of ‘exceptionalism’ within a new context and under changing conditions.Hong Kong under British rule was a prime example of exceptionalism in many aspects —economic, political, and even social. It was governed under a colonial structure and yet had enjoyed a large degree of social and economic freedom, as well as fiscal self-sufficiency and autonomy from London. After returning to Chinese rule in 1997, Hong Kong has continued to thrive as a relatively resilient city-state still known for efficiency andeffectiveness despite tensions and scepticism about its political future.This book carries decades of academic observations and the author's personal political experienc

In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity—this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms.Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power.

Using the insurrection by the Malayan Communist Party (1948–1960) as an example, this book argues that resorting to violence sped up the decolonisation of British Malaya, begging the question: if a la

Volume IThe Silk Manuscripts from Zidanku, Changsha (Hunan), are the only pre-Imperial Chinese manuscripts on silk found to-date. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several texts concerning basic cosmological concepts, including one manuscript (Manuscript 1) with a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts.This is the first in a two-volume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context andhistory of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United Stat

The significance of Fong Chung-Ray’s artistic oeuvre lies in his contribution both to the global art scene and the representation of Chinese artistic traditions in late twentieth- and early twenty-first-century California. As an ambassador for art, he has played a crucial role in fostering cultural exchange between China and the West, and his artworks have introduced richly diverse artistic traditions, techniques and themes to international audiences, promoting a deeper understanding and appreciation of Chinese culture.This anniversary publication presents a careful selection of Fong’s work tracing his artistic career and stylistic development over the last 60 years. It is a testament to the master’s contribution to late-twentieth-century Chinese painting in a global context.藝術家馮鍾睿的創作夙負盛名。二十世紀晚期至二十一世紀初，馮氏以中國傳統為基礎的作品於美國加州藝壇獨樹一幟，其畫風及作畫方式多元豐碩，展現出他對融合中西藝術的永恆追求。馮氏以自身創作於海外積極傳播中華文化，在推動跨文化交流方面扮演了重要的角色，幫助國際社會更深入地理解和欣賞中國藝術。是次富有紀念意義的出版物包括橫跨馮鍾睿整個創作生涯的多幅作品，回顧他過去六十年的藝術成就和風格發展，對這位大師在二十世紀晚期中國畫壇所作出的貢獻予

Fills a gap in Korean Wave studies by studying it through the lens of gender. Women We Love is an edited collection exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of analysis about the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. Using "women" as an inclusive term extending to all those who self-define as women, this collection of essays examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. The audience for Women We Love will reflect the contributors to this text; they are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media stud

We have carefully selected a collection of 20 exquisite paintings and calligraphy by Prof. Jao Tsung-i, accompanied by 50 cherished photographs captured during his worldwide travels. These features Prof Jao’s interpretations of landscapes from different corners of the world, including his large-scale paintings depiction well-know sites in Hong Kong, China, and overseas. We can observe how he exceptionally reflected the distinct character of each place and represented it using the traditional Chinese medium of ink and brush as well as Western painting style. As the old saying goes, “It is better to travel ten thousand miles than to read ten thousand books”. While achieving one of these is already incredibly challenging, Prof. Jao not only traversed thousands of miles, surpassing the accomplishments of both ancient masters and numerous contemporary painters.

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the though

Focusing on Albert Sanguinetti from his early life to his retirement from the legal sector, including his tenures in Gibraltar, Kenya, and Hong Kong, this biography provides an in-depth view of the life of a prominent figure in the legal field in the late twentieth century. It is written from an objective, external viewpoint and paints a colourful and lively picture of Sanguinetti in a voice that could almost be his own. Using Sanguinetti’s life experiences, the biographer touches on various historical events, including the Mau Mau revolution in Kenya and the 1957 riots in Hong Kong, and details the social and political problems of the times, such as lingering colonialism, class structure issues, and human rights violations, among others. These glimpses of history through Sanguinetti’s eyes are accessible, thought-provoking, and truly representative of the man himself.Offering a well-rounded image of the eccentric subject, this book fulfils Sanguinetti’s common response to questions ab

What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family.Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and unde

