Alienation

A dazzling collection of short stories from the internationally acclaimed, award-winning author of The Handmaid's Tale and The Testaments, stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life togetherMargaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the co

The Cambridge Companion to Global Literature and Slavery reveals the way recent scholarship in the field of slavery studies has taken a more expansive turn, in terms of both the geographical and the temporal. These new studies perform area studies-driven analyses of the representation of slavery from national or regional literary traditions that are not always considered by scholars of slavery and explore the diverse range of unfreedoms depicted therein. Literary scholars of China, Central Asia, the Middle East, and Africa provide original scholarly arguments about some of the most trenchant themes that arise in the literatures of slavery – authentication and legitimation, ethnic formation and globalization, displacement, exile, and alienation, representation and metaphorization, and resistance and liberation. This Cambridge Companion to Global Literature and Slavery is designed to highlight the shifting terrain in literary studies of slavery and collectively challenge the reductive no

Janette H. Ok argues that 1 Peter characterizes Christian identity as an ethnic identity, as it holds the potential to engender a powerful sense of solidarity for readers who are experiencing social alienation as a result of their conversion. The epistle describes and delineates a communal identity based on Jewish traditions, and in response to the hostility its largely Gentile Anatolian addressees are experiencing as religious minorities in the Roman empire. In order to help construct a collective understanding of what it means to be a Christian in contrast to non-Christians, Ok argues that the author of the epistle employs “ethnic reasoning” or logic. Consequently, the writer of 1 Peter makes use of various literary and rhetorical strategies, including establishing a sense of shared history and ancestry, delineating boundaries, stereotyping and negatively characterizing “the other,” emphasizing distinct conduct or a common culture, and applying ethnic categories to his addressees. Ok

Constellating Home: Trans and Queer Asian American Rhetorics explores how race, migration, gender, and disability entwine in conceptions of deserving citizens. V. Jo Hsu explores three archives of trans and queer Asian American (QTAPI) rhetorics, considering a range of texts including oral histories, photography, personal essays, and performance showcases. To demonstrate how QTAPI use personal narrative to critique and revise the conditions of their exclusion, Hsu forwards a critical approach to storytelling, homing, which deliberately engages sites of alienation and belonging. Through a practice of diasporic listening, Hsu tracks confluences among seemingly divergent journeys and locates trans and queer Asian American experiences within broader US and global politics. The stories at the heart of Constellating Home center the voices of trans and nonbinary people, disabled people, and others often overlooked in conceptions of US citizenry. Hsu's analyses demonstrate the inextricability

This central collection by the poet, dramatist, and Nobel laureate Nelly Sachs--newly translated from the German by Joshua Weiner (with Linda B. Parshall)--reveals the visionary poet's remarkable power of creation and transformation So far out, in the open, cushioned in sleep.In flight from the landwith love's heavy luggage. A butterfly-zone of dreamslike an open parasolheld up against the truth. Flight and Metamorphosis marks the culmination of Nelly Sachs's development as a poet. Sachs, who was awarded the Nobel Prize in Literature in 1966, speaks from her own condition as a refugee from Nazi Germany--her loneliness while living in a small Stockholm flat with her elderly mother, her exile, her alienation, her feelings of romantic bereavement, and her search for the divine. Forced onto a journey of endless change, Sachs created her own path forward. From these sublime poems, she emerges as a visionary, one who harnesses language's essential power to create and transform our world. Jos

Why higher education in the United States has lost its way, and how universities and colleges can focus sharply on their core mission.For The Real World of College, Wendy Fischman and Howard Gardner analyzed in-depth interviews with more than 2,000 students, alumni, faculty, administrators, parents, trustees, and others, which were conducted at ten institutions ranging from highly selective liberal arts colleges to less selective state schools. What they found challenged characterizations in the media: students are not preoccupied by political correctness, free speech, or even the cost of college. They are most concerned about their GPA and their resumes; they see jobs and earning potential as more important than learning. Many say they face mental health challenges, fear that they don’t belong, and feel a deep sense of alienation. Given this daily reality for students, has higher education lost its way? Fischman and Gardner contend that US universities and colleges must focus sharply

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields – like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.

