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Ireland is generally considered to be largely absent from Renaissance drama, but O'Neill (English, National U. of Ireland-Maynooth) finds many references to Ireland and the Irish, particularly in late-Elizabethan plays. Indeed, he says, the stage provided a fluid though licensed space where interest in Ireland and anxieties about Irish alterity could negotiated and played out while skirting political censorship. Distributed in the US by ISBS. Annotation c2007 Book News, Inc., Portland, OR (booknews.com)
