The Java That Never Was

From the day he was born, Patrick McCullough faced hardships and reacted with untempered anger. His mother, a soon-to-be-divorced military wife, was late to realize that he was deaf and never learned

Forrest Reid's books were never commercial successes, and many have fallen out of print. Yet he has been called 'the first Ulster novelist of European status', and he continues to attract a small and loyal audience. Apart from three years at Cambridge, he lived in Belfast from his birth in 1875 till his death in 1947. He cared little for literary coteries, preferring that a small circle of friends, amongst whom he numbered E. M. Forster and Walter de la Mare, should visit him in his quiet, bachelor home in the suburbs. However, the richness of his imaginative life stands in stark contrast to this apparent provincial obscurity. Reid was obsessed with boyhood. He loved boys, wrote about them and wanted to write about nothing else. Throughout his work the recurrent theme is childhood and the loss of its complicated innocence. This book, first published in 1980, was the first study of Reid for twenty-five years.

A hundred years ago, Dr. Evan McGrath realized his dream of establishing a hospital in the Pacific Northwest, a hospital that would never turn away a patient in need. But the personal cost was steep:

So confident was Gordon Brown that his policies had neutered the boom-bust cycle, that he claimed in his 2007 Budget speech it would never happen again.This, Harrison argues, ignores an inconvenient

Thirteen-year-old Danny never knew that his father was abusing his mother, until the day his father almost killed her. Now he finds himself in court as his mother fights to have his father kept in jai

Norman Calder is still considered a luminary in the field of Islamic law. He was one among a handful of Western scholars who were beginning to engage with the subject. In the intervening years, much has changed, and Islamic law is now understood as fundamental to any engagement with the study of Islam, its history, and its society. In this book, Colin Imber has put together and edited four essays by Norman Calder that have never been previously published. Typically incisive, they categorize and analyze the different genres of Islamic juristic literature that was produced between the tenth and fourteenth centuries, showing what function they served both in the preservation of Muslim legal and religious traditions and in the day-to-day lives of their communities. The essays also examine the status and role of the jurists themselves and give clear answers to the controversial questions of how far Islamic law and juristic thinking changed over the centuries, and how far it was able to adap

Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time.

When this book was originally published in 1979, the vitality of Einstein's general theory and its impact on other branches of science had never been greater. The unprecedented advances of the previous fifteen years had been stimulated on the observational side by developments in radar and space technology and by the discovery of exotic astronomical objects, which pointed to the existence of very strong gravitational fields, and possibly black holes, in many parts of the universe. Equally striking had been the progress in theoretical understanding, notably of black hole physics, the early history of the universe and the reconciliation of quantum physics and gravitational theory. To honour Einstein's hundredth birthday, twenty-one of the world's leading relativists collaborated on this carefully integrated survey of the state of research. This unique book, which remained a standard for many years, is indispensable to anyone concerned with the profound influence that Einstein's theory ha

Rodale was founded on the belief that organic gardening is the key to better health both for us and for the planet, and never has this message been more urgent. Now Maria Rodale, chairmanof Rod

They say you never forget your first love...and it's true. Eighteen years ago when he was still a boy, Harry made a decision that drove him from the place—and the girl—he loved. Somehow

Why do Hindus revere the cow?Must Hindus be vegetarian? Hinduism is the world's oldest religion, yet the word 'Hindu' was never used before the 18th century by Hindus to describe themselves. it is defined as polytheistic, but Gandhi declared that a Hindu needn't believe in any god. it is a religion as much of myth as of history - it has no founder, no single authoritative book, even few central doctrines.Introducing Hinduism offers a guide to the key philosophical, literary, mythological and cultural traditions of the extraordinarily diverse faith. It untangles the complexities of Hinduism's gods and goddesses, its caste system and its views on sex, everyday life and asceticism. Vinay Lal and Borin Van Loon's hugely enjoyable tour through Hinduism also explores its links with and differences from Buddhism, Jainism and other religions, the resurgence of Hindu extremism, the phenomenon of Bollywood and the overseas Hindu diaspora.

In 1500 fewer than three million people spoke English; today English speakers number at least a billion worldwide. This book asks how and why a small island people became the nucleus of an empire 'on which the sun never set'. David Rollison argues that the 'English explosion' was the outcome of a long social revolution with roots deep in the medieval past. A succession of crises from the Norman Conquest to the English Revolution were causal links and chains of collective memory in a unique, vernacular, populist movement. The keyword of this long revolution, 'commonwealth', has been largely invisible in traditional constitutional history. This panoramic synthesis of political, intellectual, social, cultural, religious, economic, literary and linguistic movements offers a 'new constitutional history' in which state institutions and power elites were subordinate and answerable to a greater community that the early modern English called 'commonwealth' and we call 'society'.