Revisiting the foundation of Chinese spiritual life, the prestigious historian Cho-yun Hsu seeks a way to connect Chinese culture with the world. This book is an insightful and lively discussion of the spiritual life of the Chinese people. Through investigation of cultural ideals and life practices, Professor Cho-yun Hsu constructs an original portrait of Chinese cultural values. Apart from the exalted subtleties of the scholarly elite, he pays much attention to everyday people’s daily practices and collective memory, seeking to clarify Chinese ideas concerning the universe, human life, and nature, from traditional times down to the present day. Professor Hsu contends the problems Western civilization is facing nowadays, including various crises of alienation and separation from nature, are ones that it lacks resources to solve. He believes Chinese humanistic culture might offer another way forward and be of benefit to the future of the world. ------------- A work of passionate hum

“Red and blue appear in stark contrast with one another on the map of America. But the even more profound divide is the alienation in our hearts.” This work is a striking analysis of the struggles faced by American society, written from the perspective of a Chinese professor of history who spent 60 years of his life in the US. As both an insider and outsider to this country, Cho-yun Hsu is able to perceive what many other Americans may take for granted, and it is this viewpoint—together with his decades of experience teaching history at the University of Pittsburgh—that make this work so unusual and worthwhile. This work analyzes American history through a wide range of topics, including culture, politics, economics, industrialization, class, ethnicity, the urban-rural divide, and more. Expertly analyzing the origins of the tension and conflict between different classes and ethnic groups in American society, this book seeks to offer a way forward from a humanistic perspective, in the

In this work of historical theology, Rachel Davies considers the relationship between aesthetics and anthropology in Bonaventure's thought, and shows how bodily diminishment can become a sign and source of the self's renewal. Drawing from texts like the Collations on the Six Days, and the Major Life of Francis, Davies reconfigures traditional accounts of the fallen body's rebellion against the soul and emphasizes instead the soul's original abandonment of the body. Her interpretation draws attention to the crucial but undervalued role that Bonaventure assigns to the body in the self's coming-to-be, and shows how contemplation involves the soul's tender recovery of the body it once rejected. Though contemplation makes body-soul integrity possible again, Davies argues that the body never fully recovers from its primordial alienation. Instead, Bonaventure suggests that individuals can experience brokenness and healing at the same time, and that suffering bodies can become paschal spaces,

The opening decades of the twenty-first century are distinguished by a newly framed and regenerated outlook of Jewish American literary studies. This volume introduces readers to the new perspectives, new approaches, and widening of interpretive possibilities in Jewish American literature accompanied by the changes of the new millennium. Now that we are over a decade into a new century, the field of Jewish American literary studies has begun to reshape itself in response to a 'new diaspora', a newly defined sense not only of Jewish American literature, but of America, an expansion of new genres, new voices, and new platforms of expression. This book re-evaluates questions of race, feminism, gender, sexuality, orthodoxy, assimilation, identity politics, and historical alienation that shape Jewish American literary studies. Several chapters show the influence of other cultures on the field such as Iranian-American-Jewish writing, Israeli-American, and Latin American literary expression,

Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.

The real emancipatory potential of technology remains unrealisedThe Xenofeminist Manifesto calls for the scaling up of feminism. Contemporary feminism, it contends, is limited by its predominant investment in local and micropolitical action. What is needed is a feminism capable of systemic intervention. The Xenofeminist Manifesto propose that such a feminism must start from a new universal--one no longer coded as cis, straight, white, and male--with Xenofeminism as its theoretical and technological platform. Drawing on queer and transfeminist theory, as well as philosophical rationalism, against nature and biological essentialism, the feminist collective Laboria Cuboniks instead invest in alienation and the anti-natural, in seizing technology and in embracing the desire for an alien future. "If nature is unjust, change nature!"In this beautifully designed, full-color manifesto filled with images and stylized text a new, pro-technology version of radical feminism is born.

Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.

When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitut

Joyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.

New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies aa a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices.Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewe

Rousseau's Discourse on the Origin of Inequality among Mankind, published in 1755, is a vastly influential study of the foundations of human society, including the economic inequalities it tends to create. To date, however, there has been little philosophical analysis of the Discourse in the literature. In this book, Frederick Neuhouser offers a rich and incisive philosophical examination of the work. He clarifies Rousseau's arguments as to why social inequalities are so prevalent in human society and why they pose fundamental dangers to human well-being, including unhappiness, loss of freedom, immorality, conflict, and alienation. He also reconstructs Rousseau's four criteria for assessing when inequalities are or are not legitimate, and why. His reconstruction and evaluation of Rousseau's arguments are accessible to both scholars and students, and will be of interest to a broad range of readers including philosophers, political theorists, cultural historians, sociologists, and econom

