Interference Cancellation Using Space-Time Processing and Precoding Design

Tobias Klein explores applications of 3D printing in architecture, art, design and interactive media installations in order to create a fusion of contemporary CAD/CAM technologies built from natural m

Both utilitarian objects and examples of textile design of wondrous beauty, Chinese rank badges were developed in the Ming and Qing dynasties to indicate the bearer’s station in the civil or military

This book tells the truly unique life story of Dr. John Maeda, a visionary leader in multiple fields and recipient of a City University of Hong Kong Honorary Doctorate. The book discusses Dr. Maeda’s most interesting experiences, from his childhood at his parents’ tofu factory in Seattle to his days as an MIT professor, a pioneering digital artist, Silicon Valley venture capitalist, and more. It is suitable for readers interested in art, design, technology, artificial intelligence, and theAsian immigrant family experience in the United States.

The distant rustle of a tusker emerging one morning from the forests of Nepal. The crack of the shifting expanses of ice in northern Mongolia. The swirl of mist around a lantern atop of Hong Kong Island. The squeaky whistle of diving kites over the holy waters of Varanasi. Black clouds carrying sleet over the rock country of Australia. Men with their eagles on horseback singing love songs as they ride through tall grasslands. This book of images is a thought-provoking look at stillness and reflection, from the bushlands of Australia to the frozen lakes of Mongolia, and the deserts of the Middle East. It’s a personal look at places of silence and space where I have found peace and meaning. My hope is to invite the viewer to pause, slow down, and look. Pay attention to the small, magical things that are happening within each image and find your own place within them. There we can meet in silence—and be still. When you stand in front of a photographic print made with movement and the play

This volume presents the artistic work of Chun Wai created in France in the 1980s-1990s. Like the exhibition Adrift in Time―Photography by Chun Wai at the University Museum and Art Gallery, The University of Hong Kong, the publication has documentary value as a photographic record of the past and the passing of time.This physical and philosophical journey caused the artist to realize that his insights into the relationship suspended between predestination and chance were leading to an expansive form of loneliness―a state he felt was similar to the torment experienced by the ancient Chinese poets. Chun wandered the streets and alleys of great cultural centres like Paris discovering the collections of its great museums, art galleries and flea markets, along with the vast memories contained within, preserved and passed on through the course of time.此展覽目錄為秦偉 1990 年代於法國的藝術創作之結集，圖片記載著作者對過去及已流逝的時間的回溯，具有文本價值。透過這趟旅程，秦偉深悟人生乃在宿命與偶遇之間，頓感中國古代詩人飄泊孤寂之感。他遊走於文化之都 ― 巴黎，穿梭於街巷、博物館、美術館和跳蚤市場，浪遊於浩瀚的記憶和時間的長河。

The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China is the first monograph in English on a controversial Ming dynasty literary figure. It examines and re-assesses the life and work of Ruan Dacheng (1587–1646), a poet, dramatist, and politician in the late Ming period. Ruan Dacheng was in his own time a highly regarded poet, but is best known as a dramatist, and his poetry is now largely unknown. He is most notorious as a ‘treacherous official’ of the Ming–Qing transition, and as a result his literary work―his plays as well as his poetry―has been neglected and undervalued. Hardie argues that Ruan’s literary work is of much greater significance in the history of Chinese literature than has generally been recognised since his own time. Ruan, rather than being a transgressive figure, is actually a very typical late Ming literatus, and as such his attitudes towards identity and authenticity can add to our understanding of these issues in late Ming intel

HONG KONG LITERATURE SERIESSeries Editor: John MinfordThis is a most unusual book. For several decades Xi Xi has been widely known for her award-winning poetry and fiction. This time, she has chosen t

“but that my heart had been broken a few times,　sometimes it doesn’t even feel like a heart,　can anyone make it smaller and a little bit smarter?　Or does it just need time to be recovered or adjusted

