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The Law of the People’s Republic of China on Safeguarding National Security in the Hong Kong SAR (the ‘NSL’) promises to be the most important legal development in Hong Kong since the advent of the Basic Law. Many wondered in the aftermath of the NSL how the foundations of Hong Kong’s system might be changed and in what way the freedoms valued by Hong Kong may be affected. Supporters view the law as essential for the preservation of public order and the national security of China and to support the fundamental well-being of “One Country, Two Systems”, an arrangement that has been in place since the return of Hong Kong to China. Critics fear an adverse impact on the spirit of “One Country, Two Systems”.From a discussion initiated by the University of Hong Kong’s Faculty of Law, this collection of essays brings together leading experts on Hong Kong and Chinese law to offer an exploratory study of the NSL and its impact on the legal system and the principle of the rule of law in Hong Kong

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs.While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of conta

This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has b

微觀世界裏的中華人民共和國史城市史研究必讀之作美國城市史學會最佳著作獎「想要完全了解一個城市，就需要深入它的最底層，考察社會生活的最基本單位。茶館作為微觀世界，為我們提供了觀察社會、文化和政治轉型的理想視角。」——王笛每個城市都有自己獨特的公共空間，如同一個「微觀世界」，由此出發，我們得以重新觸摸和審視一個城市的歷史與記憶。微觀史名家、澳門大學歷史系講座教授王笛以二十年精深研究，為此提供了出色的示範。茶館是成都傳統文化與日常生活的一部分，當地人習慣在那裏打麻 將、約會、看戲、讀書、算命、掏耳朵，以及自由地爭論大大小小的政治和社會問題。在20世紀下半葉，茶館這個微觀世界經歷了前所未有的 劇烈變遷，本書對這一過程進行了細密考察，探討了中國城市社會與社 會主義政治演變之間的廣泛聯繫：國家權力怎樣改造公共生活？國家文化與地方文化有著怎樣的搏弈？人們又是如何重新佔領城市空間？因「對中國和全球城市史的研究作出重要貢獻」，本書榮獲美國城市史學會（The Urban History Association ）2018–2019年度最佳著作獎。 --------------------------------本書的魅力在於從小的城市空間展示出大的政治變遷，這樣，成都茶館成為了一個微觀世界，由此可觀察毛澤東時代的中國社會以及改革開放後的公共生活和經濟發展。本書不僅對中國和全球城市史的研究作出重要貢獻，而且有助於我們進一步理解非西方語境下的市民社會和公共領域這樣的重大問題。美國城市史學會「最佳著作獎」頒獎詞本書展示了敏銳的思想、廣博的知識，以及把抽象觀念與檔案和文化資料高超地結合在一起的能力。要理解毛澤東時代以及改革開放後的中國政治和文化變遷，本書將是必讀之作。《歷史新書評論》（History: Reviews of New Books）本書展示了1950 年以後成都公共生活的變化，為讀者提供大量生動的細節，描述了茶館業主、顧客、藝人、算命先生、掏耳匠等不同人群與國家權力的關係。這部精細的研究著作，為現代中國史、城市研究、文化人類學和休閒社會學的學者們提供了新的材料和見解。《跨學科歷史雜誌》（Journal of Interdisciplinary History）

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

This volume presents the artistic work of Chun Wai created in France in the 1980s-1990s. Like the exhibition Adrift in Time―Photography by Chun Wai at the University Museum and Art Gallery, The University of Hong Kong, the publication has documentary value as a photographic record of the past and the passing of time.This physical and philosophical journey caused the artist to realize that his insights into the relationship suspended between predestination and chance were leading to an expansive form of loneliness―a state he felt was similar to the torment experienced by the ancient Chinese poets. Chun wandered the streets and alleys of great cultural centres like Paris discovering the collections of its great museums, art galleries and flea markets, along with the vast memories contained within, preserved and passed on through the course of time.此展覽目錄為秦偉 1990 年代於法國的藝術創作之結集，圖片記載著作者對過去及已流逝的時間的回溯，具有文本價值。透過這趟旅程，秦偉深悟人生乃在宿命與偶遇之間，頓感中國古代詩人飄泊孤寂之感。他遊走於文化之都 ― 巴黎，穿梭於街巷、博物館、美術館和跳蚤市場，浪遊於浩瀚的記憶和時間的長河。