Rousseau's Discourse on the Origin of Inequality among Mankind, published in 1755, is a vastly influential study of the foundations of human society, including the economic inequalities it tends to create. To date, however, there has been little philosophical analysis of the Discourse in the literature. In this book, Frederick Neuhouser offers a rich and incisive philosophical examination of the work. He clarifies Rousseau's arguments as to why social inequalities are so prevalent in human society and why they pose fundamental dangers to human well-being, including unhappiness, loss of freedom, immorality, conflict, and alienation. He also reconstructs Rousseau's four criteria for assessing when inequalities are or are not legitimate, and why. His reconstruction and evaluation of Rousseau's arguments are accessible to both scholars and students, and will be of interest to a broad range of readers including philosophers, political theorists, cultural historians, sociologists, and econom

This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors, and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual.

When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitut

Writing and Empire in Tacitus examines how Tacitus' historiographical career serves as an argument about his personal autonomy and social value under the peculiar political conditions of the early Roman Empire. Following the arc of his career from Agricola through Histories to Annals, this book focuses on ways in which Tacitus' writing makes implicit claims about his relationship to Roman society and about the political consequentiality of historical writing. In a sense, this book suggests, his literary career and the sense of alienation his works project form the ideal complement to his very successful political career, which, while desirable, might nonetheless give the impression of degrading submission to emperors. The discussion combines careful attention to the historian's explicit programmatic discussion of his work with larger-scale analysis of stretches of narrative that have unspoken but significant implications for how we view the function and importance of Tacitus' work.

Recent years have witnessed a renewed debate over the costs at which the benefits of free markets have been bought. This book revisits the moral and political philosophy of Adam Smith, capitalism's founding father, to recover his understanding of the morals of the market age. In so doing it illuminates a crucial albeit overlooked side of Smith's project: his diagnosis of the ethical ills of commercial societies and the remedy he advanced to cure them. Focusing on Smith's analysis of the psychological and social ills endemic to commercial society - anxiety and restlessness, inauthenticity and mediocrity, alienation and individualism - it argues that Smith sought to combat corruption by cultivating the virtues of prudence, magnanimity and beneficence. The result constitutes a new morality for modernity, at once a synthesis of commercial, classical and Christian virtues and a normative response to one of the most pressing political problems of Smith's day and ours.

Originally published in English in 1989, from a 1980 German edition, this book provides a comprehensive study of Oscar Wilde's work. It aims to gain fresh insight into his literary and critical œuvre by fully analysing each of his works on the basis of a textually oriented interpretation, taking equal account of the biographical and intellectual contexts. Professor Kohl's starting-point is the thesis that Wilde's identity - both personal and artistic - can only be adequately described in terms of a conflict between two opposing forces: individualism and convention. This conflict colours not only Wilde's use of Romantic and Victorian images and motifs, but also his modern portrayal of the individual's alienation from society, the loss of transcendent values, the sovereignty of subjectivity and autonomous art, and also his formal experiments with language. This is a penetrating and highly readable account of Wilde as a 'conformist rebel'.

This book was first published in 1978. Political distrust is the perception by ordinary citizens of a discrepancy between their democratic ideals and the realities of politics. It has often been the subject of much comment and alarm in both America and Britain. At the time of publication, its presence had been taken to herald and unprecedented political crisis whose populist character would stem from the ignorance and alienation of the average voter. The argument of this book is that the nature of distrust is misunderstood, through the bias of the dominant theory of democracy and participation, through a reinforcing but unfounded 'realism' about the capacities of the citizen, and through an extraordinary disregard of history. Dr Hart attacks these misconceptions in two ways. First, the related problems of the ideology and facts of social science are examined. Secondly, the central part of the book offers evidence of the subtle differences in meaning and consequences of political distru

This innovative text offers a completely fresh approach to Italian politics by placing it in its historical, institutional, social and international contexts. Students will get to grips with the theories and concepts of comparative politics and how they apply specifically to Italy, while gaining real insight into more controversial topics such as the Mafia, corruption and the striking success of Berlusconi. The textbook uses clear and simple language to critically analyze Italy's institutions, its political culture, parties and interest groups, public policy, and its place in the international system. Often regarded as an anomaly, Italy is frequently described in terms of 'crisis', 'instability' and 'alienation'. Sceptical of these conventional accounts, Newell argues that, if understood in its own terms, the Italian political system is just as effective as other established democracies. With features including text boxes and further reading suggestions, this is an unbeatable introduct