Written in Stone by Polo Bourieau is an extraordinary exploration of how monumental sculpture transforms urban spaces into places of meaning and connection. From the ancient marble quarries of Carrara to the skyscrapers of Hong Kong or the bustling lanes of Chengdu, this richly illustrated book charts Polo’s creative journey, offering profound insights into the dialogue between sculpture, architecture, and community.Structured as an epic narrative inspired by Joseph Campbell’s monomyth theory, Polo’s sculptures become the protagonists of our common narrative of adventure, transformation, and identity. With reflections on the creative process and a conversation with urban planner and design writer Catherine Shaw, the book delves into the challenges and realities of creating public art in the dynamic landscapes of 21st-century China.Written in Stone offers a philosophical meditation on the power of art to shape our cities and ourselves. It invites readers—whether city planners,

This book is the second in a two-volume monograph on the Zidanku Silk Manuscripts. Looted in 1942 from the Warring States-period Chu tomb at Zidanku, Changsha, the manuscripts date to the turn from the 4th to the 3rd centuries BCE and are the only pre-Imperial Chinese manuscripts on silk found to-date. The monograph represents the culmination of almost four decades of research by Professor Li Ling of Peking University. Volume One addresses the circumstances of the discovery of the Zidanku Silk Manuscripts and the subsequent provenance history in China and the United States.Volume Two provides the first complete transcription of the Zidanku Silk Manuscripts in their entirety together with reproductions of the original manuscripts. The transcription is accompanied by comprehensive annotations, with full paleographic and philological analysis of the texts. An English translation of the texts has been added by Professor Donald Harper. For the first time, the Zidanku Silk Manuscripts can be

This volume is a translated and edited collection of studies on the Shi ji (Records of the historian) by SimaQian, authored by the prestigious Japanese sinologist Miyazaki Ichisada. Providing a pathbreaking analysis of the structure and formation of the Shi ji, it serves not only as an excellent introduction to Sima Qian’s masterpiece but also offers historiographical and methodological insights that will stimulate further debate and research.In this volume, Miyazaki presents fascinating evidence of the influence of narrative fiction and drama in Sima Qian’s recreation of the entire length and breadth of Chinese history right up to his own time. By establishing a foundational model for writing comprehensive histories in China, Sima Qian’s work is essential for understanding the subsequent tradition of historical writing. This volume offers readers valuable insights into how Sima Qian constructed his seminal work.A monument of Japanese scholarship on the Shi ji, Prof. Miyazaki Ichisada’

To celebrate the 30th anniversary of City University of Hong Kong, CityUHK has published two commemorative works. These two titles feature unique perspectives intended for two different audiences by design. The Chinese volume, with touching stories of long-serving CityUHK colleagues and alumni, has personal aspects that will particularly appeal to the local community. The English version, focused on CityUHK's academic and research achievements and future developments, showcases the best parts of CityUHK for readers worldwide.為了慶祝香港城市大學成為大學三十周年，城大出版了中英文兩本校慶特刊，這兩本書各有不同的定位與讀者對象，展現出城大獨特的面貌。中文版記述了多篇城大關懷社區與改善社會環境的故事；英文版則記述城大學術和研究方面的成就及未來發展，向全球讀者展示城大的卓越表現。

During the nineteenth century, the transpacific world underwent profound transformation, due to the transition from sail to steam navigation that was accompanied by a concomitant reconfiguration of power. This book explores the ways in which diverse Mexican, British, Chinese, and Japanese interests participated, particularly during Porfirio Díaz’s presidency at the peak of Mexico’s participation in the steam network: from its 1860s outset through a time of many revolutionary changes ending with the World War, the Mexican Revolution, the opening of the Panama Canal, and the introduction of a new maritime technology based on vessels run by oil. These transoceanic exchanges, generated within these new geographies of power, contributed not only to the formation of a transpacific region but also to refashioning the Mexican national imaginary. With transnationalism, global and migration studies as its main framework, this study draws upon a dazzling array of primary sources to center Mexico’