he Genera of Orchidaceae in Hong Kong is a handy reference for both amateurs and professional botanists in Asia who wish to enter the field of modern orchidology. Orchid appreciation is an art deeply rooted in Asian cultures. But in 1977, when this book was first published, orchidology as a science was new to people there. The technical vocabulary was unfamiliar and the subject matter difficult to understand. Therefore, this volume was intended as a general, easy-to-use reference book, with illustrations of the basic structure of orchids and their habit and habitat clearly described in Chapter I.The book may also be used as a self-help guide for naturalists and gardeners in Hong Kong who wish to identify an orchid new to them. In Chapter II, keys, descriptions, and illustrations are given to allow the reader to look up and gain information about individual orchid species. Chapter III provides an analysis of the composition and an interpretation of the phytogeographic significance of th

Studies in Colloquial Chinese and Its History: Dialect and Text presents cutting-edge research into issues regarding prestige colloquial languages in China in their spoken forms and as well as their relationship to written forms and the colloquial literary language. These include the standard regional languages and prestige dialects of the past, the influence of historical forms of spoken Chinese on written Chinese, the history of guānhuà and the history of báihuà, proto-dialects and supra-regional common languages (koines), and their relationship to spoken dialects. The various studies in this collection focus on the dialect groups with the most substantial written tradition, including Mandarin, Wu, Min, and Cantonese, in north, central and eastern coastal, and southern China respectively. The contributors explore the histories of these dialects in their written and spoken forms, presenting a variegated view of the history and development of the regional forms, including their evoluti

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how male writers, as they critique the outcomes of decades of market reform, also ask the same question: how best to be a man in the new postsocialist order?In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick and marginal masculinity, and responding to a desire to retain a

This book piecestogether the history of HMS Tamar. From her launch into service to her roles as a hospital, theatre stage, and transport for military personnel, the Tamar carried not just people, but also their mundane dreams and ambitions ― for friends, families, and staying alive.

Gods and Goddesses are not always perfect, what did Chang E do to have herself ending up alone on the moon?And do you know that Yi the Great Archer did more than just shooting down nine suns? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld. What would the Emperor see in the Underworld? Was he able to return to life? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them! My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

In The Making of Chinese-Sinophone Literatures as World Literature, Kuei-fen Chiu and Yingjin Zhang aim to bridge the distance between the scholarship of world literature and that of Chinese and Sinophone literary studies. This edited volume advances research on world literature by bringing in new developments in Chinese/Sinophone literatures and adds a much-needed new global perspective on Chinese literary studies beyond the traditional national literature paradigm and its recent critique by Sinophone studies. In addition to a critical mapping of the domains of world literature, Sinophone literature, and world literature in Chinese to delineate the nuanced differences of these three disciplines, the book addresses the issues of translation, genre, and the impact of media and technology on our understanding of “literature” and “literary prestige.” It also provides critical studies of the complicated ways in which Chinese and Sinophone literatures are translated, received, and reinveste

Traversing from the rapidly urbanising county-level city of Fuqing to the remote mountainous kingdom of Lesotho in Southern Africa, Searching for Sweetness is one of the first and most extensive ethnographies linking rural-to-urban migration in China with Chinese migration to Africa. Against the backdrop of China’s national struggle for modernity and globalisation, Sarah Hanisch examines Chinese migrant women’s complex and ever-shifting struggles for upward social mobility across different generations and localities in China and Lesotho. Embedding the women’s individual portraits into larger historical contexts, Hanisch illustrates how these women interpret and narrate their migratory and everyday experiences through and beyond powerful state metanarratives on ‘sweetness’ and ‘bitterness’. In her exploration of migratory identities and projects that have been overlooked by previous studies, Hanisch brings uniquely gendered, multi-sited, and intergenerational perspectives to existing sc