This innovative text offers a completely fresh approach to Italian politics by placing it in its historical, institutional, social and international contexts. Students will get to grips with the theories and concepts of comparative politics and how they apply specifically to Italy, while gaining real insight into more controversial topics such as the Mafia, corruption and the striking success of Berlusconi. The textbook uses clear and simple language to critically analyze Italy's institutions, its political culture, parties and interest groups, public policy, and its place in the international system. Often regarded as an anomaly, Italy is frequently described in terms of 'crisis', 'instability' and 'alienation'. Sceptical of these conventional accounts, Newell argues that, if understood in its own terms, the Italian political system is just as effective as other established democracies. With features including text boxes and further reading suggestions, this is an unbeatable introduct

Morag Shiach examines the ways in which labour was experienced and represented between 1890 and 1930. There is a strong critical tradition in literary and historical studies that sees the impact of modernity on human labour in terms of intensification and alienation. Shiach, however, explores a series of efforts to articulate the relations between labour and selfhood within modernism. She examines the philosophical languages available for thinking about labour in the period. She then gives an account of the significance of two technologies, the typewriter and the washing machine, central to a cultural and political understanding of labour. Through readings of writings by Sylvia Pankhurst and D. H. Lawrence, Shiach shows how labour underpins the political and textual innovations of the period. She concludes with an analysis of the 'general strike' both as myth and historical event. This study will be of interest to literary and cultural scholars alike.

The Young Karl Marx is an innovative and important study of Marx's early writings. These writings provide the fascinating spectacle of a powerful and imaginative intellect wrestling with complex and significant issues, but they also present formidable interpretative obstacles to modern readers. David Leopold shows how an understanding of their intellectual and cultural context can illuminate the political dimension of these works. An erudite yet accessible discussion of Marx's influences and targets frames the author's critical engagement with Marx's account of the emergence, character, and (future) replacement of the modern state. This combination of historical and analytical approaches results in a sympathetic, but not uncritical, exploration of such fundamental themes as alienation, citizenship, community, anti-semitism, and utopianism. The Young Karl Marx is a scholarly and original work which provides a radical and persuasive reinterpretation of Marx's complex and often misunderst

Recent years have witnessed a renewed debate over the costs at which the benefits of free markets have been bought. This book revisits the moral and political philosophy of Adam Smith, capitalism's founding father, to recover his understanding of the morals of the market age. In so doing it illuminates a crucial albeit overlooked side of Smith's project: his diagnosis of the ethical ills of commercial societies and the remedy he advanced to cure them. Focusing on Smith's analysis of the psychological and social ills endemic to commercial society - anxiety and restlessness, inauthenticity and mediocrity, alienation and individualism - it argues that Smith sought to combat corruption by cultivating the virtues of prudence, magnanimity and beneficence. The result constitutes a new morality for modernity, at once a synthesis of commercial, classical and Christian virtues and a normative response to one of the most pressing political problems of Smith's day and ours.

Writing and Empire in Tacitus examines how Tacitus' historiographical career serves as an argument about his personal autonomy and social value under the peculiar political conditions of the early Roman Empire. Following the arc of his career from Agricola through Histories to Annals, this book focuses on ways in which Tacitus' writing makes implicit claims about his relationship to Roman society and about the political consequentiality of historical writing. In a sense, this book suggests, his literary career and the sense of alienation his works project form the ideal complement to his very successful political career, which, while desirable, might nonetheless give the impression of degrading submission to emperors. The discussion combines careful attention to the historian's explicit programmatic discussion of his work with larger-scale analysis of stretches of narrative that have unspoken but significant implications for how we view the function and importance of Tacitus' work.

There is perhaps nothing so commonplace and yet so mystifying as money. But to European communists, money was clearly an instrument of economic exploitation and spiritual alienation. In this groundbreaking study, Jonathan R. Zatlin explores the East German attempt to create a perfect society by eliminating money and explains the reasons for its failure. Drawing on a wide range of sources, including unpublished communist reports, secret police files, literature, jokes, letters written by ordinary people, and conversations with key German politicians, this book shows how the communist regime undermined the political authority of socialism and created the material conditions for its demise. By exploring both the economic and the cultural function of money, Zatlin challenges traditional approaches to economic planning by offering a novel explanation for the collapse of communism in East Germany and a highly original interpretation of German unification. Written in an engaging and lucid sty

