古琴藝術（斲琴技藝）

第一章：導論
1.1 緒論
1.2 蔡昌壽斲琴學會的門訓
1.3 琴的結構

第二章：技藝篇
2.1　斲琴第一步：尋
2.2　斲琴第二步：斲
2.3　斲琴第三步：挖
2.4　斲琴第四步：鑲
2.5　斲琴第五步：合
2.6 斲琴第六步：灰 
2.7 斲琴第七步：磨
2.8 斲琴第八步：漆
2.9　斲琴第九步：絃
2.10 後續作業

第三章：學斲拾趣
3.1 心目中的好琴
3.2 工欲善其事
3.3 尋材有感
3.4 試試各種琴式
3.5 槽腹挖掘趣味
3.6 巧妙用力合琴
3.7 雁足擺放在哪兒？
3.8 「琴葬」
3.9 他來自星星
3.10 鑲
3.11 對嶽山及承露的執著
3.12 遙遙的上漆路

第四章：承傳篇
4.1 蔡福記
4.2 蔡師傅的父親蔡維經
4.3 文人徐文鏡
4.4 拜師學藝
4.5 君子之交
4.6 家庭琴緣
4.7 授徒傳薪

第五章：踏向下一個里程碑

附錄
A1 蔡昌壽人生里程碑
A2 蔡昌壽斲琴學會事跡
A3 蔡昌壽斲琴學會出版物
A4 明清琴譜所錄琴式之初探

Chapter 1　Introduction
1.1 Preamble
1.2 The Choi Chang Sau Qin Making Society doctrines
1.3 Structure of the qin

Chapter 2　Art and craft
2.1 The first step in qin making: Seeking
2.2 The second step in qin making: Shaping
2.3 The third step in qin making: Hollowing
2.4 The fourth step in qin making: Inlaying
2.5 The fifth step in qin making: Assembly
2.6 The sixth step in qin making: Priming
2.7 The seventh step in qin making: Polishing
2.8 The eighth step in qin making: Lacquering
2.9 The ninth step in qin making: Stringing
2.10 Post completion work

Chapter 3 Little stories of apprenticeship
3.1 The“good” qin
3.2 The craftsman who wants to excel
3.3 In search of materials
3.4 Trying out different qin styles
3.5 Interesting digs
3.6 Using force appropriately in gluing boards
3.7 Where shall we place the yanzu (goose feet)?
3.8 “Qin burial”
3.9 He came from the stars
3.10 Inlaying
3.11 Insisting on the structure of yueshan and chenglu
3.12 The arduous path of lacquering

Chapter 4 Heritage
4.1 Choi Fook Kee
4.2 Master Choi’s father — Choi Wai Ging
4.3 The literatus Xu Wenjing
4.4 Apprenticeship
4.5 Friendship among gentlemen
4.6 Family bonds
4.7 Passing the torch

Chapter 5　Onward to the next milestone
Appendix
A1: Milestones in Master Choi’s life
A2: Past events of the Choi Chang Sau Qin Making Society
A3: Publications of the Choi Chang Sau Qin Making Society
A4: 3D scans of guqins by Choi Chang Sau and his disciples
A5: Initial exploration of qin styles documented in the Ming and Qing dynasties

Bibliography
Acknowledgments