The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema puts forward the theoretical notion of the "nasty woman" as a means of examining female protagonists in contemporary cinema, particularl
This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a ps
This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a ps
What is the role of the unconscious in our visceral approaches to cinema?Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guidin
What is the role of the unconscious in our visceral approaches to cinema?Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guidin
Translated from the Polish, Anna G. Piotrowska’s Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The aut
Translated from the Polish, Anna G. Piotrowska’s Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The aut
In Black and White Agnieszka Piotrowska presents a unique insight into the contemporary arts scene in Zimbabwe – an area that has received very limited coverage in research and the media. The book com
In Black and White Agnieszka Piotrowska presents a unique insight into the contemporary arts scene in Zimbabwe – an area that has received very limited coverage in research and the media. The book com
Psychoanalysis and the Unrepresentable opens a space for meaningful debate about translating psychoanalytic concepts from the work of clinicians to that of academics and back again. Focusing on the id
Psychoanalysis and the Unrepresentable opens a space for meaningful debate about translating psychoanalytic concepts from the work of clinicians to that of academics and back again. Focusing on the id