The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China is the first monograph in English on a controversial Ming dynasty literary figure. It examines and re-assesses the life and work of Ruan Dacheng (1587–1646), a poet, dramatist, and politician in the late Ming period. Ruan Dacheng was in his own time a highly regarded poet, but is best known as a dramatist, and his poetry is now largely unknown. He is most notorious as a ‘treacherous official’ of the Ming–Qing transition, and as a result his literary work―his plays as well as his poetry―has been neglected and undervalued. Hardie argues that Ruan’s literary work is of much greater significance in the history of Chinese literature than has generally been recognised since his own time. Ruan, rather than being a transgressive figure, is actually a very typical late Ming literatus, and as such his attitudes towards identity and authenticity can add to our understanding of these issues in late Ming intel

哈佛大學日本研究權威，全面總結平成「失落年代」(1989–2019) 緊貼史學研究新趨勢，增補環境史角度透視日本近代化進程 A Modern History of Japan: From Tokugawa Times to the Present 由哈佛大學日本研究權威安德魯.戈登(Andrew Gordon)教授撰寫，自問世以來一直是美國大學的經典日本史教科書，被翻譯成中、日、韓等多種語言。中譯本自 2006 年初版以來，已成為各大學最受歡迎的教科書與通識讀物之一。此次第四版依據 2020 年最新英文版，吸收學界新近研究成果，增補大量內容，包括環境史、性別關係、軍事安全政策、2010 年代日本政治和社會的近期發展，以至平成時代(1989–2019) 的總體評估。被譽為「迄今為止最好的近現代日本通史論著」。 ---------------本書作者未囿於從美國看日本的立場，以宏觀的態度，涵蓋德川時代以還日本之「現代性 」、「 多樣性 」及「 關聯性 」。在描述日本近現代史的諸多作品中，本書屬於廣度、深度並重，深具世界觀的作品，值得讀者細讀。─ 徐興慶，中國文化大學前校長 戈登這部《200 年日本史》所描述的是近代性所帶來的希望與悲痛，其中包括社會的動盪不安、生活的多樣化以及全球的聯繫。─ 約翰．道爾 (John W. Dower) ，麻省理工大學歷史系榮休教授 這部傑出的著作是由歷史學領域的頂尖專家撰寫而成，讓我們看到日本過去兩個世紀的歷史，既有獨特一面，又是全球現代史的一部分。本書涉獵廣泛，文筆生動，書中提出的全新詮釋不僅有益於本科教學和普通讀者，而且能促使自認為專家的人重新思考關於日本近代史及其發展的許多陳舊假設。─ 藤谷藤隆，多倫多大學歷史系教授 《200 年日本史》是有關近代和帝國時期日本的最佳教材。作為日本勞工史研究前沿的學者，戈登從平民角度提供了不少深刻的歷史細節，特別是日本工業革命期間及之後的工人和其他非精英階層所遇到的艱辛、機遇和阻力。─ 喬治．卡蘭德(George Kallander) ，雪城大學麥斯威爾公民及公共事務學院副教授 《200 年日本史》至今仍是日本近代史課程的最佳入門書，完美結合了一流學術性、可讀性和篇幅恰當的優點。最後一章更令這部著作有力地將歷史盡可能貼近現在，並指

This book includes four theoretical essays by experienced game facilitators regarding the concept, practice sharing, and application skills of group game facilitation, as well as a collection of 100 practical group games covering ice-breaking, mutual understanding, group cooperation, and problem solving.

