Confronting Images ─ Questioning the Ends of a Certain History of Art
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When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an "underside" in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition.
作者簡介
Georges Didi-Huberman is on the faculty of the Ecole des hautes etudes en sciences sociales in Paris. His books include Fra Angelico: Dissemblance and Figuration (1995),Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere(2003), and L’image survivante: Histoire de l’art et temps des fantomes selon Aby Warburg (English edition forthcoming from Penn State Press).
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