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the though

The Guodian manuscripts are a cache of literary and philosophical texts from the fourth century BCE, discovered in a Warring States–period tomb in China’s Hubei Province. Through detailed decipherment and textual analysis, Kuan-yun Huang investigates the historical and philosophical contexts of these texts and convincingly proposes their association with Zisi, the grandson of Confucius. Huang not only offers an in-depth portrait of this famous scion from excavated texts and transmitted literary records, but also reveals the connection of the Guodian texts with early intellectual tradition in China, including the teachings of Xunzi, Mencius, Confucius, and the legendary Laozi, as well as the effort of rewriting that transformed Zisi’s original teachings into a conformist line of thinking, which defined and constituted the Confucian tradition of a later time.-------------- In Kuan-yun Huang’s The Lost Texts of Confucius’ Grandson, the shadowy figure of Zisi comes to life as an

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs.While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of conta

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how male writers, as they critique the outcomes of decades of market reform, also ask the same question: how best to be a man in the new postsocialist order?In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick and marginal masculinity, and responding to a desire to retain a

What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family.Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and unde

Eros of International Relations: Self-Feminizing and the Claiming of Postcolonial Chineseness is a distinctive work that explores the much-neglected Chinese perspective in broader international relations theory. Using the concept of “self-feminizing”―adoption of a feminine identity to oblige and achieve mutual caring as a relational strategy―this book argues that postcolonial actors have employed gendered identities in order to survive the squeezing pressure of globalization and nationalism in their own ways. Sovereign actors who have historically claimed to act on behalf of Chineseness have taken advantage of the images of femininity thrust upon them by transnational capitalism, the media, or intellectual thought.Shih illustrates the feminist potential for emancipation through a range of empirical examples, showing that women of various Chinese characteristics, acting on behalf of their nation, city, and corporations, reject the masculinization of their groups of belonging as remedy f

The Chinese language has no tense but has aspects. It relies on aspectual particles to express how an action or state relates to the flow of time. Among all Chinese aspectual particles, le (了) is the

This book presents, for the first time in English, a collection of speeches delivered by Wen Jiabao, China’s Premier from 2003 to 2013, at the six successive Summer Davos Forums held in China from 200

Sketching Hong Kong is a panoramic record of Hong Kong by the Indonesian-Chinese painter Eddie Chau (1945-2020). A testament to geographical history, each painting is a passage in Hong Kong’s story, each stroke a moment in time. It also serves as a retrospective of Chau’s art from his early years in Bandung, his coming-of-age in Guangdong and his final decades in Hong Kong.《慢寫香港》 是畫家鄒源榮的作品集，收錄了他筆下香港地脈全景圖和不同時期的素描速寫。鄒源榮(1945-2020)是印尼華僑後代，1992年由內地移居香港，從業餘作畫到成為全職畫家，一直創作不懈。香港自從上世紀七十年代開始移山填海打造一個國際大都會，地脈及天際線就不斷移動，鄒源榮的畫作可以說是香港地理史的補遺，每一幅都抒寫着這小城的故事。守護香港的方法有很多，「記錄下來」肯定是其中之一，且彌足珍貴。Eddie Chau (1945–2020) was a Chinese painter born in Bandung, Indonesia. When the anti-Chinese riots broke out in 1965, many overseas Chinese returned home. Eventually settling in Hong Kong in 1992, Eddie became known for his panoramic watercolour landscapes of Hong Kong.

《淮南子韻讀及校勘》是劉殿爵先生晚年的力作，繼清儒王念孫《淮南子韻譜》之後，此書是最精確的韻讀研究。校勘部分兼採諸家異說，提出獨到的見解，尤其精采。今後此書必將成為討論西漢楚語的堅實基礎，同時更是了解漢初思想史的重要依據。――丁邦新，中央研究院院士D. C. Lau was, at the time of his passing in 2010, one of the world’s greate

Escaping the End of Times is a book where history meets psychology. It invites readers to explore the intricate relationships between dreams, politics, and the Chinese writing system in early modern China.Thoroughly researched and written in an accessible manner, this book presents a series of historical encounters that reveal how Ming scholars countered instability by compiling and editing dream texts. Readers learn how these scholars translated their dreams into action, used the past to bolster their status, reaffirmed their preferred societal order, merged myth and history, and interpreted their dreams and the dreams of others through creative techniques grounded in scholarly tradition.By combining detailed research with captivating storytelling, this book not only brings the world of late Ming dream analysis to life but also demonstrates the relevance of the past to the stories we tell now about ourselves and our own dreams.