Reverse paintings on glass occupy a special place in Chinese art, spanning the genres of glass working, export art, folk art, erotica, and meiren hua (paintings of beauties). Their unique appearance is the result of a challenging production process in which artists layer pigments in the reverse order of the normal painting procedure–highlights first, then mid-layers, and finally base colours. The final product is viewed in reverse from the opposite side of the glass, which must also be considered when creating the paintings. A product of the encounter between East and West, the manufacture of glass paintings in China was stimulated by European glass paintings brought to the imperial court by traders and diplomats in the seventeenth century. Initially made in Canton for Western consumers, by the eighteenth century their production had spread throughout China, with subjects and styles adapted to suit local tastes. The glass paintings in the Mei Lin Collection represent this later floweri

The fact that Snow did not sneak into “red China” to gather information constituting the basis of his Red Start over China all alone is in many instances isunderstood even by scholars.Mao Zedong’s biography has been the subject of an international mountain of commentary in China and elsewhere. Biographies praising Mao and those slandering him are all based on the American journalist Edgar Snow’s (1905–1972) account in Red Star over China for the route Mao traveled from early childhood through his youth.How the “Red Star” Rose introduces the image of Mao and the biographical information made known to the world through the publication of Red Star, and with its publication the circumstances which they fundamentally undermined. Ishikawa Yoshihiro uses Mao Zedong as raw material to examine from whence and how ordinary historical information and images which we habitually use unconsciously come into being.He desires to help readers to reconsider the historicity of the generation of not only

English novelist E.M. Forster wrote his last and best-loved work, A Passage to India, both as a paean to his love for India and as a tribute to the relationships he formed with Indians. Forster became entranced by the India of the Raj at a young age, and his love affair with the sub-continent, its princes, and peoples, was to last all his life. At his most socially transgressive, it was with Indians that Forster chose to connect and with whom he put into effect his belief in man’s duty to value friendship over state or ideology. His time in India was undoubtedly when he was at his most human and most vulnerable.At once a contemporary reflection on India’s rich history and a biographical retelling of Forster’s travels through the country in the early 1900s, Developing the Heart delves into the past to better understand the profound impact certain events and people had on his writing. In doing so, it allows readers to look on as Forster matures and softens over time in his behaviour with

This book explains the key aspects of executing an international IPO. Packed with useful tips, it reviews rules and market practices from the US to Europe, the Middle East, and the Asia-Pacific region. Real-life case studies are used to illustrate all aspects of conducting an IPO, including documentation, valuation, as well as marketing issues.This new edition has been the subject of a complete and detailed revision, including new information pertaining to market developments. Some topics, such as spin-off offerings, SPACs, listing requirements, and due diligence have also been further expanded while some 15 additional IPOs have been included as examples to illustrate various aspects of new offerings.It is most suitable for entrepreneurs, chief executives, and CFOs of companies about to be floated, investor relations professionals, family offices, private equity, hedge fund and institutional investors, and finance students. It will also be of interest to market practitioners such as in

High Gothic: Christian Art & Iconography of the 13th–14th Century showcases classic examples of statuary, stained glass, diptychs, textiles and caskets that were used in the expression of Christian devotion in Western Europe.‘Gothic’ was originally a derogatory term coined by scholars during the Renaissance to describe the ‘barbaric’ medieval architecture that arose with the decline of the classical forms of the Roman Empire. The word is now understood to describe a style of buildings and objects created between the twelfth and fifteenth centuries which incorporate elements such as novel advances in masonry work and the characteristic ogival arch.The Gothic period saw an increased emphasis on the power of images, where vision became an active force for activating emotion and inspiring contemplation. The great cathedrals constructed in this period―with their thin walls and high vaults filled with statuary and stained-glass windows―were designed to evoke awe among visitors. The exqui

The crisis of masculinity surfaced and converged with the crisis of the nation in the late Qing, after the doors of China were forced open by Opium Wars. The power of physical aggression increasingly overshadowed literary attainments and became a new imperative of male honor in the late Qing and early Republican China. Afflicted with anxiety and indignation about their increasingly effeminate image as perceived by Western colonial powers, Chinese intellectuals strategically distanced themselves from the old literati and reassessed their positions vis-à-vis violence. In Mastery of Words and Swords: Negotiating Intellectual Masculinities in Modern China, 1890s–1930s, Jun Lei explores the formation and evolution of modern Chinese intellectual masculinities as constituted in racial, gender, and class discourses mediated by the West and Japan. This book brings to light a new area of interest in the “Man Question” within gender studies in which women have typically been the focus. To fully r