Eros of International Relations: Self-Feminizing and the Claiming of Postcolonial Chineseness is a distinctive work that explores the much-neglected Chinese perspective in broader international relations theory. Using the concept of “self-feminizing”―adoption of a feminine identity to oblige and achieve mutual caring as a relational strategy―this book argues that postcolonial actors have employed gendered identities in order to survive the squeezing pressure of globalization and nationalism in their own ways. Sovereign actors who have historically claimed to act on behalf of Chineseness have taken advantage of the images of femininity thrust upon them by transnational capitalism, the media, or intellectual thought.Shih illustrates the feminist potential for emancipation through a range of empirical examples, showing that women of various Chinese characteristics, acting on behalf of their nation, city, and corporations, reject the masculinization of their groups of belonging as remedy f

In A New Documentary History of Hong Kong, 1945–1997, Florence Mok, Fung Chi Keung Charles, and other contributors analyse newly released archival records from the National Archives in London, the Government Records Service in Hong Kong, and other sources across the world. This documentary collection provides an updated and improved understanding of basic aspects of the city such as governance, economy, society, and culture. It also aims at investigating topics that are under-exploited in previous sourcebooks, such as race and diasporas, gender and familial relations, medicine and healthcare, and environment and natural disasters. Overall, this book offers an innovative and comprehensive long-term perspective of Hong Kong’s colonial history.

This book, the first of its kind in Hong Kong, offers insights from experts in healthcare and higher education both locally and further afield. Key learnings and recommendations are presented in three sections: disaster management and reconstruction, including what we can learn from past earthquakes; the importance of healthcare and emergency medicine in disasters and community events; and the way forward, in particular how technology and systems thinking can be used for disaster mitigation.

The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests.Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of “queer/ing TV China” to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through ex

Studies in Colloquial Chinese and Its History: Dialect and Text presents cutting-edge research into issues regarding prestige colloquial languages in China in their spoken forms and as well as their relationship to written forms and the colloquial literary language. These include the standard regional languages and prestige dialects of the past, the influence of historical forms of spoken Chinese on written Chinese, the history of guānhuà and the history of báihuà, proto-dialects and supra-regional common languages (koines), and their relationship to spoken dialects. The various studies in this collection focus on the dialect groups with the most substantial written tradition, including Mandarin, Wu, Min, and Cantonese, in north, central and eastern coastal, and southern China respectively. The contributors explore the histories of these dialects in their written and spoken forms, presenting a variegated view of the history and development of the regional forms, including their evoluti

Over a ten-year period, Professor Ma carried out cross-disciplinary research in Hong Kong focused on the effectiveness of structural family therapy for Chinese patients suffering from anorexia nervosa

李歐梵用「蒼涼」和「世故」來形容張愛玲。此書是李歐梵特別為香港的「張迷」而寫，以「蒼涼與世故」為題，英文可譯為是Desolation and Sophistication，前者是張愛玲自己的美學觀念，後者是作者對張愛玲的看法。我不喜歡壯烈，我是喜歡悲壯，更喜歡蒼涼。壯烈只有力，沒有美，似乎缺少人性。悲壯則如大紅大綠的配色，是一種強烈的對照。但它的刺激性還是大於啟發性。蒼涼之所以有更深長的回味，就因為它像葱綠配桃紅，是一種參差的對照。—— 張愛玲〈自己的文章〉

The first half of the 20th century was a time of great change in China. After the 1911 Revolution, leaders like Sun Yat-sen and Chiang Kai-shek tried to modernize the government, education, defense, and more. With the onset of the Second Sino-Japanese War and later occupation of Hong Kong, the focus of both the Kuomintang and the Chinese Communist Party shifted to resistance efforts in order to survive. And who did they turn to for help?To his children, Lee Sik-pang (李錫彭) was just an artist and antiques dealer in Hong Kong until the family immigrated to the United States in the late 1950s. So why did several of his watercolor paintings depict possible Allied bombing targets? And how did he know so many famous people, including Sun Fo (Sun Yat-sen’s son), Admiral Henry Hsu of the Republic of China Navy, and the British High Commissioner-General for Southeast Asia Malcolm MacDonald?By answering these questions and many more, this book argues that Lee Sik-pang was not only an accomplished