Over a span of 260 years, from 630 to 894, Japanese embassies to Tang China (ken-Tō shi) played a vital role in importing Tang governance and culture to Japan, significantly shaping the political and cultural landscape of an emerging Japanese state with codes of law (ritsuryō). However, the seventeenth embassy during the Jōwa period, fraught with turmoil, marked the final mission to Tang China. Alongside disasters and significant loss of life during the voyage, mysteries persist around Vice-ambassador Ono no Takamura's refusal to board the ship, the government's insistence on the mission, and the objectives behind dispatching this mission to China. In this volume, Professor Saeki Arikiyo traces the journey from departure to return, focusing on the individuals involved and the prevailing trends of the era. Drawing upon a rich tapestry of historical sources, including records from Shoku Nihon kōki and the accompanying monk Ennin's Nit-Tō guhō junrei kōki, Arikiyo delves into the arduous

In Gentle Voices, Bold Strides, Professor Fanny Cheung shares her inspiring journey as a psychologist, academic leader, and champion of gender equality. Growing up in a traditional Hong Kong family, she recognized early injustices against women and dedicated her life to change.Pioneering gender studies in Asia and leading the Equal Opportunities Commission, she fought discrimination, domestic violence, and gender bias in policy and research. Her leadership reshaped academia and public policy through consensus-building and quiet determination, leaving a legacy of empowerment.By blending personal narratives with social history, this memoir serves as a testament to the power of advocacy and the quiet strength of those who strive to make a difference.

杜甫一生的虛構自傳一個穿越了多個時代、多場戰火、多種語言的杜甫，帶著他的多重身影重返我們的生活現場。— 西川「世界偉大的隨筆家之一 」——《紐約時報》「一位隱蔽的文學領袖」My favorite essayist is Eliot Weinberger.His remarkable breadth of calm concern is impressive.—Gary Snyder (Pulitzer Prize Winner, 1975)­This is a book concerned with mortality, friendship, and regret.­The psyche looking back at its life. As such, The Life of Tu Fu sometimes feels like a poetic biography of my own life, or maybe yours.—Forrest Gander (Pulitzer Prize Winner, 2019)溫伯格巧妙地運用拼貼手法，從杜甫一千多首浩瀚的詩歌中擷取靈感，將其詩句、意象與情感重新編織成五十八首全新的詩篇。這些詩篇猶如一幅幅流動的畫卷，描繪出杜甫顛沛流離的一生，以及他所經歷的戰亂與瘟疫。儘管時空相隔千年，但在後疫情時代，我們或許更能體會杜甫詩歌中那種深刻的孤獨與蒼涼。這部作品不僅是對杜甫一生的致敬，也是對我們自身、對苦難和對人生短暫易逝的反思。Drawing inspirations from a vast oeuvre of more than a thousand poems, Eliot Weinberger has deftly composed a montage of ­fifty-eight poems derived and adapted from the lines, images, and feelings in Tu Fu’s poetry. These poems weave a tapestry of Tu Fu’s turbulent life and times of war and disaster.In the post-pandemic era, we may appreciat

HONG KONG LITERATURE SERIESSeries Editor: John MinfordAfter her celebrated The Teddy Bear Chronicles, Xi Xi turns her creative vision towards the world of the primate kingdom. At the age of 73, despite physical challenges, Xi Xi traveled extensively across Asia, from tropical forests to conservation centers, immersing herself in the natural world of apes and monkeys.This book is one of the remarkable outcomes of this journey. Xi Xi documented 51 endearing ape and monkey puppets that she had sewn, weaving them into a series of insightful dialogues with her friend, the Hong Kong writer Ho Fuk Yan. These discussions cover the depiction of apes and monkeys in Chinese and Western literature, painting, drama, and film, as well as the interconnectedness of humans and their primate relatives. Xi Xi’s words, filled with empathy, reveal the heart of her work: ‘If there is a common theme to our conversation, it is to respect life and speak for those lives that have been discriminated against in t