In 1500 fewer than three million people spoke English; today English speakers number at least a billion worldwide. This book asks how and why a small island people became the nucleus of an empire 'on which the sun never set'. David Rollison argues that the 'English explosion' was the outcome of a long social revolution with roots deep in the medieval past. A succession of crises from the Norman Conquest to the English Revolution were causal links and chains of collective memory in a unique, vernacular, populist movement. The keyword of this long revolution, 'commonwealth', has been largely invisible in traditional constitutional history. This panoramic synthesis of political, intellectual, social, cultural, religious, economic, literary and linguistic movements offers a 'new constitutional history' in which state institutions and power elites were subordinate and answerable to a greater community that the early modern English called 'commonwealth' and we call 'society'.

In a lecture in 1923, Thomas Mann said that the ordinary middle-class German had never considered culture to include an interest in politics, and still did not do so. The idea of the true freedom which comes to the man who lives as much as possible in the invisible world of culture and accepts as a kind of fate his social, political and material circumstances was indeed at the heart of the German idealism of Goethe's day, and unworldliness went along with very great achievements in literature, scholarship and philosophy. Bildung, self-cultivation, came to be as natural a requirement of educated, middle-class life as sport was in England. In this book, originally published in 1975, Professor Bruford provides a sequel to Culture and Society in Classical Weimar 1775–1806 and shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists, each in his own corner of the rapidly changing world of the nine

Dr Goldberg argues that Samuel Richardson had expressed a powerful and hitherto unperceived sexual mythology in Clarissa, making it the popular masterpiece it quickly became. There had never before been a work of literature in which the rape of a woman became the moral indictment of an age. Clarissa was a book which changed minds. It is not surprising that Diderot, the French philosophe, drew on Richardson as the inspiration for his own novel, La Religieuse. Richardson's novels had achieved Diderot's declared aim as editor of the great Encyclopédie: to change the way people think. For both writers it had become clear that the boudoir had replaced the Puritan closet and the Catholic confessional as the location for tests of virtue. Dr Goldberg offers an original, comparative reading of the works of these French and English innovators. She leaves us in little doubt that our understanding of what it means to be a woman in our culture owes much to the turbulent world of Richardson and Dide

The Human Story Behind the Divine Book In this New York Times bestseller, leading Bible expert Bart Ehrman skillfully demonstrates that the New Testament is riddled with contradictory views about who Jesus was and the significance of his life. Ehrman reveals that many of the books were written in the names of the apostles by Christians living decades later, and that central Christian doctrines were the inventions of still later theologians. Although this has been the standard and widespread view of scholars for two centuries, most people have never learned of it. Jesus, Interrupted is a clear and compelling account of the central challenges we have when attempting to reconstruct the life and meaning of Jesus.

"I have read many novels about the war between the states, and some histories; never that I recall, have I read any narrative that gave me a keener sense of what it was like, day by day, in the army

Before the time of mankind's exodus from the twelve colonies and the returned menace of the Cylons, a war was fought between man and machine--a story that was never told, until now. Original.

What happens to the traditional work practices of Japanese firms when they are taken over by European and American firms? How do the employees react? What lessons can be learned from examples of successful and unsuccessful acquisitions? Formerly, such questions would never have been asked, simply because the incidence of take-overs of Japanese firms by foreign companies was virtually non-existent. However, in past years, a number of major Japanese companies have come under the control of foreign firms. Conflict and Change focuses on five Japanese companies acquired by foreign firms (including Nissan, Chugai Pharmaceutical and Shinsei Bank) to show how take-overs by foreign companies have changed HR and organisational practices traditionally associated with Japanese firms. This provides invaluable information for researchers and managers about the choices and challenges associated with cross-border acquisitions of firms that are embedded in 'institutionally distant' frameworks.

"It was about four years ago, the last trip we ever took together--my mother, sister, grandparents and me. Course, we didn't know it at the time. You never know something like that, like it's the las

"Guitarist Dennis Coffey was in that elite band of musicians who helped to create the Motown Sound."---Edwin Starr"There can never be enough stories told from the vantage point of Motown's fabled Snak

The past is never far behind.… Ellen Kellaway, orphaned at age five, was raised by wealthy cousins, but was never allowed to forget that her every advantage was owed to the charity of others. However

Wordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the 'song' of poetry were to Wordsworth's achievement. Drawing on advanced work in continental philosophy and social theory to address the ideological attacks which have dominated much recent commentary, Jarvis reads Wordsworth's writing both critically and philosophically, to show how Wordsworth thinks through and in verse. This study rethinks the relation between poetry and society itself by analysing the tensions between thinking philosophically and writing poetry.

