Merleau-Ponty's Phenomenology of Perception - a canonical text of twentieth-century philosophy - concludes with an appeal to ‘heroism' by citing a series of enigmatic sentences drawn from Saint-Exupery's Pilote de guerre. Surprisingly, however, these lines are antithetical to the philosophical thrust of Merleau-Ponty's project. This book aims to explain this situation. Foregrounding liminal themes in Merleau-Ponty's thought that have been largely overlooked - e.g., sacrifice, death, myth, faith - and showing how these themes support Merleau-Ponty's reinterpretation of Husserlian phenomenology, Smyth shows that Merleau-Ponty's appeal to ‘heroism' represents an extra-philosophical appeal to a historical purposiveness as a universal feature of human nature, and that Merleau-Ponty makes this appeal in virtue of his recognition of the intrinsic methodological limitations of philosophy as a theoretical endeavor.
The book thus recovers the ‘militant' dimension of Merleau-Ponty's thought. This sheds considerable new light on his work. It does so in a way that challenges some of the basic parameters of existing Merleau-Ponty scholarship by illuminating the intrinsic normativity of his existential phenomenology, and its epistemic reliance on forms of non-reason such as faith and myth.