The term Silk Road has been well-known for many years, but in fact this ancient trade route was not a singular path from East to West. Rather, it was a network of multiple ways that peoples, goods, and cultures spread across the Asian continent and beyond. This book focuses on the Steppe Silk Road, starting with the Hulunbuir Grasslands in today’s Steppe, which stretches through several countries from the Danube to the Ural River.The result of the author’s extensive travels through China, Mongolia, Russia, Kazakhstan, and more, this travelogue presents modern-day experiences together with ancient history. It explores how civilizations of the steppe grasslands evolved over time from a Chinese perspective, along with personal anecdotes and scenic highlights from various trips over the past 47 years. The book provides a window into less-visited regions suitable for intrepid explorers and armchair travelers alike.

Why were so many Buddhist grottoes carved across China, and what do they tell us about the history of Chinese art?Grotto Art of China: A Sourcebook traces the origins of this unique art form from the Indian subcontinent to its monumental flowering across Asia and into China.This volume brings together contributions from leading international scholars, providing systematic studies of major grotto complexes—including Mogao, Yungang, Longmen, Gongxian, Xiangtangshan, and Tianlongshan—alongside crucial, lesser-known regional sites in Gansu, Shandong, Shaanxi, Sichuan, Tibet, and Xinjiang.Organized geographically, the book explores these sacred sites as mediums of devotion, political expression, and cultural exchange, covering topics such as imperial patronage, distinctive artistic styles, and the ways these resilient sites preserve vital information otherwise lost to history.An essential reference for students, scholars, and informed travelers, it offers deep insight into the spiritual and

Over a span of 260 years, from 630 to 894, Japanese embassies to Tang China (ken-Tō shi) played a vital role in importing Tang governance and culture to Japan, significantly shaping the political and cultural landscape of an emerging Japanese state with codes of law (ritsuryō). However, the seventeenth embassy during the Jōwa period, fraught with turmoil, marked the final mission to Tang China. Alongside disasters and significant loss of life during the voyage, mysteries persist around Vice-ambassador Ono no Takamura's refusal to board the ship, the government's insistence on the mission, and the objectives behind dispatching this mission to China. In this volume, Professor Saeki Arikiyo traces the journey from departure to return, focusing on the individuals involved and the prevailing trends of the era. Drawing upon a rich tapestry of historical sources, including records from Shoku Nihon kōki and the accompanying monk Ennin's Nit-Tō guhō junrei kōki, Arikiyo delves into the arduous

Escaping the End of Times is a book where history meets psychology. It invites readers to explore the intricate relationships between dreams, politics, and the Chinese writing system in early modern China.Thoroughly researched and written in an accessible manner, this book presents a series of historical encounters that reveal how Ming scholars countered instability by compiling and editing dream texts. Readers learn how these scholars translated their dreams into action, used the past to bolster their status, reaffirmed their preferred societal order, merged myth and history, and interpreted their dreams and the dreams of others through creative techniques grounded in scholarly tradition.By combining detailed research with captivating storytelling, this book not only brings the world of late Ming dream analysis to life but also demonstrates the relevance of the past to the stories we tell now about ourselves and our own dreams.

一杯香滑奶茶！ 一種香港情懷！香港茶餐廳，由冰室演變而成，代表着經典的港式飲食文化。新鮮出爐的蛋撻、菠蘿油、西多士，再配上一杯絲襪奶茶，更是品嚐着一種香港情懷。茶餐廳提供早午晚常餐及下午茶，種類多樣，充滿中西特色風味。這次就帶大家一同走進茶餐廳文化啦！A Cup of Silky Milk Tea A Taste of Hong KongHong Kong cha chaan teng, originated from a type of eatery called "ice houses", represent the traditional Hong Kong food culture. Freshly baked egg tarts, pineapple buns with butter, French toast, together with a cup of (Hong Kong-style) silky milk tea—all bring out a taste of the nostalgic Hong Kong vibe.From all-day menu of breakfast, lunch and dinner, as well as afternoon tea, cha chaan teng offer various kind of food, blending together Chinese and Western tastes. Let's take a journey to experience the culture of Hong Kong cha chaan teng!