The Young Karl Marx is an innovative and important study of Marx's early writings. These writings provide the fascinating spectacle of a powerful and imaginative intellect wrestling with complex and significant issues, but they also present formidable interpretative obstacles to modern readers. David Leopold shows how an understanding of their intellectual and cultural context can illuminate the political dimension of these works. An erudite yet accessible discussion of Marx's influences and targets frames the author's critical engagement with Marx's account of the emergence, character, and (future) replacement of the modern state. This combination of historical and analytical approaches results in a sympathetic, but not uncritical, exploration of such fundamental themes as alienation, citizenship, community, anti-semitism, and utopianism. The Young Karl Marx is a scholarly and original work which provides a radical and persuasive reinterpretation of Marx's complex and often misunderst

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.”Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.As to the reputed madness of artists—well, some have been as mad

America after Tocqueville complements Harvey Mitchell's previous book, Individual Choice and the Structures of History: Alexis de Tocqueville as Historian Reappraised (1996). This study draws on Democracy in America to study the condition of democracy in the United States in our own time. Three aspects of Americanism inform Harvey Mitchell's book, and cannot be separated from Tocqueville's consideration of the three races. First, he addresses tensions in the United States between ideas of equality and a political system that tries to keep it within bounds. He turns to the relationship between this system and the dynamics of American capitalism. and he analyses the criteria for inclusion and exclusion in American life. Overall, he asks if Americans have surrendered to what Tocqueville called the materialization of life; if that compromise means their abandonment of their original spiritual quest; and, if they are on the way to a radical alienation from politics.

How was Alexander Pope's personal experience of women transformed into poetry, and how in turn did he and his writing figure in the lives of the women he wrote about? How characteristic of his age was Pope's attitude towards women? What exactly was the role in his life of individual women such as his mother, Patty Blount and Lady Mary Wortley Montagu? Valerie Rumbold's is the first full-length study of these important issues. Making use of previously little-known manuscripts, she focuses both on Pope's own life and art, and on early eighteenth-century assumptions about women and gender. She offers readings of some of the well-known poems in which women feature prominently, and follows Pope's response throughout his writings in general. His own alienation from the dominant culture (through religion, politics and physical handicap) and his troubled fascination with certain kinds of women make this subject complex and compelling, with wide implications. Dr Rumbold brings to light new info

America after Tocqueville complements Harvey Mitchell's previous book, Individual Choice and the Structures of History: Alexis de Tocqueville as Historian Reappraised (1996). This study draws on Democracy in America to study the condition of democracy in the United States in our own time. Three aspects of Americanism inform Harvey Mitchell's book, and cannot be separated from Tocqueville's consideration of the three races. First, he addresses tensions in the United States between ideas of equality and a political system that tries to keep it within bounds. He turns to the relationship between this system and the dynamics of American capitalism. and he analyses the criteria for inclusion and exclusion in American life. Overall, he asks if Americans have surrendered to what Tocqueville called the materialization of life; if that compromise means their abandonment of their original spiritual quest; and, if they are on the way to a radical alienation from politics.

This book, first published in 2002, explores the relation between economic liberalism and social policy in Australia. How do social policies operate in a fiercely individualist market economy, and if the market is expected to provide solutions to social problems, what role ought the government take to ensure that it does so? Why is it that quality of life in Australia has diminished as the economy has undergone sustained growth? These are just a few of the key questions Peter Saunders asks in this thoroughly researched book. Saunders draws upon the most up-to-date research, and particularly national surveys conducted by the Social Policy Research Centre. What the book does very well is cover the key trends in economic and social policy over the past 25 years, showing how economic liberalism, despite all positive economic indicators, has contributed to an increase in unemployment, inequality, social dysfunction and alienation.

This book, first published in 2002, explores the relation between economic liberalism and social policy in Australia. How do social policies operate in a fiercely individualist market economy, and if the market is expected to provide solutions to social problems, what role ought the government take to ensure that it does so? Why is it that quality of life in Australia has diminished as the economy has undergone sustained growth? These are just a few of the key questions Peter Saunders asks in this thoroughly researched book. Saunders draws upon the most up-to-date research, and particularly national surveys conducted by the Social Policy Research Centre. What the book does very well is cover the key trends in economic and social policy over the past 25 years, showing how economic liberalism, despite all positive economic indicators, has contributed to an increase in unemployment, inequality, social dysfunction and alienation.

The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work, and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in colour. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of his maturity. Rather than emphasizing the stress and alienation of Antonioni's characters, in this book Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom, and demonstrates also how they are formal exercises that depend on painterly abstraction for their expressive effects.