Mirage

First published anonymously in 1804—its author remains unknown—Mirage is set in Guangzhou (Canton), some decades before the city was overwhelmed by the opium trade and the Opium War. Su Jishi, the adolescent son of the head of the Chinese traders’ association, the men licensed to deal with foreign merchants in the port, is suddenly burdened with responsibility for his powerful family after his father’s unexpected death. More interested in sex than money, Su Jishi learns to navigate between pleasure and commerce as rebellions erupt just outside the city.

At the crossroads of two of the greatest Chinese books—the aristocratic coming-of-age novelThe Story of the Stone (The Dream of the Red Chamber) and the military epicOutlaws of the Marsh—Mirage is panorama of libertines and concubines, lecherous monks and celibate soldiers, corrupt officials and drunken scholars. As entertaining as a bestseller, it is a hectic re-creation of vanished mores and customs, and the life of a Chinese city as it was beginning to discover—and deal with—the rest of the world.

Patrick Hanan (1927–2014) was the Victor S. Thomas Professor of Chinese Literature, Emeritus, at Harvard University. He is the author ofThe Chinese Short Story, The Chinese Vernacular Story (a history of the genre),Essays on Chinese Fiction of the Nineteenth and Early Twentieth Centuries, andThe Creation of Li Yu, and the translator of many works of Chinese traditional fiction, includingThe Carnal Prayer Mat and The Sea of Regret. Mirage was his last translation of Chinese fiction.