My First Aid Guide To...

How did lay people in old China save their lives when dealing with acute or chronic health issues? Conventional medicine was costly and might not have been an option for many. Instead, people in villages and towns relied on remedies drawn from a woodblock-printed illustrated booklet called the Seventy-Two Therapies, first published in 1847. The goal of this book is to foster an appreciation of China’s long tradition of folk remedies. Each folk remedy is illustrated by a page from the circa 1860s woodblock edition of the Seventy-Two Therapies which the author used for translation. He also added a historical and interpretive analysis to expand on each therapy and to place it in the context of contemporary thinking, aiming at academics and readers interested in the everyday lives of common people in pre-1950 China, and in the folk medicine wisdom inherited from the past. ------------------------------------------------------------------------------- “The 72 specific disease

Form Follows Fever is the first in-depth account of the turbulent early years of settlement and growth of colonial Hong Kong across the 1840s. During this period, the island gained a terrible reputation as a diseased and deadly location. Malaria, then perceived as a mysterious vapour or miasma, intermittently carried off settlers by the hundreds. Various attempts to arrest its effects acted as a catalyst, reconfiguring both the city’s physical and political landscape, though not necessarily for the better. Caught in a frenzy to rebuild the city in the devastating aftermath, this book charts the complex interplay between a cast of figures, from military surveyors, naval doctors, Indian sepoys, and corrupt and paranoid officials to opium traders, arsonists, Chinese contractors, and sojourner architects and artists. However, Hong Kong’s ‘construction’ was not just physical but also imagined. Architecture, cartography, epidemiology, and urban infrastructure offer a critical forensic l

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs.While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of conta

First published in 1968, this volume of essays, posthumously edited by the author’s brother Professor C. T. Hsia (a prominent Columbia University professor of Chinese literature), focuses on Chinese literary criticism relating to the work of leftist Chinese writers, including Lu Hsün, Chiang Kuang-tz’u, the “Five Martyrs,” and Chü Ch’iu-po, who were sympathetic to the ideals of the pre-1949 Chinese communist party. As one of the few foundational texts to provide a critical overview of the aesthetics and politics of China’s leftist literary movement, The Gate of Darkness examines the conflicting dilemmas between leftist authors’ own ideals and the strict ideological frameworks imposed by the propaganda policies of the Chinese communist party in the early twentieth century.Hsia’s essays are exciting reading precisely because Mr. Hsia approached his subject not merely with the index-cards of a historian but also with the sensitive eyes of a novelist. Tsi-an Hsia is a creative and compassi

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how male writers, as they critique the outcomes of decades of market reform, also ask the same question: how best to be a man in the new postsocialist order?In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick and marginal masculinity, and responding to a desire to retain a

Told through a little girl’s keen and often amused observation, AN INCH OF TIME gives a truthful, pleasant picture of daily life in Hong Kong in the post-war years. This first-hand account of the kind of home and school education received by many middle-class local Hong Kong children decades ago contains reminiscences about aspects of life-style, customs and traditions – both eastern and western – which average Hongkongers lived by in the 1940s and ‘50s. This memoir is set in a specific locality, the Happy Valley district of Hong Kong Island, home for over a century to the famous Jockey Club race-course.

In ancient times, scholars such as Confucius and Aristotle expounded on the virtue of the “middle way” or “intermediate,” an ideal point of moderation or balance between the extremes of human behavior. Adam Smith, widely considered the father of modern economics as we know it, also encouraged propriety in his first work, The Theory of Moral Sentiments. Since then, different schools of economics have continued to incorporate the idea of propriety into their theories, for example in such concepts as equilibrium and bounded rationality, though few economists have defined it explicitly. In light of growing uncertainty and polarization around the world, propriety economics offers alternative solutions for markets, governments, and everyday citizens.This book embarks on a thorough review of Eastern and Western philosophies of propriety over the past 2,500 years, followed by an investigation of the ideas of propriety found in five key schools of economics: classical, neoclassical, institution

Shan Shui Mountain|Water is the term we generally associate with the school of Chinese landscape art that many art historians around the world believe to be China’s most important contribution to the art of painting. Rooted in the philosophy of Daoism, the Shan Shui art movement - which first gained prominence during the waning years of the Tang dynasty (618-907) - actualizes its central precept that humans are but one of myriad manifestations of the Dao, and are therefore no more nor less significant than any other beings, and our destiny lies in abiding by the Way of Nature and living in harmony within it with humility, compassion and moderation. Using the three compositional principles of Shan Shui painting - Paths, Threshold and Heart - as his structure, Basil Pao assembled this collection of landscapes gathered during more than twenty years of travelling around the world into his latest book.

‘We must have a procedure – if we are going to hang anyone – that is just,’ said Chief Justice Sir Francis Piggott in 1909, on discovering that Chinese accused of murder were being denied interpretation in Hong Kong’s courts. Due process, no matter how costly or inconvenient, was ‘one of the penalties of empire,’ he declared.Penalties of Empire explores how judges, juries, and lawyers strove to deliver justice during the 150 years when the death penalty was in force in Hong Kong. Nine main chapters focus on key capital trials in the first century of British rule. Among the cases are piracies, assassinations, and crimes of passion and desperation. These chapters describe the proceedings in court and the participants involved. They also explore the debates surrounding each case and the exercise or denial of mercy by governors. Two final chapters discuss the decline of the death penalty after World War II, its suspension after 1966, and the controversies leading to its formal abolition in

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. Bettinson argues that Wong’s films—from Days of Being Wild and Chungking Express to In the Mood for Love and The Grandmaster—are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative disruptions, jarring cuts, the blocking of facial access, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. This tenth-anniversary edition of The Sensuous Cinema of Wong Kar-wai includes a substantial new afterword bringing the story of Wong’s career up to date (including reflections on the mainland Chinese drama Blossoms Shanghai). Bettinson revisits and extends the arguments of the first edition, surveys the recent key debates on Wong’s filmmaking, and introduces fresh lines of critical investigation.