A novel dialogue between Buddhism and Western psychology, grounded in original Pali texts. As mindfulness and meditation become mainstream therapeutic tools, their deep Buddhist roots are often stripped away and limit their effectiveness for clients from Buddhist cultural backgrounds. Early Buddhist Teachings: A Theoretical Foundation for Counseling restores these practices to their original context, offering a culturally congruent counseling model grounded in Pali scriptures and core Buddhist principles. This informative volume explores key Buddhist concepts including dependent co-arising, non-self, and impermanence, and places them in conversation with Western psychological theories. Supplemented with practical assessment tools and intervention techniques, this work provides mental health professionals with a new framework for integrating Buddhist teachings into counseling. For therapists, students, and counselors seeking to expand their approach, Early Buddhist Teachings offers a vi

‘We must have a procedure – if we are going to hang anyone – that is just,’ said Chief Justice Sir Francis Piggott in 1909, on discovering that Chinese accused of murder were being denied interpretation in Hong Kong’s courts. Due process, no matter how costly or inconvenient, was ‘one of the penalties of empire,’ he declared.Penalties of Empire explores how judges, juries, and lawyers strove to deliver justice during the 150 years when the death penalty was in force in Hong Kong. Nine main chapters focus on key capital trials in the first century of British rule. Among the cases are piracies, assassinations, and crimes of passion and desperation. These chapters describe the proceedings in court and the participants involved. They also explore the debates surrounding each case and the exercise or denial of mercy by governors. Two final chapters discuss the decline of the death penalty after World War II, its suspension after 1966, and the controversies leading to its formal abolition in

Asian Celebrity Cultures in the Digital Age represents the first comprehensive study on the transformations of celebrity cultures in increasingly globalised and digitalised Asian societies. It discusses relations between Asian celebrities and digital media across emerging phenomena in celebrity practices, cultures, politics, fandom, and economies. Highlighting original case studies from prominent Asian societies, including India, China, Hong Kong, the Philippines, Singapore, Vietnam, Indonesia, Thailand, South Korea, and Japan, this book sheds much-needed light on the de-Westernisation and internationalisation of celebrity studies and is essential reading for scholars and students in celebrity, fandom, digital media and communication, and cultural studies.

The Classic of Poetry (Shijing), also known as the “Mao Poetry” (Mao Shi), is the oldest existing collection of poetry in China, or indeed anywhere in the world. As a fountainhead of the Chinese literary tradition, it has endured over two and a half millennia of continuous readership. In this volume, eminent sinologist Edward L. Shaughnessy presents a complete English translation of the 305 discrete poems from the Classic of Poetry, divided into the Feng 風“ Ya 雅“ and Song 頌“ Combining the received text with newly unearthed manuscript discoveries, Shaughnessy offers a modern, authoritative interpretation that departs from the dated translations of earlier scholars. His masterful rendering encapsulates the essence of this poetic treasury, reflecting the diverse aspects of life, love, nature, and ritual in ancient China.--------------------------------------------------------------------------------------------------------------Professor Shaughnessy’s translation of the Classic of Poetry

In Lu Xun and World Literature, Xiaolu Ma, Carlos Rojas, and other contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun’s works in relation to the notions of world literature and processes of literary worlding. The contributors offer detailed analyses of Lu Xun’s own literary oeuvre and of foreign works that engage with his writings. This volume also focuses on many facets of the publication and dissemination of Lu Xun’s works’, from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.