This book carries decades of academic observations and the author’s personal political experience. It reviews and refects on the past trajectory of governance and administration, identifying strengths and capabilities as well as constraints and vulnerabilities of Hong Kong as a polity and society, while charting its course of ‘exceptionalism’ within a new context and under changing conditions.Hong Kong under British rule was a prime example of exceptionalism in many aspects —economic, political, and even social. It was governed under a colonial structure and yet had enjoyed a large degree of social and economic freedom, as well as fiscal self-sufficiency and autonomy from London. After returning to Chinese rule in 1997, Hong Kong has continued to thrive as a relatively resilient city-state still known for efficiency andeffectiveness despite tensions and scepticism about its political future.This book carries decades of academic observations and the author's personal political experienc

亞歷山大·蒲柏（Alexander Pope, 1688-1744），十八世紀最偉大的英國詩人，《牛津名言詞典》（The Oxford Dictionary of Quotations）收載條目第二多的詩人（僅次於莎士比亞），畢生勤於著述，擅多種題材文體。學識豐贍，才氣縱橫，洞燭世態人心，作品中妙語警句俯拾即是，許多都成為了英語世界的成語，例如“Hope springs eternal”（希望之泉永不竭）、“To err is human, to forgive,divine”（犯錯是人性，寬宥是神性）、“A little learning is a dang'rous thing”（一知半解害死人）、“Damning with faint praise”（名褒實貶）、“Fools rush in where angels fear to tread”（無知者無畏）。後輩詩人拜倫是對蒲柏五體投地：“無論時間或空間，哀痛或衰年，都永遠不能減損我對他的崇敬。他是偉大的諷喻詩人，規箴一切時代、一切風土、一切情感，以及生存的一切階段。他是我少時的歡樂，壯歲的志趣，或許還會成為我暮年（假使我有幸活到暮年的話）的慰藉。他的詩篇，便是人生的寶典。”蒲柏《呆廝國誌》是一部諷刺史詩，初刊於1728 年，最終版刊行於1743 年，前後歷時十五年，稱之為蒲柏畢生心血結晶，絕非過甚之辭。此詩以虛擬的“呆廝女神”為線索，鋪敘社會日趨粗鄙的頹敗進程，尖銳抨擊文藝市場化、低俗化、政治化的時弊，嬉笑怒駡，酣暢淋漓，直筆寫出一部活色生香的大不列顛墮落史，堪稱西方諷刺史詩的里程碑式巨製。這部詩作帶來莫大的聲名，同時給蒲柏招來了無數敵人，致使他餘生楚歌四面、怨謗隨身。文學史上稱許為“英語詩歌史上最引人入勝、最獨樹一幟的作品”的《呆廝國誌》，也許翻譯難度太大，直至現在牛津終於能出版給中文讀者。

This book focuses on a seldom discussed topic despite its immeasurable impact on the health of the citizens and public health in Hong Kong--the development of outpatient medical services and their contributions. In the early 20th century, Chinese elite organized and operated a number of Chinese Public Dispensaries in Hong Kong and Kowloon, initially to reduce the prevalence of "dump bodies" on the streets during epidemics of smallpox or plague, and to determine the cause of death of these bodies. Later other services including domiciliary deliveries by trained midwives were added. The government founded similar clinics in the New Territories. After WWII, the government took over all the Chinese Public Dispensaries and operated them as general outpatient clinics. Over the years, more general clinics and special clinics were developed. These clinics helped improve the health indices of the population to those of the Western countries by the 1970s.

香港是國際化城市，我們背靠祖國，也面向世界，兩文三語同樣重要，既要學好中文，更要掌握優良英語。學習英語不能囫圇吞棗，否則只會適得其反。本書第一部份〈時事短評〉，精選寫作水平高內容又有趣的英文文章，分析原文作者的寫法，介紹當中的句式、典故、俚語、詞彙的用法，希望讀者多了解英語之美，同時更了解文章的深層意思。第二部份〈政論英語〉，則是收錄葉劉淑儀在《南華早報》（SCMP）、《紐約時報》（The New

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