Color and the Moving Image

This book is a selection of essays by Noel Carroll at the intersection of the major divisions of philosophy and film and TV including articles on moving images and metaphysics, epistemology, ethics, p

Plato and the Moving Image shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and vice versa.

Plotinus and the Moving Image offers the first philosophical discussion on Plotinus' philosophy and film. It discusses Plotinian concepts like “the One” and “the intelligible” in a cinematic context,

This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and s

Film and video have a double nature; they create an illusory world, a reality elsewhere and a material presence that both dramatises and demystifies the magic trick of moving pictures. Since the 1960s

Film and video have a double nature; they create an illusory world, a reality elsewhere and a material presence that both dramatises and demystifies the magic trick of moving pictures. Since the 1960s

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throu

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throu

This book investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Concentrating on works from France, the book examines the ways

Noel Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television--what Carroll calls "moving images." The essays dis

Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analysis of major films of both the narrative and the avant-garde traditions. Written in accessible and engaging language, it also serves as a guide to such classics as The Cabinet of Dr Caligari and Citizen Kane, as well as the art of cinema in the post-modern era.

A selection of essays written by a leading film critic, this 1996 volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory.

A selection of essays written by a leading film critic, this 1996 volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory.

Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle―a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women’s liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist

A diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animato

This book is about composition and its application in animation, illustration, games and film. It covers all various aspects of design and explains in detail the use of the specific aspect and provide

One of the most influential figures in French film philosophy, Raymond Bellour's interests range across cinema, art, literature and philosophy, and his work sits at the critical juncture between the c

One of the most influential figures in French film philosophy, Raymond Bellour's interests range across cinema, art, literature and philosophy, and his work sits at the critical juncture between the c

Cornwall’s representation on screen has been dominated by the romantic coastal edge, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham’s maritime ad

Cornwall’s representation on screen has been dominated by the romantic coastal edge, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham’s maritime ad

Exploring the use of live performance and the moving image in contemporary art practice, The Sensible Stage brings together essays that examine how elements from theater and cinema are integrated into

Contends that the narrative and aesthetic qualities of the documentary genre enable new understandings of animals and animal/human relationships.

Contends that the narrative and aesthetic qualities of the documentary genre enable new understandings of animals and animal/human relationships.

The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration with numerous professionals in the moving image field. It addresses the changes in information technolog

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memor

The idea of a visual manifestation of the work of Franz Kafka was denied by many--first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover ofMe

The idea of a visual manifestation of the work of Franz Kafka was denied by many--first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover ofMe