Multiple Modernities approaches the concept of modernity through two historical phases of Norawy. The first study focuses on the interplay between Lutheran state officials and popular movements in the

This book presents a critical analysis and investigation of current developments and debates in the use of information technology (IT) in English language teaching (ELT) internationally. The first sec

First published anonymously in 1804—its author remains unknown—Mirage is set in Guangzhou (Canton), some decades before the city was overwhelmed by the opium trade and the Opium War. Su Jishi, the ado

This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of exp

This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of exp

Professor de Bary argues in these three lectures that China's Confucian tradition is still relevant in the democratic and pluralistic world order of today. First, Confucian tradition values free disco

Although Chinese-English dictionaries have become increasingly available on the market, one with Cantonese romanizations is still relatively rare. Chinese-English Dictionary is the first of its kind w

This is the first comprehensive bibliography on two closely related branches of Chinese linguistics: Chinese lexicology and Chinese lexicography. A total of 4,165 entries are listed.

The Mingjia (School of Names) is a notional grouping of philosophers first recorded as such in the Shiji. Their identifying feature was a concern with linguistic issues particularly inv

Based on rare first-hand historical data, Wang Ke presents the analysis of the East Turkestan from the perspective of Islamic social structure, the origin and evolution of thoughts on national revolut

The Poetics of Difference and Displacement is the first book in English that systematically investigates the twentieth-century Chinese-Western intercultural theatre. It demonstrates that what is centr

Imperial Masquerade: The Legend of Princess Der Ling, the first biography of one of the twentieth century's most intriguing cross-cultural personalities, traces not only the life of Princess Der Ling,

This book is the first comprehensive treatment of the spread, acculturation, functions and evolution of English in Asia. It discusses all major issues resulting from the introduction of English in cul

Deng Xiaoping's death marked the end of an era in contemporary Chinese politics. The first generation revolutionary leaders have gone, and the third generation leaders are genuinely in power. At the s

This volume is concerned with urbanization in Asia and particularly China. The first lecture deals briefly with urban/metropolitan patterns and processes in the United States. The second then suggests

South of the Yangtze starts with the protagonist, Qian Yinan, taking the high-speed train through the landscape of Jiangnan (“South of the Yangtze River”) with her American husband. Now in her mid-thirties, Yinan recalls her first trip along the same route in the late 1980s, as well as her Shanghai childhood with her “historical counter-revolutionary” grandfather, semi-literate grandmother, philosophy professor father and former “red guard” mother. Later in school, while receiving a nationalist education and witnessing the booming market economy, she becomes close to Jie, a classmate who aspires to join the Communist Party. And a few months before the new millennium, Yinan finds herself trapped in a secret love affair with her Mandarin-speaking high school teacher, who was once an activist during the political turmoil of 1989. In the midst of these formative relationships, Yinan contemplates the impact of the nation’s ideology, tradition and even it

The Mozi is one of the small number of key texts surviving from the first flowering of Chinese philosophy during the Warring States period (403–221 BC). In structure, the Mozi comprises five distinct

The growth of thoracic surgery in China was much more difficult than in many industrialized countries over the first five decades because of the ever-changing political and harsh socioeconomic conditi

Ida Pruitt, born of American missionaries and raised in a rural Chinese village at the end of the nineteenth century, witnessed almost a century of China's revolutionary upheavals. She was the first D

This is a new biography on Zhou Enlai, one of the most important and yet debatable political figures in the Chinese Communist Party. Based on solid research and first-hand information obtained from of

The biographical essays in this book - first published in 1962– give a sharp and fascinating picture of some of the Europeans who helped establish the colony of Hong Kong and lived through its e

Without a comprehensive system of mental health care, the Chinese government and mental health care professionals are being confronted with two crucial issues. The first issue is how China will provid

This is the first independent, full-life biography of Lu Xun, the most celebrated Chinese writer of the twentieth century, in any European language. It sets aside all the propaganda that has accrued o

This is the first independent, full-life biography of Lu Xun, the most celebrated Chinese writer of the twentieth century, in any European language. It sets aside all the propaganda that has accrued o

This book is a study of the Chinese experience with racial discrimination in Montreal, Canada. It begins with the arrival of the first batch of Cantonese, in the 1850s, in Victoria, British Columbia a

This book brings together for the first time the major essays and review-articles of David Hawkes, distinguished British sinologist and translator, Professor of Chinese at Oxford until 1971.It takes i

Shao Xunmei, poet, essayist, publisher, and printer, played a signifcant role in the publication and dissemination of journals and pictorial magazines in Shanghai during the 1920s and 1930s, but this is the first collection of his prose writings to be published in English. The essays in this book, some of which were selected by the writer's daughter, Shao Xiaohong, include long essays such as “One Man Talking” and “A Year in Shanghai” as well as several shorter essays on subjects as diverse as the caricatures of Miguel Covarrubias, woodblockprinting, and pictorial magazines—all of which were published in Shao’s own magazines.

The deepest and most varied of the Tang dynasty poets, Tu Fu (Du Fu) is, in the words of David Hinton, the “first complete poetic sensibility in Chinese literature.” Tu Fu merged the public and the pr

The world is filled with ten thousand things in confusion:Never overtax your literary thought.The Literary Mind and the Carving of Dragons is the first comprehensive work of literary criticism in Chin