On October 28, 1940, the Italian army under Benito Mussolini invaded Greece. The British had insisted on guaranteeing Greek and Turkish neutrality, despite the fact that Greece was never more than a l

An ex-cop, Finn was left literally blinded by violence. The one thing he can still see is the body of his wife, Dani, and a crime scene that won’t fade from his mind’s eye. Now a professor, Finn never

In a distant and second-hand set of dimensions, in an astral plane that was never meant to fly . . . Imagine a flat world sitting on the backs of four elephants who hurtle through space balanced on

This three-volume life of Charles Darwin, published five years after his death, was edited by his son Francis, who was his father's collaborator in experiments in botany and who after his death took on the responsibility of overseeing the publication of his remaining manuscript works and letters. In the preface to the first volume, Francis Darwin explains his editorial principles: 'In choosing letters for publication I have been largely guided by the wish to illustrate my father's personal character. But his life was so essentially one of work, that a history of the man could not be written without following closely the career of the author.' Among the family history, anecdotes and reminiscences of scientific colleagues is a short autobiographical essay which Charles Darwin wrote for his children and grandchildren, rather than for publication. This account of Darwin the man has never been bettered.

The British composer John Stainer (1840–1901) was organist at St Paul's Cathedral from 1872 to 1888, and in 1889 became Professor of Music at Oxford. In this third edition of A Theory of Harmony he ceased to call it a theory founded on the tempered scale, as he had previously. He wrote in the Preface that he now believed the theory to be perfectly applicable to the system of just intonation. A further reason, in his view, was that the attitude of scientific men toward modern chromatic music had recently improved, as they could see that their system would never be adopted as long as it threatened the existence of a single masterpiece of musical literature. However, the system would be accepted when it rendered such works capable of more perfect performance. This influential Victorian textbook is now reissued for the benefit of those interested in nineteenth-century composition and analysis.

Nathaniel Parker Willis (1806–67) came from a publishing family and began his writing career with contributions to magazines. He also wrote poetry and plays but is best remembered as a travel writer. In this two-volume work of 1840, his contribution (described on the title page as 'the literary department') was to provide a narrative for prints from the engravings of William Henry Bartlett (1809-54), the famous British landscape artist, who followed already established tourist routes in the United States to make his drawings. Each of Bartlett's 119 engravings is accompanied by a short essay by Willis, who states in the preface that it is his intention to bring to the reader at home 'at small cost' the sensations of travel which 'those whose lot is domestic and retired' would never be in a position to experience for themselves. The extremely popular work remained in print for thirty years.

Few, if any, individuals have had such a profound influence on Western culture as Jesus, even though not a single detail of his life or teaching can be confirmed with certainty. This lack of reliable biographical data has left his life open to broad interpretation. Jesus, gnostic and apocryphal sources insist, never truly died on the cross since he was a divine being, whose human frame was an illusion. Muslim sources affirm that Jesus was a prophet of God and will return at the end of time. Jörg Lanz von Liebenfels formulated racial theories in which Jesus was a redeemer for Aryans only, while the Renaissance polymath Guillaume Postel was convinced that Christ had returned as a Venetian woman. This book explores these and other views without taking sides in any theological arguments and presents research on a variety of alternative Christologies.

Whether you were away from the Lowcountry for a week or for years, it was impossible to remember how gorgeous it was. It never changed and everyone depended on that. Newly graduated from college, as

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Nathaniel Parker Willis (1806–67) came from a publishing family and began his writing career with contributions to magazines. He also wrote poetry and plays but is best remembered as a travel writer. In this two-volume work of 1840, his contribution (described on the title page as 'the literary department') was to provide a narrative for prints from the engravings of William Henry Bartlett (1809–54), the famous British landscape artist, who followed already established tourist routes in the United States to make his drawings. Each of Bartlett's 119 engravings is accompanied by a short essay by Willis, who states in the preface that it is his intention to bring to the reader at home 'at small cost' the sensations of travel which 'those whose lot is domestic and retired' would never be in a position to experience for themselves. This extremely popular work remained in print for thirty years.

This book, the first of three-volumes detailing the life of Charles Darwin, published five years after his death, was edited by his son Francis, who was his father's collaborator in experiments in botany and who after his death took on the responsibility of overseeing the publication of his remaining manuscript works and letters. In the preface to the first volume, Francis Darwin explains his editorial principles: 'In choosing letters for publication I have been largely guided by the wish to illustrate my father's personal character. But his life was so essentially one of work, that a history of the man could not be written without following closely the career of the author.' Among the family history, anecdotes and reminiscences of scientific colleagues is a short autobiographical essay which Charles Darwin wrote for his children and grandchildren, rather than for publication. This account of Darwin the man has never been bettered.