In Socializing Medicine, Pao-chen Tang, Yuqian Yan, and Ling Zhang explore the intersections of medicine, health, and East Asian media. Interweaving archival research, audiovisual analyses, and theoretical insights from the emerging field of health humanities, the book reveals the multifaceted ways in which the mass media—from photography and film to television and live streaming—has been deployed as a tool for controlling medicine and health, privileging those with power and authority from the early twentieth century to the present. Adopting anti-colonial and anti-capitalist perspectives, the contributors in this volume challenge the dominant mediations of health against the backdrop of imperialism, Cold War geopolitical tensions, and neoliberal capitalism. Collectively, they advocate for alternative understandings of medical culture through media productions that envision accessible and equitable healthcare practices.

Volume IThe Silk Manuscripts from Zidanku, Changsha (Hunan), are the only pre-Imperial Chinese manuscripts on silk found to-date. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several texts concerning basic cosmological concepts, including one manuscript (Manuscript 1) with a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts.This is the first in a two-volume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context andhistory of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United Stat

Yuan Haowen 元好問 (1190 1257) is one of the greatest Chinese poets of the past eight hundred years. He is especially famous for his poems lamenting the death and disorder that accompanied the decline, fall, and aftermath of the Jin dynasty, when the Mongols took over North China. Reading Yuan’s poems, one feels his intense pain at the demise of the dynasty and his deeply felt need to preserve the historical and cultural record of civilization as he knew it. The poems are distinguished by breadth of learning, linguistic creativity, and allusive depth. They also reveal an abiding sense of irony, and occasional self-directed wry humor.John Timothy Wixted’s treatment of 150 of Yuan Haowen’s poems distills available scholarship on the poet in Chinese, Japanese, and Western languages. The poems—lucidly introduced, interpreted, and explicated—are presented in romanization and translation as well as in the original.Some critics have justifiably acclaimed Yuan Haowen to be one of China’s greatest

In Christianity and Education in Modern China, Wong Man Kong, George Kam Wah Mak, and other contributors demonstrate how Christianity served as a driving force in the development of modern education in China. Each of the chapters offers new insights into Christian involvement in different issues concerning education in modern China. The contributors examine how Christian missionaries and Chinese Christian educators interacted with China’s social, cultural, and political contexts. Also explored are the Christian legacies of higher education in mainland China and Taiwan, as well as how the spirit of Christian higher education in modern China has been carried on in Asia. This volume suggests that Western missionary and Chinese Christian perspectives of higher education were complementary with each other in modern China.

Initially, dressed like a Buddhist monk, he slipped into the country, where he impressed everyone he met with his secret weapons: remarkable memory techniques and the latest Western science.

Co-published with HKU LibrariesOn the Steppes of Dreams is the latest collection of ‘dreamscapes’ by Basil Pao. Designed as a companion piece to his previous book Carnival of Dreams (2023) - which chronicled, from his first album cover and early cut & paste collages to the current CGI enhanced digital images of his photomontage work over a period of 50 years. The new book completes the circle and concludes the story of his surrealist/magic-realism imagery with a chapter of tributes to the group of artists who had inspired and influenced his work. The book is also intended as a celebration and a momento for the 100th anniversary of Surrealism.In his introduction, Terry Gilliam wrote: “His stunningly beautiful composite images surprise us by combining opposites, juxtaposing unlikely imagery and ideas that ask questions, make us smile, make us think, releasing us from the rigid restrictions of Reason. The portal is in your hands. Turn the page and float off into Basil’s endless univer

Hong Kong and Macau have both been Special Administrative Regions of China since 1999. To this day, however, the two SARs and mainland China have yet to form a cohesive agreement for extradition. Yanhong Yin proposes a theoretical model—the China Arrest Warrant—that fulfils three essential criteria: compliance with the framework of “One Country, Two Systems,” allowance for differences within the three divergent legal systems, and sufficient human rights protection.This model takes direct inspiration from the European Arrest Warrant, which is undergirded by the principle of mutual recognition—the idea that while states may make different decisions on a wide range of matters, results will be accepted as equivalent to decisions made by one’s own state. The success of the European Union’s adoption of mutual recognition across political, economic, and legal situations is instrumental in providing a blueprint for judicial cooperation among mainland China, Hong Kong SAR, and Macau SAR. This a